Riches
June 12th, 2021My God will fulfill every need of yours according to the riches of His glory in Messiah Yeshua.
Philippians 4:19 TLV
Yeshua – Hebrew for Lord
My God will fulfill every need of yours according to the riches of His glory in Messiah Yeshua.
Philippians 4:19 TLV
Yeshua – Hebrew for Lord
Set in Charleston, SC, and the surrounding islands, police are called to investigate the poisoning of a much-loved 1000-year-old tree, only to find evidence of a more brutal crime. From there, the story explodes into a fast-paced, multi-character thriller unlike any you\’ve ever read. Not for the faint of heart…
âDead Tree Tales by Rush Leaming is about a lot more than a dead tree. Itâs a mystery. Itâs a crime story. Itâs a thriller. Itâs a powerful comment on todayâs society and politics⌠fast-paced, full of action and intrigue⌠Itâs a real page-turner and just a fantastic read.â â Lorraine Cobcroft, Readerâs Favorite
Book Details:
Genre: Crime Thriller
Published by: Bridgewood
Publication Date: June 8th 2021
Number of Pages: 488
ISBN: 0999745654 (ISBN13: 9780999745656)
Purchase Links: Amazon | Goodreads
CHAPTER ONE
It was known simply as The Tree; that is what the locals on Johns Island, South Carolina, called it. A Southern live oak born a thousand years ago (some even said fifteen hundred), its gargantuan limbs swirled and stretched as much as two hundred feet in all directions. The lower arms, heavy with age, sometimes sank into the earth only to reemerge. Other branches flailed recklessly in the sky, like some sort of once-screaming kraken turned to wood by an ancient curse.
Generation after generation had protected it. Rising from the center of a former indigo plantation, and now officially known as Addisonâs Oak, The Tree had long been a source of pride, even fear, in the surrounding community, as well as James Island, Wadmalaw Island, and the nearby city of Charleston.
But now, The Tree was dying. It was not from natural causes either, not from time, nor gravity, nor the weather.
Someone had killed it.
âIs that a thing?â Detective Charlie Harper asked as he turned his head to look at his partner, Detective Elena Vasquez.
âI think so.â Elena squinted her eyes toward the top of the canopy, the leafy summit shadowed and backlit by the noon sun.
âArborcide? That’s a thing?â Charlie asked again.
An Asian-American man in his mid-twenties wearing wraparound sunglasses stood next to the two detectives. âYep. You remember that incident a few years ago in Auburn? Toomer’s Corner. Crazy Alabama fan poisoned the tree there.â
âYeah,â Charlie said. âBut I mean legally. Is it legally a crime to do this?â
âCops were involved there,â the man said. âThe guy went to jail. Has to be something. Why donât you call them? See what they did.â He pulled a pack of spearmint gum from the front pocket of his jeans and stuffed five pieces in his mouth, noticing Charlie watching him. âQuitting smoking. Nicotine gum makes me dizzy.â
Charlie nodded. âBeen there.â Six feet tall, with a closely trimmed beard under bright-blue eyes, he walked around the perimeter of the field.
Salt air swirled around himâthey were only a couple of miles from the beachâand Charlie realized it was the first time he had been away from the city and out on the islands in months, maybe even over a year.
Elena Vasquez, an athletic five-ten with shoulder-length black hair bobby-pinned over her ears, stood in front of the young man and opened a new page in the Notes app on her iPhone. âSo, youâre the one who called about this?â
âYes. It took some digging to figure out who to contact. I didnât know there werenât any police stations out here.â
âThatâs correct.â She typed the date 5/19/2015 at the top of the page. âClosest station is the Island Sheriffâs Patrol on James Island, but they donât handle things like this. Thatâs why you got us from the city. And who are you again?â
âDaniel Lee.â
She looked up from her iPhone. âDaniel is a nice name. Itâs my sonâs name, though we call him Danny. Where are you from, Mr. Lee?â
âIâm originally from MarylandâChesapeake Bay areaâbut now I live in Charleston. West Ashley. Iâm a Ph.D. candidate at the college.â
âCollege of Charleston?â Elena asked and continued typing.
âYes. Environmental science. Teach a couple of undergrad classes as well. And Iâm president of the local Sierra Club chapter. Our service project for this year has been public park maintenance and cleanup. I came here a week ago and saw that broken limbââ
âThis one?â Charlie pointed at a fat twisted branch about the length of a Greyhound bus lying near the base of the tree.
âYes.â
âWell . . .â Charlie said. âHow do you know it wasnât lightning or something?â
Daniel went over to Charlie and squatted next to the fallen limb. âThere are no burn marks. Lightning would leave those.â
âMaybe itâs just old age. Isnât this thing like a thousand years old or something?â
âPossibly more. It is rotting,â Daniel said. âBut not from old age. See this discoloration? The rust-colored saturation of the stump where it broke?â
Charlie leaned in a little closer. âYes.â
âThatâs from poison, from a lot of poison. And you can see spots like this forming and spreading all around the trunk and on other branches.â
Elena stood beneath The Tree, placing her hand on a dark-orange splotch on the trunk. The gray bark surrounding the stain felt tough and firm, but inside the color spot, it was soft and crumbling. âI see it.â
âItâs like cancer,â Daniel said. âThe Tree is not dead yet, but it will be soon. I had the soil tested as well as samples from the broken limb. They came back positive for massive levels of DS190.â
âAnd that is?â Charlie said.
âA variant of tebuthiuron. A very powerful herbicide. Similar to what was used at Toomerâs Corner. Somebody has been injecting the tree as well as dumping it into the ground. Probably for a few months to reach these levels.â
âInjecting the tree?â Elena said.
Daniel pulled them over to the base of the trunk where a ring of jagged holes stretched just above the ground. âYes. See these gashes? Somebody has been boring into the trunk, then filling it with DS190.â
Charlie took out a pair of latex gloves and put them on before touching the holes in the trunk. âYouâre sure this is intentional?â
âHas to be. This stuff doesnât just appear on its own. Itâs man-made. Someone has been doing this.â
âBut why?â Charlie asked.
Daniel held out a hand, palm up. âThus, the reason the two of you are here.â
Charlie shook his head. âI donât know about this. We usually work homicide.â
Daniel gestured towards the gashes in the trunk. âYou have a murder victim. Or soon will. Right in front of you.â
âBut itâs a tree!â Charlie said.
Elena looked up from her phone. âOkay, Mr. Harper. Easy.â
Daniel motioned for them to follow as he walked to the backside of the trunk. âThereâs something else.â He came to a stop in a patch of grass ringed with dandelion sprouts and pointed to dark-red streaks spread across the blades. âThatâs blood, isnât it?â
Charlie bent down and touched his gloved hand to one of the blades. âMaybe.â He took out a plastic bag and a Leatherman multitool from his jacket. He pulled apart the hinged scissors, then clipped away about a dozen pieces of grass and dropped them into the bag.
âAnd another thing,â Daniel said and led Elena to a spot about ten feet away. He pointed to a white card lying in the grass. âI didnât touch any of this, by the way. I didnât want to disturb the crime scene . . . I watch a lot of cop shows. I know how that goes.â
âDoesn’t everyone.â Elena squatted down, taking a plastic bag from her jacket. She used tweezers to pick up the card, muddy and frayed at the edges and turned it over to reveal a yellow cat emoji, just the head, whiskers, and a faint smile, printed on the opposite side. There were no words, just the image.
A strong breeze moved through the leaves of the great tree, a sound like rain showers mixed with groaning as the heavy limbs bent in the wind.
Charlie Harper removed his glove and rubbed the edge of his dark-brown beard. Looking at the massive branches, which did seem like the arms of giants, he began to understand why The Tree was such a big deal. âHave to say, it is beautiful here. Can’t believe I’ve been in Charleston four years and never been here. I should bring Amy. She’d love it.â
Daniel looked at Elena for an explanation.
âHis daughter,â she said, then turned to Charlie. âYou should. My dad brought me here a few times when I was a kid.â
âWell, you better hurry,â Daniel said.
âThere’s nothing to stop it?â Elena asked.
âProbably not. I contacted a team of forestry researchers I know from Virginia Tech. They are going to send a team down to look at it, see if anything can be done. I sent a request to the Parks Department to pay for it. If they donât, Sierra Club will hold a fundraiser.â
Charlie sighed. âOkay. While we decide what to do about this, Iâll call and have some signs and barriers put up to keep the tourists away.â
Elena turned to Daniel. âThank you for meeting us here. Could you come to our station in the city today or tomorrow to give a formal statement?â
âSure.â
âBring copies of the lab work. We gonna find anything when we do a background check on you?â
Daniel shook his head. âNo. Just some parking tickets . . . a lot of tickets actually. Parking at the college is a bitch.â
âThat it is,â Elena said. âHere is my card if you think of anything else.â
âThanks,â Daniel said. He stopped a moment as if to say something, then continued toward a white Chevy Volt parked near the road.
Elena looked at Charlie and raised her eyebrows. âSo, Mr. Harper, what do you think?â
âEhh . . . I mean I understand itâs old and rare and special and all that, but itâs a fucking tree. I donât know anything about trees, do you?â
âNo, but . . .â
âBut what?â
âI don’t know,â Elena said and looked around the field. âMy Spidey-sense tells me thereâs more to it than just some weird vandalism.â She took a step forward and winced.
âBack acting up?â Charlie asked.
âA bit,â she said.
âLunchtime anyway. Letâs take a break. Iâm starving. June and I got into it again this morning. Skipped breakfast.â
âSorry to hear that.â Elena swept a strand of black hair behind her ear. She pointed with her chin down a two-lane road to a crooked sign with a faded image of a pagoda: The Formosa Grill. âChinese?â
âSure,â Charlie said.
The two of them began to walk toward their gray Ford Explorer when Charlie saw a flash of white out of the corner of his eye. He stopped and knelt in the grass. He used his Leatherman tool to again pry away several blades.
âWhat is it?â Elena asked.
Charlieâs head bolted upright, his blue eyes narrowing. âMr. Lee!â he shouted. He pulled another latex glove from his pocket.
In the parking lot, Daniel climbed out of his car and made his way back to the field. âYes?â
âMr. Lee, when was the last time you were here before meeting us today?â
âYesterday morning,â Daniel said.
Elena knelt next to Charlie, looked into the grass, and let a low whistle escape her lips. She used her phone to take a photo.
Charlie used tweezers to pick up a severed finger. Sliced just below the knuckle, the stump crusted in blood, the flesh covered with red ants, it ended with a sharp green fingernail. He looked at Daniel. âDid you happen to notice this?â
Daniel swallowed hard, turning his face to the side. âNo. I did not.â
Charlie put the finger in a plastic bag.
Elena looked at him, her wide brown eyes giving him a knowing shimmer. âYou interested in this case now, Mr. Harper?â
Charlie didnât flinch. He stared at The Tree.
***
Excerpt from Dead Tree Tales by Rush Leaming. Copyright 2021 by Rush Leaming. Reproduced with permission from Rush Leaming. All rights reserved.
RUSH LEAMING has done many things including spending 15+ years in film/video production working on such projects as The Lord of the Rings films. His first novel, Donât Go, Ramanya, a political thriller set in Thailand, was self-published in the fall of 2016 and reached number one on Amazon. His equally successful second novel, entitled The Whole of the Moon, a coming-of-age tale set in the Congo at the end of the Cold War, was published in 2018. His short stories have appeared in Notations, 67 Press, Lightwave, Green Apple, 5k Fiction, and The Electric Eclectic. He has lived in New York City, Los Angeles, Atlanta, Zaire, Thailand, Spain, Greece, England, and Kenya. He currently lives in South Carolina.
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Part 1 of an Interview with Jodie Niznik, Author of Crossroads Q: Your new Bible study, Crossroads, examines the lives of Esther and Jonah, which seems to be an unlikely pairing. What did these two have in common? Esther and Jonah were very different people with very different callings. Esther was called by God to save a people she loved, her people. And Jonah was called by God to save a group of people that he most likely loathed. To say the Ninevites were enemies is putting it kindly. While Esther and Jonah were very different, they also had much in common. They were both providentially placed in their time and space in history and given gifts and skills that made them the perfect peopleâreally the only peopleâthat could fulfill the task God was asking of them. They were invited by God to follow him on a journey of obedience. Neither knew what the outcome would be. I love studying Esther and Jonah together because they responded to God so differently. Esther walked forward in brave, bold obedience, while Jonah literally ran the other way. Itâs easy to applaud Esther and shake our heads at Jonah. But the truth is, we have a little Esther and Jonah in each of us. There are moments we feel brave and bold, and moments we turn away. Studying them together not only helps us see how to choose faithful obedience but also helps us to know God better and understand his lavish grace for usâeven when we run away. Q: What makes Esther different from any other book in the Bible? How does this âabsenceâ point to one of the main themes of the book? A quick read of the book of Esther reveals something very interesting: there is no mention of God in the entire text. In fact, Esther is the only book of Scripture that doesnât explicitly mention God. The absence is glaring. How can an entire book of Scripture not mention God? Where is he? As we discover in this study, he is actually everywhere. He is the unseen main character who orchestrates every moment, every twist, and every âcoincidence.â This truth points to another main theme of the book: the providential care of God. Providence simply means that God is working in our normal lives, providing care and provision even when we canât see him. He is in control; he always is. Many believe the purposeful lack of mentioning God is part of the genius behind the book of Esther, because even when he isnât named, he is still there. He is unseen but holding everything together. What I love about this seeming absence is how it mimics our lives. God is also the unseen main character in our story. He is providentially overseeing every aspect of our journeyâoffering care and provision for every moment. What a gift and what a relief. Q: In one lesson, you also compare Esther to Danielâboth were called before a king while in captivity, but they displayed their faith and background differently. How does that apply to us today and our own calling? Jews in both Estherâs and Danielâs time adhered to strict dietary laws. When Daniel was in captivity, he felt led to refuse the food that wasnât in compliance with Jewish dietary regulations. Esther, on the other hand, did eat the food that was offered to her and thereby broke the dietary laws. The Lord blessed both Esther and Daniel in these very different circumstances. I think this provides necessary instruction for us that there isnât always one right answerâand an answer provided for one person may be different than the answer for another. This emphasizes the importance of staying in an active and intimate relationship with God. We need to continually seek him and whatâs best in every situation we find ourselves in. God asked Daniel to refrain from eating the rich foods offered to him, and God asked Esther to blend in by eating the food offered to her. Both were following Godâs best in their specific situations. Q: What can we learn from Esther about how to approach our own âfor such a time as thisâ moments? How can we prepare for those crossroads moments? The most inspirational part of the book of Esther is when she stands at her crossroads and confesses that she knows what must be done and that perhaps she has come to her royal position âfor such a time as this.â She also knows it could cost her life but boldly declares, âIf I perish, I perishâ (Esther 4:16). And then, she actually followed through. She did exactly what she knew she needed to do. How did she remain brave and not talk herself out of this risky but necessary next step? There are a few things she did that helped her stay strong. First, she invited others to be on the journey with her by declaring her intentions to them. Second, she sought God through fasting and prayerâas did those around her. And then finally, she took the brave and scary step and went. As we prepare for our own crossroads moments, we should do just what Esther did. First, share the next step with trusted Jesus-loving people. Then start praying and ask them to do the same. Iâd also recommend that you try fastingâfrom food or something elseâto help you seek Jesus with more intention. Finally, when you sense it is time, go. Be brave and bold and walk into your âfor such a time as thisâ moment. Q: Patience and timing are a significant part of Estherâs story. What can we learn from Esther about Godâs plan for us? Esther, at great risk to herself, went before the king without being summoned. As we see in other places in the book, he was a man prone to making rash decisions and could have had her executed on the spot for coming to him without being called. Once she finally did go to him, he extended his scepter to her as a sign that she was welcomed. Then oddly, she decided not to tell him what she needed but invited him to a meal. At that meal, she still did not disclose what she intended and invited him to a second meal. For one reason or another she felt led to wait, and itâs a good thing she did because the king learned some very needed information from an unlikely source between these two meals. Waiting seems counterintuitive for us. We live in a hyper-fast and immediate world, yet Godâs timing, while often slower than we want, is always the perfect timing. Had Esther jumped ahead, the king wouldnât have had all the information. How did she know to wait? The text doesnât tell us, but I imagine that as she fasted and prayed, she was listening to God, and he was instructing her. This is just one more reason why itâs important to slow down and listen to the Lord. He will guide us, and when he does, the timing will be perfect. Q: Fasting is an activity you suggest more than once. What are some examples of fasting we can do today in order to hear Godâs calling for us? Fasting is simply a way to help us become more attuned to what God is doing. We donât fast to get anything from God but to become more attentive to him. There are many things we can fast from. The most obvious and common fast is from food. Fasting from food creates physical pangs and longings in our bodies that are hard to ignore. These physical cues help us remember to seek God with more intention in those moments. However, not everyone can or should fast entirely from food, and thatâs OK. We can still have an effective fast as long as we choose something that we do with regularity and, when we take this thing out of our lives, it would be noticed. So, for example, you could fast from a specific food or drink, social media, the news, or even listening to anything while driving in your car. The ideas are endless. If you are wanting to do a fast to help you seek the Lord and discern your next steps, take a few minutes to ask him in prayer what some good fasting ideas could be. Choose something, decide on a time frame, and then try it out. Every time you want to engage with or have the thing you are fasting from, turn to God in prayer instead. Q: What are the elements in each lesson of this Bible study? How is Crossroads designed to be used? Each lesson starts with a short practice section. Many people use the term spiritual disciplines to describe these activities. And while I do like that phrase, Iâve settled on practices because it feels more like an invitation to practice something in our relationship with the Lord, often something new. These practices donât take a lot of time, but they often require planningâwhich is why I start each lesson with them. My hope is that readers will find something that brings new life to their relationship with the Lord as they try these things out. Crossroads is broken into five daily sections for each lesson. Each day shouldnât take more than thirty minutes to do. The study can be used in a group or individually. |
To learn more about Jodie Niznik, visit www.jodieniznik.com. She can also be found on Facebook (@JodieGNiznik) and Instagram (@jodieniznik).
When attorney Samuel Wong goes missing. wildlife magazine reporter Kristy Farrell believes the disappearance is tied into her latest story concerning twenty acres of prime beachfront property that the Clam Shell Cove Aquarium hopes to purchase. Sam works for multi-millionaire land developer Lucien Moray who wants to buy the property for an upscale condominium. The waterfront community is divided on this issue like the Hatfields and McCoys with environmentalists siding with the aquarium and local business owners lining up behind Moray.
Meanwhile, a body is found in the bay. Kristy, aided by her veterinarian daughter, investigates and discovers deep secrets among the aquarium staff–secrets that point to one of them as a killer. Soon the aquarium is plagued with accidents, Kristy has a near death encounter with a nine foot bull shark, and a second murder occurs.
But ferreting out the murderer and discovering the story behind Sam’s disappearance aren’t Kristy’s only challenges. When her widowed septuagenarian mother announces her engagement, Kristy suspects her mom’s soon to be husband is not all he appears to be. As Kristy tries to find the truth before her mother ties the knot, she also races the clock to find the aquarium killer before this killer strikes again.
Book Details:
Genre: Cozy Mystery
Published by: Encircle Publications
Publication Date: July 15th 2019
Number of Pages: 244
ISBN: 1948338793 (ISBN13: 9781948338790)
Series: A Kristy Farrell Mystery #2 || Each is a Stand-Alone Novel
Purchase Links: Amazon | Barnes & Noble | Encircle Publications | Goodreads
ISLAND BREEZES
There’s more than one something fishy in Clam Shell Cove. And it’s not all at the aquarium.
Much to Detective Wolfe’s dismay, Kristy Farrell is in the midst of it all.
She and her daughter Abby have their hands full trying to figure out why friends keep dying. Also, they need to prove Kristy’s mother’s boyfriend is a scam artist before the two up and marry.
I was able to figure out who the murderer is, but went back and forth a bit before settling on my first choice. The why and even the how was hidden until nearly the end of the book.
Thank you, Ms Schmitt, for this cozy mystery. I’m looking forward to more Kristy Farrell books.
***Book provided without charge by PICT.***
âSomething bad happened to Sam. I know it.â
Katie Chandlerâs sea green eyes filled with tears. A sea lion trainer at the Clam Shell Cove Aquarium, Katie had been my daughterâs college roommate.
âMaybe Sam worked late and forgot to call,â I said.
Katie shook her head, her chestnut hair flying in the bay breeze. âNo. He hasnât answered my texts or phone calls. I stopped by his house twice too. No oneâs home.â
Silence. I tried thinking of something helpful, or at least hopeful, to say.
âI called the police, Mrs. Farrell. The officer said being stood up for a dinner date isnât enough for a missing persons caseâthat maybe it was Samâs way of breaking up.â
I shifted my gaze to the whitecaps on the bay while Katieâs statement sank into my brain. Perhaps the officer was right. I knew from my daughter Abby that the relationship between Katie Chandler and Samuel Wong had hit a rough patch.
The conflict: Katie, who served as executor of her late grandmotherâs charitable trust, was donating six million dollars of this money to the aquariumâs expansion project, which included the acquisition of twenty acres of adjacent land. Sam worked as executive assistant to multi-millionaire developer Lucien Moray who wanted to buy the bay front property for luxury condominiums. What started off as friendly bantering between Katie and Sam had escalated into explosive arguments that had become increasingly personal.
But Katie and Sam werenât the only ones embroiled in this controversy. The community at large had become like the Hatfields and McCoys. Environmentalists wanted the property to go to the aquarium where it would be used for breeding grounds for endangered species, an aquatic animal rehabilitation center, and a research camp for marine scientists. Local business owners sided with Moray, hoping high end condo owners would bolster the areaâs economy. I was writing an article on this for Animal Advocate Magazine. Thatâs why I was at the aquarium today.
Katie continued, âNo matter what happened between us, Sam would never stand me up. Heâs my fiancĂŠ not someone I picked up a few hours ago at a bar. Besides, Sam came around to my point of view. He had it with Lucien Moray. He hadnât told anyone but me yet, but he was quitting his job at the end of the year.â
âIâve an interview later this morning with Moray,â I said. âIâll check around and see what I can find out. Someone in Morayâs office may know Samâs whereabouts.â
âWhat if no one does?â
âLetâs take it one step at a time.â I glanced at my watch, then pushed myself off the rock where Iâd been sitting, a task that would have been easier if I were ten years younger and twenty pounds lighter. âSpeaking of interviews, my appointment with your aquarium director is in five minutes, so I better head inside. Iâll call you tonight.â
Katie sighed. âThanks. I should get back to my sea lions too. Weâve a show at eleven.â She rose and stretched her small wiry body. âAfter the show, Iâll stop at Samâs house again.â
Katie, shoulders slumped, wandered off in the direction of the outdoor sea lion amphitheater. I stood for a moment, inhaling the salt air while watching a seagull dive into the bay and zoom back to the sky with a fish in its mouth. As the autumn wind sent a sudden chill down my spine, I wrapped my arms around my body, thinking back to when Katie and my Abby attended college. Abby often acted impulsively, out of emotion, but Katie had always been levelheaded, never someone to jump to conclusions. What if Sam is really in trouble? The thought nagged at me as I trekked up the sandy beach and stepped into the building that housed the indoor exhibits.
I made my way down a long corridor, surrounded by floor to ceiling glass tanks housing ocean life from around the world. I paused at the shark tank and marveled at the grace and beauty of these fearsome predators gliding silently through the water, causing hardly a ripple. I would be back here soon. In addition to my article on the land expansion, I was writing a story on ocean predators.
I veered down the administration wing. When I came to a door marked DIRECTOR, I glanced again at my watch. Ten-thirty. Right on time. I knocked.
âEnter,â a booming voice responded. I pulled open the door and stepped inside.
Standing in front of me was a man who appeared to be in his mid-fifties. Noting his polished wingtips, sharply creased trousers, navy blazer, crisp white shirt, and perfectly knotted tie, I wished Iâd dusted the sand off my shoes.
We stood face to face. Actually, it was more like face to chest. I was only five feet tall and this man towered over me by at least a foot and a half.
âCommander Conrad West,â he said, extending his arm. His handshake was firm and strong. âYou must be Kristy Farrell, the reporter from Animal Advocate Magazine.â
Conrad West stood ramrod straight, probably a throw-back from his military training. A former naval commanderâthe youngest African American to be appointed a commander in the navyâs historyâhe had started his career as a medical corpsman. He had been director of the Clam Shell Cove Aquarium since his retirement from the navy last year.
He walked behind his desk and positioned himself in a large swivel chair.
âYou may sit,â he said, pointing to a straight back chair facing him.
I slid into the chair, suppressing the urge to playfully salute.
He went straight to the point. âI understand youâre writing about the land acquisition. Have you seen our expansion plans?â
âYes, and they are impressive. But how will the aquarium come up with the money to buy this land?â I asked, fumbling through my bag for my pad and pen. âYouâre competing with the bottomless pockets of Lucien Moray.â
Commander West leaned forward, his hands clasped in front, as if praying that what he was about to say would come true. âThe current property owner, Stuart Holland, is a business man whoâs not about to forgo a profit. But heâs also an active conservationist and a lifelong resident of this area who would like to see the land used in an environmentally friendly manner. Heâs kept it vacant until recent financial loses forced him to put it up for sale.â
The Commander leaned back. âThereâll be no bidding war. He set a priceâten million dollars. The land is worth more, but Stuart wants it to go to us, so he set a price he feels we can reach. If we can raise the money by next summer, the land is ours.â
âTen million is a high goal.â
He nodded. âMore than half of the funding will come from a trust set up by Alicia Wilcox Chandler. We also have one million in reserve that we accumulated during the past few years. Of course, weâre still three million short, but our new development officer is planning an aggressive fundraising campaign withââ
A loud knock on the door interrupted the conversation.
Commander West scowled. âEnter.â
A plump woman with a bad case of acne barged into the room. She wore jeans and a light blue shirt with an aquarium patch on the upper left pocket identifying her as Madge.
âCommander,â she said, slightly out of breath. âWe have a problem. The sea lion show is in ten minutes, and Katie just ran out.â
âWhat do you mean she ran out?â
The woman shrugged. âShe took a call on her cell phone, then flew out of the amphitheater.
âDidnât she say anything?â The scowl hadnât left his face.
The woman paused, furrowing her eyebrows as if deep in thought. âOh, yeah. But I donât know if it had to do with why she left.â
âWhat did she say?â He appeared to be talking through gritted teeth.
âShe said two fishermen found a body floating in the inlet.â
***
Excerpt from Something Fishy by Lois Schmitt. Copyright 2021 by Lois Schmitt. Reproduced with permission from Lois Schmitt. All rights reserved.
A mystery fan since she read her first Nancy Drew, Lois Schmitt combined a love of mysteries with a love of animals in her series featuring wildlife reporter Kristy Farrell. She is a member of several wildlife and humane organizations as well as Mystery Writers of America. Lois worked for many years as a freelance writer and is the author of Smart Spending, a consumer education book for young people. She previously worked as media spokesperson for a local consumer affairs agency and currently teaches at Nassau Community College on Long Island. Lois lives in Massapequa with her family which includes a 120 pound Bernese Mountain Dog. This dog bears a striking resemblance to Archie, a dog of many breeds who looks like a small bear, featured in her Kristy Farrell Mystery Series. Lois was 2nd runner up for the Killer Nashville Claymore Award for Something Fishy.
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Let us examine and test our ways, and let us return to Adonai.
Lamentations 3:40 TLV
Adonai – Hebrew for Lord
Memorial Day is about the ones who didn’t come home to become veterans.
For God did not destine us for wrath but for obtaining salvation through our Lord Yeshua the Messiah.
He died for us so that, whether we may be awake or asleep, we may live together with Him.
Therefore encourage one another and build each other up
1 Thessalonians 5:9-11 TLV
Yeshua – Hebrew for Jesus
Deep beneath the Arctic Ocean, a covert team of Chinese operatives uses stolen U.S. technology to capture Russiaâs newest attack submarine. Loaded with 100-megaton nuclear torpedoes, the sub is headed west. The Americans want to sink her, the Russians want her back, and the Chinese claim theyâre not responsible.
NCIS agent Jon Shay is a former SEAL Team Two operator. Still shattered by the murder of his wife a year earlier, he places the barrel of a revolver against his temple, spins the cylinder, and squeezes the trigger. He hears only a clickâand the chime of his phone. Activated for a mission in the Arctic, Jon pairs with British scientist Kate Barrett to battle a ticking clock, trained operatives, and top government officials. Together, they must find and stop the worldâs most lethal submarine. The stakes are raised when they learn that the Russian sub is controlled by an infected AI system bent on completing its mission to create a nuclear winter.
“W. Craig Reed’s Status-6 is my vote for Thriller of the Year. The protagonist is Tom Clancy’s Jack Ryan meets Lee Child’s Jack Reacher.” — Grant Blackwood, #1 New York Times bestselling author of Tom Clancy’s “Under Fire“
“W. Craig Reed’s latest novel, Status-6, is the best book I’ve read this yearâa ripped-from-the-headlines military technothriller that literally left me awake at night, fearful of where we’re headed as a nation and a species. What’s next after the nightmare coronavirus pandemic? Don’t miss this first book in the NCIS Special Ops series that promises to shatter the thriller genre.” — James Rollins, #1 New York Times bestselling author of “The Demon Crown (Sigma Force)”
“W. Craig Reed’s Status-6 grabs you from page one and doesn’t let you go. The global security crisis revealed in this book is all-too-real and could well be tomorrow’s headlines. The characters are well-nuanced and provide a powerful urge to root for or against them. Don’t read this thriller before going to bedâyou’ll be awake all night!” — George Gladorisi, New York Times bestselling author of the Tom Clancy Op Center series
Status-6 Book Details:
Genre: Military Thriller
Published by: Post Hill Press
Publication Date: April 13th 2021
Number of Pages: 256
ISBN: 1682619354 (ISBN13: 9781682619353)
Series: Status-6 is the first book in the NCIS Special Ops Thriller series.
Purchase Links: Amazon | Barnes & Noble | Goodreads
With his legs sore and lungs burning from the cold, Jon arched his back and stretched when the group finally stopped marching thirty minutes later. To his right, about a quarter-mile distant, the bright blue stripes covering the mess tent signaled the location of the ICEX camp. Two holes, three feet in diameter, had been carved into the ice a few feet from where the group now stood. Jon surmised they were the spent practice torpedo holes drilled by Navy Divers. Liang and company must have parked the ASDS nearby and used the holes as infiltration points. Also, Liang must have had some inside help to deactivate the intruder detection system surrounding the holes. But who? Rinaldo? When would she have had access to that system? More unanswered questions.
Rinaldo approached and said, âSince youâre the former Navy SEAL, why donât you help our female guest suit up?â
Jon crossed his arms. âThis has gone far enough. Time for some answers, Rinaldo.â
Rinaldo pointed her M-16 at Kateâs head. âHowâs this for an answerâshe suits up or dies.â
Jon uncrossed his arms and fought to quell the ire-stoked coals in his chest. He turned toward Kate. âAre you a certified diver?â
Kateâs nose and cheeks were red. She shivered. âI hate water.â
âDrinking or swimming?â Jon said, hoping to diffuse Kateâs angst.
It didnât work. Kate looked like a small child being forced to brave a dark alley. âI canât do this.â
While donning a dry suit, Rinaldo cocked an ear. âWhatâs the problem?â
Kate stared at the hole in the ice. Frigid blue water lapped against the sides. She backed up and turned away.
âI think she has a water phobia,â Jon said.
âGet her over it,â Rinaldo said.
Jon bristled. The muscles in his face tightened. He grabbed Kateâs suit and brought it to her. Facing her back, he said, âTurn around.â Shaking, Kate remained facing away.
âPlease, turn around.â
Kate turned.
âGood,â Jon said. âNow look at me.â
Kateâs eyes met his. Though full of fear, they were riveting, like a blue morning sky touching the edges of a Nebraska corn field. Jon felt his heart flutter. He tried to hold on to the feeling, but it refused to linger. A year had come and gone since heâd lost his wife, but the pain in his chest still held the high ground.
âIâm not setting a foot in that water,â Kate stammered. Her eyes burned with defiance.
âWhat about a toe?â
Kate crossed her arms and said nothing.
âJust put on the suit to keep the witch happy while I think of something,â Jon said.
âSomething?â
âYeah, something.â
âLike what, mate?â
Rinaldo called over from the other side of the ice hole. âFive minutes, Shay.â
Jon held up the suit. âJust put it on, please. I promise Iâll think of something.â
Kate rolled her eyes and held out her arms. âFine, but youâd better not be lying to me.â
âWhoâs your colleague?â Jon asked as he moved in close to help Kate don the dry suit.
âBobby Ruppert. Heâs a bit rough around the edges and goes into panic mode in stressful situations, but heâs a brilliant engineer.â
While Jon zipped up Kateâs dry suit, the scent of her perfume conjured a memory. He shivered.
âNow what?â Kate said. Her bottom lip quivered. Annelia had also done that when she was frightened.
Jon pulled on his suit. He stepped toward Kate and said, âLetâs just put on our SCUBA gear and then Iâll make my move.â
âYour move?â Kate shot back.
Jon said nothing as he helped Kate into a BC vest, saddled up her tank, and held a Kirby Morgan diving mask in her direction. âPut this on.â
Kateâs tone turned urgent as she grabbed the mask. âYou said youâd think of something.â
âJust follow my lead.â Jon pulled on his tank and ran through a system check. The action felt like a visit from an old friend and reminded him of dozens of missions survived.
Kate shook her head in defiance as she sucked in a breath. The hiss of compressed air echoed off nearby shards of ice pushed skyward by Mother Nature.
One by one, Liangâs men entered the water. Jon watched Kate recoil with each splash.
Rinaldo approached. âReady?â
Kateâs eyes widened. She held her palms up as if to say, âSomething?â
Now fully suited, Jon led Kate toward the water. He had to drag her the last few feet. He turned toward her, lifted up his mask, and said, âIâll hold your hand all the way. This will all be over in five minutes.â
Her eyes still wide, Kate tried to step backward but Jon held onto to her hands and gently kept her in place.
âJust follow me,â Jon said. âIâve done this hundreds of times.â
Kate shook her head as she dug her heels into the ice.
Rinaldo slapped Jonâs back. The gesture did not feel friendly.
Jon slowly guided Kate toward the holeâs edge. She fought to pull away. He held on tight and looked into her eyes, assuring her in silence that she could do this. Tears streamed down Kateâs face and dripped onto the maskâs rubber lining. Her breathing was erratic. Jonâs heart ached with compassion and guilt. He felt like a jailor forcing an innocent victim into a torture chamber. The bitter taste of choler filled his mouth as he stole a glance at Rinaldo. The beast in his gut grumbled and demanded to be set loose. Jon closed his eyes and slowly breathed in and out to quell the angst.
He opened his eyes, lifted his mask again, and focused on Kate. Softening his voice, he said, âClose your eyes.â
Kate stared at him through her mask. Jon could tell she wanted to trust him, but fear remained her master. He had seen this kind of panic before on the faces of green wannabe SEALs learning how to dive the Navy way. None of them had ever made it through training. For sure, none of them would have survived a dive in Arctic waters.
âClose your eyes and trust me,â Jon said. âDonât open them until weâre out of the water.â
Trembling, Kate closed her eyes. Jon pulled on her fins and helped her into a seated position with her legs dangling into the water. He did all this with slow movements so as not to make a splash. Rinaldo stood by and watched with impatient indifference. Jon slipped into the holeâŚ
***
Excerpt from Status-6 by W. Craig Reed. Copyright 2021 by W. Craig Reed. Reproduced with permission from W. Craig Reed. All rights reserved.
William Craig Reed is the New York Times bestselling author of thrillers and non-fiction military and business books including Spies of the Deep: The Untold Story of the Most Terrifying Incident in Submarine Naval History and How Putin Used The Tragedy To Ignite a New Cold War and the critically acclaimed Red November (HarperCollins). Also, The Seven Secrets of Neuron-Leadership (Wiley), an award-winning business book, and Tarzan, My Father (ECW) co-written with the late Johnny Weissmuller, Jr.
Reed served as a U.S. Navy submariner and diver during the Cold War and earned commendations for completing secret missions, some in concert with SEAL Team One. Reedâs military experience and inside contacts help infuse his writing with intrigue and realism, and inspired his next non-fiction book, Also, this novel: STATUS-6 about a former SEAL Team Two operator turned NCIS agent that teams with a British female scientist to stop a Russian submarine controlled by an infected artificial intelligence.
Reed holds an MBA in Marketing and was a former vice president and board director for the Silicon Valley American Marketing Association. Reed is the co-founder of Us4Warriors, an award-winning Veterans Non-Profit and serves on the Board of Aretanium, a wellness firm that leverages the neuroscience he wrote about in his leadership book to provide personalized wellness and professional development programs to accelerate brains, careers, and relationships.
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Three best friends are at the venue just to hear their favorite band . . . but only one of them makes it out alive.
When police stop Dustin with a warrant to search his trunk, he knows itâs just a mistake. Heâs former military and owns a security firm. But heâs horrified when they find explosives, and he canât fathom how they got there.
Criminal attorney Jamie Powell was Dustinâs best friend growing up. They havenât spoken since he left for basic training, but sheâs the first one he thinks of when heâs arrested. Jamie knows sheâs putting her career on the line by defending an accused terrorist, but sheâd never abandon him. Someone is framing Dustin to take the fall for shocking acts of violence . . . but why?
âIn Aftermath, Terri Blackstock plumbs the depth of human emotion in the face of devastating tragedy, grief, and loss. Yet, she still manages to give readers her trademark suspenseful story, sweet romance, and hope for the future. From gut wrenching scenes in a cancer patientâs hospital room to seeing the world through the eyes of a young woman with a debilitating mental health disorder, Blackstock pulls no punches about human frailties. Does the end justify the means? Romantic suspense lovers wonât want to miss Aftermath.â
âKelly Irvin, bestselling author
âJustice may be blind but that doesnât keep it from facing mortal danger. In Aftermath, expert storyteller Terri Blackstock ratchets up the suspense in a novel that delivers on every level. Conflicts rage and loyalties are tested to the ultimate limit. Set aside plenty of time when you pick up this bookâyouâll not to want to take a break.â
âRobert Whitlow, bestselling author
Book Details:
Genre: Suspense
Published by: Thomas Nelson
Publication Date: May 11th 2021
Number of Pages: 320
ISBN: 0310348587 (ISBN13: 9780310348580)
Series: Aftermath is a stand-alone novel
Purchase Links: Amazon | Barnes & Noble | Christianbook | Goodreads
Aftermath
Chapter One
Taylor Reidâs phone flashed as she snapped the selfie with her two friends, their heads touching and their backs to the stage. The shot from the third row, with the lead singer in the background and the three of them in the foreground, was perfect. No one would believe their seats were so close.
They turned around to face the band, dancing to the beat of the song theyâd been listening to in the car on the way to Trudeau Hall.
Taylor quickly posted the pic, typing, âEd Loran targets nonpoliticals for his rally with band Blue Fire. Worked on us!â
She put her phone on videotape and zoomed onto the stage.
âI donât want it to end!â Desiree said in her ear.
âMe either!â Taylor yelled over the music.
âMaybe theyâll play again after his speech,â Mara shouted.
The song came to an end, and the crowd went crazy, begging for one more song before the band left the stage.
But an amplified voice filled the auditorium, cutting off the adulation. âLadies and gentlemen, please welcome the next president of the United States, Ed Loran!â
The crowd sounded less enthusiastic as the band left the stage and Ed Loran, the Libertarian celebrity magnet, made his entrance. Taylor kept cheering and clapping, letting her enthusiasm for the band segue to him.
It happened just as the candidate took the stage. The deafening sound, like some confusing combination of gunshot and lightning bolt, a blast that blacked out the lights and knocked her to the ground. Smoke mushroomed. Screams crescendoedâshrieks of terror, wailing pain, shocking anguish . . . then sudden, gentle silence, as if she were underwater. A loud ringing in her ears filled the void.
She peered under the seats, choking for breath as dimmer lights flickered through the smoke. Even from here, she could see the fallout of whatever had happened. Blood pooling on the ground, people hunkering down as she was, feet running . . . What was happening? An explosion? A crash? She looked around and couldnât see her friends.
She clawed her way up and looked over the seat. Smoke and fire billowed from the stage into the crowd, and heat wafted over her like some living force invading the room. Muffled, muted sounds competed with the ringing.
Get out! Now! She dropped back down and crawled under two rows of seats until she came to someone limp on the floor. She felt herself scream but couldnât hear her own voice. Scrambling to her feet, she went to her left to get to the aisle, but her foot slipped on something wet. She grabbed the seat next to her to steady herself, then launched into the frantic crowd in the aisle. The room seemed to spin, people whizzing by, people under her, people above her, people broken and ripped and still . . . She stepped and fell, crawled and ran, tripped and kicked her way to the bottlenecked doorway, then fought her way through it.
The ringing in her ears faded as she tumbled downstairs, almost falling into the lobby below. The sound of crying, coughing, wretching, and the roaring sound of pounding feet turned up as if some divine finger had fiddled with the volume.
She set her sights on the glass doors to the outside and pushed forward, moving through people and past the security stations theyâd stopped at on the way in. She made it to the door and burst out into the sunlight.
Fresh, cool air hit her like freedom, but at first her lungs rejected it like some poison meant to stop her. At the bottom of the steps, on the sidewalk, she bent over and coughed until she could breathe.
After a moment, the crowd pushed her along toward the parking garage until she remembered that her car wasnât there. She had parked on the street, blocks away. She forced her way out of the flow of people and ran a block south. Where was it?
She turned the corner. Her car was here, on this block. Near the Atlanta Trust Bank. Wasnât it? Or was it the next block?
Sweat slicked her skin until she found her silver Accord. There!
She ran to it and pulled her keys out of her pocket, wishing she hadnât lost the key fob. Her hands trembled as she stuck the key into the passenger side lock and got the door open. She slipped inside on the driverâs side, locked it behind her. Instinctively, she slid down, her head hidden as if someone were coming after her.
What just happened?
One minute theyâd been taking selfies and videotaping the band, and the next they were on the floor . . .
Where were Mara and Desiree? She hadnât even looked for them! Should she go back for them?
No, that would be insane. She could smell the smoke and fire from here. They would know to come to the car when they got out.
Call the police!
She tried to steady her hands as she swiped her phone on.
â911, what is yourââ
âAn explosion!â she cut in, her voice hoarse. âAt the Ed Loran rally at Trudeau Hall!â
âWhere are you now?â the woman asked in a voice that was robotically calm.
âI got out. Thereâs fire . . . People are still in there. Please send ambulances!â
âMaâam, did you see what exploded?â
âNo . . . the stage area, I think. I donât know where my friends are. Please . . . hurry!â
âWeâve already dispatched the fire department and police, maâam.â
She heard sirens from a few blocks away and cut off the call. She raised up, looking over the dashboard for the flashing lights. She couldnât see any, but the sirens grew louder.
She knelt on the floorboard, her knees on her floormat and her elbows on her seat, and texted Desiree.
Iâm at the car. Where are you?
No answer. She switched to a recent thread with Mara and texted again.
Got out. At car waiting. Where are you?
Nothing.
She dictated a group text to both of them.
Are you all right?
They were probably running or deaf, fighting their way out like she had. She tried calling them, but Maraâs phone rang to voicemail. When Desireeâs phone did the same, she yelled, âCall me! Iâm waiting at the car and Iâm scared. Where are you?â She was sobbing when she ended the call.
***
Excerpt from Aftermath by Terri Blackstock. Copyright 2021 by Terri Blackstock. Reproduced with permission from Thomas Nelson. All rights reserved.
Terri Blackstock has sold over seven million books worldwide and is a New York Times and USA Today bestselling author. She has had over twenty-five years of success as a novelist. Sheâs the author of If I Run, If Iâm Found, and If I Live, as well as such series as Cape Refuge, Newpointe 911, Moonlighters, and the Restoration series.
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Twenty years ago, Myra Barkley’s daughter disappeared from the rocky beach across from the family inn, off the Oregon coast. Ever since, Myra has waited at the front desk for her child to come home. One rainy afternoon, the miracle happens–her missing daughter, now twenty-eight years old with a child of her own, walks in the door.
Elizabeth Lark is on the run with her son. She’s just killed her abusive husband and needs a place to hide. Against her better judgment, she heads to her hometown and stops at the Barkley Inn. When the innkeeper insists that Elizabeth is her long lost daughter, the opportunity for a new life, and more importantly, the safety of her child, is too much for Elizabeth to pass up. But she knows that she isn’t the Barkleys’s daughter, and the more deeply intertwined she becomes with the family, the harder it becomes to confess the truth.
Except the Barkley girl didn’t just disappear on her own. As the news spreads across the small town that the Barkley girl has returned, Elizabeth suddenly comes into the limelight in a dangerous way, and the culprit behind the disappearance those twenty years ago is back to finish the job.
Book Details:
Genre: Domestic Suspense
Published by: Crooked Lane Books
Publication Date: March 9th 2021
Number of Pages:
ISBN: 1643856820 (ISBN13: 9781643856827)
Series: Call Me Elizabeth Lark is not a part of a series.
Purchase Links: Amazon | Barnes & Noble | Goodreads
Herb says Myra has drowned herself with Charlotte, where the beach is rocky and the tide tinged gray-yellow, its crest effervescent. At the inn, wind batters the wooden shingles like the ocean thrumming the shore at high tide. The squall sends sand whipping through the air. The pier empties of people, except for the lone fishermen who wear rubber boots and heavy yellow raincoats, casting their lines in turbid water. Myra and Herb are ensconced in the inn, wrapped in sweaters and crocheted afghan blankets. Occasional guests trickle in, but not often. People visit the Oregon coast during summer.
Myra doesnât take vacations during the off season, no matter how many empty winters pass. Charlotte knows her mother is waiting. She lived for the scent of the ocean, for the lacquer of salt on her skin. The crabs hidden under mounds of sand and the starfish in the tide pools enchanted Myraâs youngest child. Myra supposes this is why Charlotte was so attracted to the mystery of the deep, dark sea. The waves sweep away an entire pool of living things, but with the next tide, they begin again.
And so Myra is not particularly surprised when her dead daughter walks in the door.
***
Myra studies the sawdust-covered floor of the musty inn, thinking they should sweep it and install shiny new wood. She spends her free time leafing through the glossy pages of decorating magazines, considering all the possibilities for the place. It should be more modern, like the bigger hotels in Rocky Shores. There are bed and breakfasts with assorted coffees and fresh baked goods; there are vacation rental homes and cabins, some of which come equipped with pools and fitness centers. And the Barkley Inn is an entire mile from the open shore.
When Myraâs parents were alive, people shuffled in wearing flip-flops and shorts in the summer, eager for slabs of marbled steak served for cheap on Fridays. Peanut shells and loose sand scattered the floor. Back then, poets read their work on Saturday afternoons. Musicians strummed their guitars and sang with their husky, melodic voices on Saturday nights. Candle-filled Mason jars adorned the tables. Ripples of lavender incense hung sweet and thick in the air.
They have personal touches that have gone back decadesâluxurious bath towels, chocolates on the pillows, chilled champagne in the honeymoon suite. But the curtains are a drab shade of olive-green, and antique topaz candelabras cast dim light over the lobby. In the sixties, they were eclectic; now theyâre just creepy. Perhaps Myra could get one of those latte machines people like nowadays.
On this particular afternoon, Herb hovers behind her as she considers the flooring. She pretends not to notice his wry smile, how he watches her. Age spots dot his thin skin; his eyes are set beneath deep wrinkles, but they glow with a tenderness that has never changed. He will always be her Herb.
âWhatcha up to, honey?â
âDo you think we should get rid of the sawdust? Iâm thinking deep mahogany floors.â
He says with a playful smile, âDoes it really matter what I want?â
Myra rolls her eyes. âIâm just thinking of ideas to spruce the place upââ
A vehicle brakes hard, its screech penetrating the thick storm windows.
Herb cringes. âGood lord. Someone needs a brake job.â
Myra peers around the curtains. Headlights dip and rise over bumps in the gravel. Rain has streaked the windows, leaving tracks through the winter grime.
âA guest?â she says, thinking: no one has stopped by in weeks. Who wants to go to the bayside town and get drenched? Perhaps someone is traveling through. Maybe they need directions.
A rusty pickup truck with Washington state plates jerks into a spot.
âGreat,â mutters Herb. âHere comes trouble.â
A stranger with inky hair climbs out of the car. It falls in thick, unkempt chunks around her face. âThis oneâs gonna have a fake ID,â she tells Herb. âA really fake one.â Myra isnât one to turn away a guest. Everyone has a storyâand if theyâve got information about Charlotte, they might not be exactly on the right side of the law. They donât give every guest a room. But theyâve got a reputation for turning a blind eye to a fake ID, for accepting cash without a credit card as collateral. The dyed hair, the ancient truck. This is a woman running from a man. Myra has seen it before. She could never turn a woman out on the street because she doesnât have a credit card, or sheâs changed her name. Besides, itâs a bed and breakfastârich folks with good credit tend to stay at five-star resorts. They canât be overly picky.
Herb says, âShoulda dumped that vehicle a thousand miles ago.â
âMaybe she couldnât,â Myra says, watching.
The stranger ushers a little boy out of the backseat. She begins to trudge toward them, a duffel bag tossed over her shoulder, clutching the childâs hand. The woman stops sharply and turns back to the vehicle. She swipes the underside of the wheel with her palm.
Herb fixes his gaze on Myra. âDonât go soft on me, honey. That girlâs running from something, and itâs probably trouble.â
âCanât be too experienced.â She nods to the truck. The girl wonât find a tracking device stuck in a wheel well. Itâs on the damn GPS.
Herb shakes his head, placing his thick knuckled hand on hers. She shoves it away, breath caught in her throat. Hanging his head, he shuffles toward the office. Myra knows what he is thinking. She could climb inside Herbâs chest and feel the rhythm of his heart. As much as anyone can know another person, Myra knows Herb.
As the sound of his footsteps recedes, she looks back to the window. The girl is too far away for Myra to make out her features. She slips into her vinyl chair and waits for their nebulous figures to sharpen. Leaning on her elbows, Myra breathes slowly, listening to the rain drum on the roof, run down the metal storm drain, and trickle onto the ground. The damp inn is cozy compared to the biting Pacific Northwest rain.
The bells on the door jingle as the woman pushes it open, water dripping from her clothing. The noxious scent of her fresh dye job wafts inside. She leans over the boy and whispers in his ear. He shoves his thumb in his mouth and looks back at his mother questioningly, and she nudges him toward the front desk. âItâs okay,â she says. âLetâs go up to the nice lady.â
The womanâs voice is eerily familiar. Myra canât quite place it. Has she come through town before?
Myra glances at the strangerâs face as inconspicuously as possible, but she notices how this woman moves, the tilt of her chin, the cadence of her voice as she speaks to the boyâit is so familiar that a guttural pain shoots through her bones, her gut, every last piece of her. The hair may be black, but the eyes are the same. Her breath quickens; the room spins. She leans against the counter, reeling. âMy god.â The words swirl off her tongue before she can catch them.
âYes?â says the woman, who is not exactly a stranger, yet somehow strange. She backs toward the door. âIâm sorry. I guess youâre fullââ
âNo,â says Myra. âYou look like a girl I once knew, thatâs all.â
âWe need a room. But if youâre full, we can keep driving.â She pulls the boy closer.
Myra realizes how bizarre she must sound. She ducks beneath the counter. The woman looks just like Charlotte. Those eyes.
Is she Charlotte?
No. Not again.
Herb is already convinced sheâs insane. Heâs probably right in his assessment.
She emerges from beneath the desk and tosses a hand towel to the woman. âYouâre soaked to the bone. So is your son.â
âIâm sorry if I sounded stressed. Iâm traveling alone with Theo.â The strangerâs voice wavers. Rain beads on the boyâs apple-shaped cheeks like teardrops. His threadbare pants graze his ankles.
âWhatâs your name?â
The woman hesitates, dropping her driverâs license on the counter. âElizabeth Lark.â
âThatâs a beautiful name,â she murmurs. Myra likes it when people choose lovely, poetic false identities for themselves. The lark is such a lyrical bird. Sometimes people come in with names like Moonstone or Pippin. Too much, she thinks. Unique is not what youâre going for when you are on the run.
Myra studies the driverâs license as she boots up the computer. Itâs well done as far as fake IDs go. The little wheel on the computer whirls to the beat of her heart. âIâm sorry. Itâs thinking.â
Elizabeth pulls her wet jacket around her thin frame, shivering. Her skin is a milky-gray color, and her lips, pale blue.
âYou are about the same age as our daughter.â Her voice grows husky. She clears her throat and types the information into the computer. âWe lost her years ago.â
Elizabeth avoids Myraâs eyes. The girl already knows. Maybe she has come to see about Charlotteâs ghost. Myraâs chest is raw and tender. A snake coils in her stomach, lithe and threatening to escape.
âAnyway, itâs done thinking.â
Elizabeth purses her lips and reaches for her driverâs license, knocking over Myraâs glass of water. The contents of her purse tumble behind the desk.
âDammit, Iâm sorry.â Elizabeth rushes toward the counter, stuffing papers and cards and cash back into the tattered bag.
Thatâs when Myra sees it.
A strand of silver is coiled against the green carpet. It could have been any silver necklace, really. But Myra would recognize the cracked edges of the half heart anywhere. Best Friends Forever. It was a gift from Charlotte to her sister, Gwen, the year before she disappeared. Myra picks up the necklace, locking eyes with the stranger, who holds the boyâs hand so hard her bony knuckles turn white. Myra turns it over and traces the initials with her finger.
CB. Charlotte Barkley.
âWhere did you get this?â She steadies her voice.
The woman pulls herself to her feet, eyes wide. She takes a deep breath and exhales slowly. âItâs mine.â
Myraâs heart flutters. The snake is ready to pounce. Elizabeth Lark is not leaving, not until she explains the necklace. âYours?â
âFrom long ago, yes.â
The world slows. Myra catches Elizabethâs eyes. They are sapphire-blue, and the closer she looks, she more she is certain. They are Charlotteâs. Her little girl face has gone, and it is replaced by sharp cheekbones and an angular jaw. Elizabeth looks similar to Myraâs oldest daughter, Gwen. Her limbs go numb. The necklace slips from Myraâs fingers, landing in a soft pile on the floor.
âMy daughter.â The word sticks to her tongue. âCharlotte.â Charlotte does not move. She is stuck in a different time. At this moment, Herb pads back into the lobby.
âWhatâs going on out here? Are you checking in?â He lifts his chin toward Charlotte.
âI donât have any idea what sheâs talking about.â The strangerâs face flushes.
Myra closes her eyes. Toddler Charlotte lays on her chest, knees curled up like a prawn, the light sweat from her cheek dewy and warm. Charlotteâs squeals as she races her wooden fire truck along the windowsills. Both of her girls would trample in and out, dripping sand and water all over the floor, covered in sticky treats from the ice-cream truck.
âDonât track that water in the house, girls. Stop bringing that sticky stuff inside. Wash your hands!â She hears her own words and wishes she could swallow them. Take them back.
Twenty summers missed. Twenty summers of eclipsed sunshine, of icy heat. These guests wander in with nothing but their fake identities to cover secrets they cannot face, to investigate rumors of a haunted inn. Twenty years of drifters washed up from the frothy shores, looking for a room, dirty and chafed by the combination of sand and rain and heartbreak.
âMy god, I have loved you. I have been here, waiting. I never stopped waiting.â
Charlotte grips Theoâs hand.
Herb takes Myraâs shoulders, meets her eyes. He whispers, âThis is not Charlotte.â
Of course he says this. This has happened before. But this time itâs true.
âLook at her, Herb. She looks just like Gwen.â
Charlotte stares at them. âI have no idea what to say.â
Herb releases her shoulders. He knows when to recede. Myra and Herb dance like this, intricate and poised. They know when to dip forward, when to swing sideways. He knows where he can touch her and what is too tender. And they move gently because their breakable parts have shifted throughout the years, like plates of the earth, scraping against one another deep beneath the surface.
She presses the necklace in Herbâs palm. âLook at the initials, honey.â
Herb clenches his jaw. His eyes glisten. The jowls on his neck shiver. âWhere did you get this?â His voice thickens with emotion.
The wind howls and bristles the door; the tick of the clock over the fireplace throbs in her mind. Warmth spreads through Myraâs chest. It relaxes in her stomach, heavy but silent.
âCharlotteâs home. This time she really is.â
Myra has a million questions. What has happened to her daughter? Who has had her all these years? And how did she find her way home?
Charlotte was only eight. Just a baby, really. And now, she stands before her mother, tears catching in her sunken cheeks.
Sweat beads on Myraâs forehead. Tentacles grip her neck. She is drowning, deep in the ocean, where they said Charlotte died. Except Charlotte is here, right in front of them.
Herb steps closer to their daughter, scanning her from head to toe. He turns back to Myra, breathless.
Charlotte is alive. Wondrously, exquisitely alive.
Washington StateâOne Week Ago
The necklace slips through Elizabethâs fingers and lands in her palm. She inspects the cracked edges of the half heart and turns it over, focusing on the initials carved into the metal. She drops it into her purse.
The cabin reeks of dank mold. Elizabeth peeks out the window, hoping no one will see her, though there is no logical reason for her fear. The cabin is situated in a thicket of deep wood, where lime-green lichen weeps from the trees like gnome hats. Tufts of moss unfurl through the walls where the wood has rotted, while the foundation crumbles precariously beneath their feet. It is as tiny as a dollhouse dropped amid the lush, expansive forest, surrounded by frozen creeks and giant boulders. The moonlight seeps through a lattice of soft fir branches, and the cabin casts a shadow onto the snow. It is swallowed by the forest ahead. On each side of the shadow, crystals of snow glitter like a smattering of diamonds.
No one could find this cabin. No one away from the forest knows they are alive.
âElizabeth?â Her husbandâs gravelly voice startles her.
She turns back to her son, who snuggles with his blue blanket and stuffed giraffe on the couch, fast asleep. Elizabeth smiles at Theo and clicks off the television. She slides to the boyâs level and perches on the balls of her feet, tucking the blanket under his chin. The cold mountain air seeps into the poorly insulated cabin. His hair tumbles over his eyes, but she wonât cut it. A memory of Peter shaving her sonâs luscious ringlets churns inside her. Elizabeth pushes her fist into her stomach and twirls Theoâs stray hair.
âAre you coming, or what?â Peter yells.
She steels herself for the next few moments.
âComing.â She speaks just loud enough for him to hear her. This is the last time her voice will be low. She squeezes her hands into tight fists.
âHoney, my back is aching. Can you bring me a drink and my pills?â
This is the moment she has waited for. The man doesnât pay the heating bill while heâs out of town. And now he wants to be taken care of.
Elizabeth can arrange this.
She swings open the hollow-core door softly, taking care not to let it bang against the wall. He lays in bed, quiet and vulnerable, covered with the only heavy comforter in the house. The curtains are drawn tight. âIâll have your drink and pills in a second. You want food?â
âNo. Just the pills. Please, honey.â
She hates the word, so thick and sweet off his tongue. She shudders, remembering the tang of his hot breath against her neck.
âIâm sorry about yesterday.â He groans in pain. âI canât believe how slippery that ice is. Itâs like someone dumped water all over the porch.â
Her lips curl into a smile. She pours three fingers of Jack Daniels into a tumblerâfunny they can afford this, and his Vicodin, when she and Theo havenât been to the doctor, not ever. They havenât left this cabin in years, except to exchange pleasantries with the homesteaders who have cleared trees and built little farms that sprawl down the mountain. They have their own peculiarities, she thinks, because they arenât alarmed that Elizabeth lives in this falling down shack with a five-year-old.
Still, Peter says to be friendly.
âBut donât get too close. Iâm watching you.â
The threat hides beneath his words, like a rat scratching in a dark cabinet.
She drops a pill into the amber liquor, watching it billow into a thick, hazy cloud. And another. It is hypnotic. Venom fills her blood, lurid and dangerous. She swirls it with a teaspoon, and it clinks against the glass like the tick of a clock. She is numb, devoid of emotion, but she depends on this emptiness to survive. Pure instinct drives her down the crumbling hall. Holding her posture straight, she enters the bedroom.
âHere you go, babe.â Elizabeth helps him to a seated position. His warm body is sticky with sweat.
âAhh, thank you. You are a goddess,â he says with a light smile.
Donât believe him, donât believe him. He will turn this on you and eventually kill you with his lies.
The whisky sloshes in the glass as she hands it to him. âDrink up.â She feigns cheer, but her voice shakes.
âPlease donât be afraid of me. Iâm your husband. Iâm sorry.â His eyes are pleading. And pathetic. âIs your arm okay?â Her flesh is mottled with purple finger marks.
She nods with a smile.
âI just donât want to lose you.â
She and Theo have been trying to escape. And Peterâs relentless surveillance prevented them from contacting the nearby homesteaders without his looming presence. However, on one of his work trips, she and Theo walked a mile or so from the log cabin, until they came upon a farm. She got more than fresh eggs and a free-range chicken at the Hartâs place.
Mrs. Hart let her use the internet.
Theo played with the Hart womanâs children as she typed âdomestic violence helpâ in the search engine. Alice Johnsonâs name popped up first. Sheâd apparently been helping abuse victims for decades. Elizabeth sent her an e-mail, wrote down her phone number. But before Alice could respond, Peter rang the doorbell. She heard his voice booming from the front room and slammed the laptop shut. Trembling, she ushered Theo toward the foyer. He put his arm around her, patted Theoâs head, and said a sickeningly sweet goodbye to Mrs. Hart. âI was in the area,â he said. âI thought youâd appreciate a ride home.â
Once they got outside, he transformed back to the Peter she knew. With a sneer, heâd grabbed her by her thin shirt, digging his knuckles into her clavicle. He said, in cool, measured tone, âMrs. Hart seems nice.â
It took month for Elizabeth to get another cell phone and make the call. And for weeks after that, they meticulously plotted their escape.
Peter cuts the water supply when he will be gone for more than forty-eight hours. She and Alice planned to wait for the faucet to shudder and spout, till only copper silt would vomit into the stained sink. But heâs become even less predictable. His back injury is an opportunity, perhaps the only one. They canât wait for an out-of-town trip. One might never happen. She cannot predict what electrical line will short circuit within her husband next. There is nothing she can do right when it comes
to Peter, because what is right one moment is wrong the next. Every breath she takes is so cold itâs hot.
They have one shot.
Iâm not the one who should be afraid. Not anymore, darling.
He slings back the drink with another pill. âDamn, thatâs some strong shit.â
âYouâll feel better soon. Get some sleep.â
Peter leans back on the pillow, his eyes fluttering shut. How lovely it must be to be safe.
Safety is merely an illusion, a trick of the mind. It is never guaranteed.
She rushes back to her son and shoves the last six years of her life into a single duffel bag. Before waking Theo, she creeps back to the bedroom to make sure Peter is knocked out. Heâs asleep, for sure. But his face is pasty. His olive complexion has turned yellowish, especially around his eyes. His lips are a bluish-gray color. Did she give him too much?
She tiptoes quietly toward him, afraid heâll sit up in bed and pounce on her. He looks really bad. Elizabeth needed to immobilize him for an hour or two, not kill the man. Peterâs chest rises, ever so slightly. His neck rolls to the side with a labored breath.
Holy shit. Elizabeth runs to the living room, tears springing to her eyes. She shakes Theo awake.
He looks at her, drowsy and confused.
âWeâre taking our adventure today, remember? I packed our things. Daddy isnât coming.â
âAre you sure?â He chews his fingernail.
She pats his head and smiles. âHeâs not coming.â
Theo glances toward the bedroom door.
âDonât worry.â Elizabeth takes his cheeks in her palms. âHeâs sleeping. We are going on an adventure together, just you and me.â She forces herself to smile, heart beating wildly in her chest. âOkay?â
A dubious look crawls across Theoâs face.
âHeâs sleeping. I promise. But we must go now.â
âWhat if he wakes up?â Theo whispers.
âHe wonât,â she replies.
âWhat if he finds us?â
âHe wonât. Not this time. Letâs go.â
âDid you pack my card games, my checkers?â
âYes. I wouldnât forget those. Come on, now.â
âAre you sure he wonât wake up?â
âPretty sure.â She taps his shoulder. âEnough questions.â Peter might never wake up again. She shoves her hand under the couch cushions, looking for his phone, but he keeps it hidden from her. Maybe she should go back in the bedroom and make sure heâs okay. She isnât a murderer. Lord, what has she done?
Maybe Theo wonât remember this moment. He is five years old. Maybe he wonât remember Peter at all. Peter will wake up, confused as hell, once they are gone, she hopes. He canât possibly be dead. She covers her face with her hands, trying not to cry. Theo has watched Peter hit her, has watched television shows where people arenât typically living in a cabin without heat, and with little food. Heâs five, and his understanding of the world is expanding, ballooning within their captivity. Itâs getting harder to hide the truth from him. He asks questions; heâs curious about life outside the forest. And she finds herself snapping at him because she canât give him what he needs.
They need to get down this mountain.
Although, deep within the folds of her brain, she realizes that Peter will never let them go. As long as he lives, she is beholden to him. Even once they escape, change their identities, and move far, far away, Peter will be somewhere.
Safety is merely an illusion, a trick of the mind. He will hunt them till his last breath. Maybe itâs best he take his last breath now. But still . . . She takes a tentative step toward the bedroom. Oh, shit. Should she check on him again? He could be dying. Should she call someone? Theyâd help her; they would save Peter.
No, she decides, it is not safe for her child here. There was no other choice but to incapacitate him. Right?
Fuck. They head for the door.
Elizabeth ushers Theo to the truck, dragging the duffel bag behind her. âHurry,â she urges. âBut donât slip.â The frigid air whips against her skin. Gripping his hand tightly, she instructs Theo to dig the heels of his boots into the ice as he walks. The ground is slick; jagged rocks shine in the moonlight. She clicks the seatbelt over her sonâs waist, hands trembling, and tosses the bag in the back. Her own seat is awkward.
It has been years since she has driven a vehicle.
She turns the key in the ignition, hits the gas. They slide on the ice, over thick tree roots, into swathes of evergreen trees. The metal truck scrapes against branches, and she hits every gear wrong. But she gathers her bearings. They travel down the mountain, past the Hartsâ, past more pockets of homesteaders with chickens and goats, and away from their captorâher husband, his father. She squirts the windshield with fluid and wipes away a layer of dried mud.
Elizabeth inhales deeply when they hit the main mountain road.
When Peter wakes, they will be long gone. She conjures images of all the possible states Alice might take her to. Someplace sunny, like California. Or a tiny Midwestern town with a big yard for Theo.
What if Peter doesnât wake up? She remembers the odd angle of his neck, his shallow breaths. Is she running from Peterâor the police? Could she be charged with murder?
The thought speeds her own heartbeat up. Blood rushes through her capillaries like a broken dam.
Her son looks out the window, enthralled with the road ahead of them. The sunrise spreads over the mountain, clear and wide. Theo points out the window. âBeautiful,â he says.
âBeautiful,â she agrees.
âWhere are we going?â
âWeâre stopping at a friendâs house.â She has no cell phone, no GPS to direct her. Only this rusted old truck. She will ditch it when they arrive at Aliceâs, get on a bus. Elizabeth laughs, deep and throaty. They turn off the main road, crunching through gravel, and up a windy hill to a little blue house.
Her chest bursts with excitement. âCâmon Theo. Letâs go meet Alice.â
She drags him a little too quickly, and the boyâs feet slip on the ice. âWhoops.â He giggles as she catches him by the back of his threadbare coat.
Alice is a stout woman, with copper-colored skin and gray-streaked hair. Her smile is empathetic and kind. Several women linger around the breakfast table, holding mugs of steaming hot coffee, the rich scent wafting through the air. A couple of children play in the living room. The space is tight, but it exudes warmth and compassion. A pang of sadness hits her in the chest. She and Theo cannot stay here. It is too dangerous. He could find her among these women. The house is too close to the cabin. Does Peter have friends? He must. What if someone she doesnât recognize tries to find them? He could trail them, set a trap. Theo and Elizabeth must disappear.
And if sheâs killed himâoh god, she hopes she hasnât killed himâthatâs murder, right? She didnât technically need that dosage to knock him into oblivion. Her brain spins.
âAll right girl, come in the back.â Alice turns to Theo. âWhy donât you play Legos with the other kids?â
He crouches around the box of red and blue and green blocks. A blonde-haired girl helps him stack them into a little building. She takes a deep breath, hope blossoming through her body.
Elizabeth follows Alice down a dark, narrow hallway and into a tiny room with a neatly made twin-sized bed. She rests on the soft blue bedspread as Alice rifles through the closet.
âAll right. Hereâs the plan. Youâre gonna leave the truck and take one of mine.â
Elizabeth opens her mouth to protest. Alice holds a hand up. âLook, girl. You canât take off in the manâs truck. Theyâll find you. And even if you tell the cops whatâs happened, Peter will kill you and Theo before they can prosecute him. Iâve seen it before.â
Elizabeth decides not to mention that Peterâs body might be turning cold as they speak. âBut what about you? Heâll find the truckââ
Someone will find the truck anyway.
âIâm gonna get in the truck and ditch it twenty miles from here. But donât you worry about that. You take my vehicle.â She tosses a key ring onto the bed.
âAlice, I canât take a car from you.â She sighs, rubbing her aching forehead.
âYou can pay me back someday. Till then, your life is at stake. Donât think about the cheap-ass car Iâm about to give you. Itâs not registered in my name or anything.â She rolls her eyes. âStill, you need to ditch it once you cross into Oregon. Youâll be conspicuous with out-of-state plates.â
âWhose car is it, then?â
âNever mind that. Doesnât matter. All that matters is that the cops canât trace it to you or me. Just donât get pulled over.â
Elizabeth is bone-tired. âAll I care about is getting away from here.â
Alice plops on the bed beside Elizabeth. Her eyes are dark brown, and her lipstick reminds Elizabeth of a ripe plum. Alice takes her hands and squeezes them tightly. Teardrops drip down Elizabethâs nose.
âItâs going to be okay,â she says.
âPromise?â says Elizabeth, feeling very young.
Alice smiles warmly. âI canât promise anything. But youâre gonna do your best. I have a good feeling about you.â
She clears her throat. Back to business. Alice shuffles through a box of cards, takes a few, and tosses them on the bed. âI made these with the pictures you sent me from the Hart womanâs computer. You did what I told you about, wiping your search history, right? And you cleared the photos from the webcam?â âYes. But you said a computer can never be fully wiped. That all the information is stored on the hard drive.â What if the police discover she contacted Alice on the internet? Her hands begin to shake. If heâs looking for her, the first place heâll go is the Hart place.
âOh sweetheart. All we want is to keep the Hart woman from snooping around. Do you really think Peter is going to report you missing? Let the cops search that dump heâs been keeping you in?â
Elizabeth nods. The log cabin is essentially a prison.
It is a prison.
âWhere do you think youâll go, Liza? As far as anyone is concerned, you donât exist,â Peter had said, with a nonchalant shrug.
Elizabethâs conviction grows. She will leave; she will take her boy far away, where he will never find them.
Unless sheâs killed him. Then the police will search everywhere, including the Hartâs computer. Dammit! Why did she give him all those pills?
âAll right. Weâve got three IDs here. One Oregon State driverâs license. One Social Security card, which is essentially worthless for applying for credit or a job. Itâs just for show if someone doesnât buy the driverâs license. Same with the passports,â she says, laughing. âThat ainât gonna get you out of the country if you plan to return. And I hear Tijuana isnât a fun place to live.â
Elizabeth shoves the cards in her purse, beside the necklace.
âYouâve gotta be careful with fake IDs. Lots of people think giving a person a new first name is safest. To my mind, itâs risky. Youâve been called Elizabeth your entire life. You could not respond to a strange first name. Hell, Iâve heard of a woman who started to sign the wrong name on a job application. How do you turn back from that? âSorry, it seems Iâve signed the wrong name?â Nah.â
âTechnically, Iâve been called Liza. A nickname my mom gave me because she loved Liza Minnelli . . . but I get a new last name?â
âYup. You are no longer Elizabeth Briggs. Now, you are Elizabeth Lark.â
âI love it,â she says, smiling.
âDonât get too attached. My work isnât that authentic. We may have to change it again, if he comes after you, or someone else finds out.â Alice purses her lips, thinking. âFor now, aim for jobs at small companies. Family owned. Itâs not so much the name, as the Social Security number, which is completely fabricated. Make sure you avoid companies that are gonna do a damn background check.â She shakes her head. âThat, we do not need.â
Elizabeth considers this. âIsnât it strange that this pile of false IDs is no more fake than I am?â
Alice ignores the existential musing. âNext is the hair.â Alice reaches into a chest of drawers filled with boxes of hair dye, combs, and scissors. She points to the adjacent bathroom. âWelcome to my spa.â
Elizabeth settles into the chair, inspecting her gaunt face in the mirror. Alice works methodically, chopping her long, sand-colored hair to her shoulders. Elizabeth watches it land in chunks on the ceramic tile.
âIâm not trained in this,â she says. âBut I have a lot of practice. My handiwork will have to do.â Alice puts her hands on her hips, squinting a little. âI think we need to go darker.â
They turn the chair and Elizabeth leans her head back, letting her hair tumble into the sink. Her neck digs into the cold ceramic. Alice pours a pitcher of warm water over her hair, greasy from lack of a decent shampoo. She massages Elizabethâs temples and scalp with a dollop of Suave.
âYou normally wait to wash the hair after applying the dye, but you really needed the wash first.â Alice squeezes out the excess water with a towel.
Alice rubs the dye through her hair. The smell of ammonia settles heavily in the stuffy bathroom, stinging Elizabethâs nose. She is woozy from the cocktail of chemicals. Alice peels her rubber gloves off and cracks the window. A shiver runs down her neck. Itâs funny to think how a whole new life begins with her hair.
âSo, how did you end up there?â She tucks cotton around Elizabethâs scalp and behind her ears, then covers her head with a plastic cap.
âStupidity. Pure stupidity.â
Alice perches on the fluffy pink toilet seat. âTell me about it. Out of all the stories Iâve heardââ
Elizabeth shakes her head. Alice cannot know. No one can.
Thirty minutes later, her hair is the color of a moonless night. Alice packs her bag with burner phones and rushes them out the door.
âBe careful now.â She takes Elizabethâs cheeks into her palms, looking at her with intense, shiny eyes. âYou get across the border, into Oregon, and stop for the night. Go someplace that takes cash. Then call me. Iâll arrange a bus ticket in my name to your next destination. Keep your head down. Try to be unmemorable.â
Elizabeth takes a shaky breath and waves before they pile into the truck. They drive down the forested road in silence, leaving Washington for good.
âWhere are we going, Mommy?â
Elizabeth cracks the window and lets some of the noxious smell from her damp hair out of the truck. She takes a deep breath.
âIâm not sure, baby.â
But the road takes her toward the seashore, almost against her will, and definitely against her better judgment.
She is going home.
Charlotte Barkley is a legend throughout the country, but for the residents of the small town on the Oregon Coast, she is everyoneâs daughter. The Barkley Inn is nestled across the highway from a tiny, hidden pier outside of Tillamook County. The marina is weathered gray, with a few boats that seem perpetually docked there. There is a surf shop with an ocean mural painted on its door, an old-fashioned candy store needing a coat of paint, and a fish-and-chips restaurant. Rocky Shores is so sleepy it is swallowed by the lush, endless forest.
Rocky Shores was never a well-known town, not until Charlotteâs disappearance. Now, the tourists stop by the bayside for a piece of a secret. Elizabeth wonders what the Barkleys think about thisâhow they feel about the influx of business their private tragedy has brought. Some of the kids at school whispered that the Barkleys knew what happened to the little girl. Others said that Myra Barkleyâs obsession bordered on insane, that she would wait at that inn for Charlotte till the end of time.
She kisses Theo on the forehead and tucks a blanket around him. It is the thickest blanket heâs ever had. His lips turn up in his sleep, and she wonders what he dreams of.
Myra Barkley doesnât strike Elizabeth as all that odd. She would wait for Theo too.
Elizabeth redirects her thoughts to the plan she must adhere to if they want to escape. She unzips her duffel bag and rifles through it, retrieving the three burner phones Alice purchased from different Walmarts, and the stack of different identification cards.
Donât fuck this up, she thinks.
She holds the phone in her palm. Should she call Alice yet?
No, not until she is sure they are safe. She knows one thingâ they canât stay here.
Elizabeth runs her fingers along the silver necklace and squeezes her eyes shut. How will she get out of this one?
Her breath quickens. Elizabeth poisoned the man. She could be guilty of murder. Or maybe it would be considered self-defense. Elizabeth is no lawyer. Sheâs got no experience with cops, and thereâs no one she can think of to ask without sounding suspicious as hell.
Elizabeth cannot spend one more day incarcerated.
As soon as Myra and Herb retreat to the house, she will gather Theo and sneak out to the truck. Her eyelids are heavy; sleep threatens to overtake her. Even her muscles have gone soft from the hot bath Myra had drawn for her that afternoon. She decides to lie down, just for a few minutes. It is better to wait till deep in the night. She cannot head to the police with Herb and Myra in the morning. Run. Thatâs what she is supposed to do. What she was told to do. Everyone from Rocky Shores is haunted by Charlotte Barkley. The old case will resurface. When the truth comes out, Elizabeth and her son will be filleted by the media. Imposter takes advantage of grieving mother. Her chest aches as she lies beside Theo.
Elizabeth Lark is no oneâs daughter.
***
Excerpt from Call Me Elizabeth Lark by Melissa Colasanti. Copyright 2021 by Melissa Colasanti. Reproduced with permission from Melissa Colasanti. All rights reserved.
Melissa Colasanti is a mother and an author. She has a BFA in fiction from Boise State University. Her writing has appeared in Lithub, Memoir Magazine, The Coffin Bell Journal and others. She is the Stephen R. Kustra scholar in creative writing for 2019, and was awarded the Glenn Balch Award for fiction in 2020.
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