Winter Promise

February 6th, 2012

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card author is:

 

Martha Rogers

 

and the book:

 

Winter Promise (Seasons of the Heart)
Realms (January 3, 2012)

***Special thanks to Jon Wooten of Charisma House for sending me a review copy.***

ABOUT THE AUTHOR:

Martha Rogers is the author of Becoming Lucy; Morning for Dove; Finding Becky; Caroline’s Choice; Not on the Menu, a part of a novella collection with DiAnn Mills, Janice Thompson, and Kathleen Y’Barbo; and River Walk Christmas, a novella collection with Beth Goddard, Lynette Sowell, and Kathleen Y’Barbo. A former schoolteacher and English instructor, she has a master’s degree in education and lives with her husband in Houston, Texas.

Visit the author’s website.

 

SHORT BOOK DESCRIPTION:

A painful past has left Doctor Elliot Jensen uninterested in love.

Until he meets Abigail.

Single, educated, and looking for a new start, Abigail Monroe decides to join her brother and his wife in Portersville, Texas. Near her twenty-fifth birthday and without a suitor, she fears she will become a spinster if she stays in Briar Ridge, Connecticut.

A sprained ankle sends Abigail to the new doctor in town, Elliot Jensen. He is smitten, but tragedy in his past has left him bitter, guilt ridden, and afraid to fall in love again.

When the town’s deputy sheriff rescues Abigail after a robbery, Elliot’s feelings for her get stronger. He is jealous of the attention Abigail is getting, but he fears he can’t compete with the handsome deputy sheriff and his heroic deeds.

Has he waited too long to share his feelings for her? Or will Christmas bring them both the gift they seek?

Set in the late 1800s, the Seasons of the Heart series follows the lives of four women and their families, weaving together their stories of faith, life, and love as they bond in friendship only God could orchestrate.

Product Details:

List Price: $13.99

Paperback: 304 pages

Publisher: Realms (January 3, 2012)

Language: English

ISBN-10: 1616384980

ISBN-13: 978-1616384982

ISLAND BREEZES

Abigail decided to move from Connecticut to Porterfield, Texas where her brother lives.  If she stayed put, she thought she would end up as an old maid.  So off to Texas she went to start a town library.  The odds for finding a husband would be much better in a place where the men greatly outnumber the women.

Well, that worked.  She has a couple men mighty interested in her.  Since she turned out to be rather accident prone, she was seeing the doctor on a regular basis.  She, also, frequently ran into one of her brother’s friends, the deputy sheriff.

Both of these good looking men made her heart go pitty pat, but which one will she choose?  The doctor still has to deal with some baggage from his past.  The lawman didn’t think it would be right to marry and have a family since they might be put in danger. 

This book revisits characters to whom it’s easy to grow attahed.  I really like all thes people in the Seasons of the Heart series.  There’s a teaser for the next book included at the end of this one.  I’m really looking foreward to it.

AND NOW…THE FIRST CHAPTER:

Porterfield, Texas, 1890

Porterfield, next stop in ten minutes.” The conductor’s announcement sent the butterflies to dancing again in Abigail Monroe’s stomach. Ever since they entered the state of Texas,

her mind had flitted from one thing to the next in a series of images that blurred one into the other. What she remembered from her visit last spring had been enough to give her the

desire to return as a permanent resident.

All around her passengers began gathering their belongings and preparing to leave the train. Mrs. Mabel Newton, who had accompanied her on the trip, adjusted her hat and picked

up her handbag. “Well, your adventure will begin shortly.”

Abigail grinned at the elderly woman. If it had not been for Rachel’s aunt’s desire to come west to visit her daughter, this trip may have been delayed indefinitely. “Thank you so

much for coming with me, Aunt Mabel. You know how Father worried and didn’t want me to travel alone.” Abigail had fallen into calling the woman “Aunt Mabel” due to her close friendship with Rachel.

“And well he should have been. It isn’t safe for a young woman of your standing to be crossing the country by train without an escort.” She tilted her head toward Abigail, and the

feathers on the black hat covering her gray hair quivered with the movement.

Her parents had at first refused to even consider such a move for their only daughter, but as they began to realize that she was almost twenty-two years of age, their objections lessened.

They had been in Porterfield a few months earlier for the wedding of Daniel, Abigail’s brother who came to Porterfield a year ago as the town’s only attorney. Now he served as county attorney and prosecutor. When Mabel Newton had said she wanted to visit her daughter and niece, Father had finally agreed to let Abigail go.

Another factor in her decision to leave Briar Ridge had been Rachel Reed, her very best friend since childhood. Rachel’s husband, Nathan, had taken Daniel’s place as an

attorney for the citizens of Porterfield, and now they too lived in the Texas town. As far as Abigail was concerned, God had orchestrated a great symphony of opportunities, and she had

seized the score to become a part of the music.

“Aunt Mabel, do you think my plan for establishing a library is a sound one? Nathan and Daniel have found a building they think is suitable and will negotiate the purchase

of it if I approve.” “Every town needs a library whether they know it or not. Your brother and Nathan have good judgment, so the place must be about perfect.”

A snicker escaped Abigail’s throat. Daniel had always been her protector, and if the building suited him, it most definitely would suit her. She’d been so angry with him for leaving her

behind in Briar Ridge last year. Of course he thought it was because she’d miss him, but it was really because she’d been jealous of his new adventure.

“I’m sorry things didn’t work out for you and that young Wentworth. He seemed very interested in you when you and Rachel were in Boston.”

Abigail had been interested too at first, but when she realized what all would be expected of her as the wife of a Wentworth, her interest cooled, and so had his. Now she had this new adventure ahead of her.

“It worked out for the best, but life became so dull in Briar Ridge without Rachel or Daniel that I could hardly bear it. I’d grown tired of entertaining with Mother and taking part on church committees. I want to do something on my own for a change.”

“I see. So the fact that Porterfield has an overabundance of single men of all ages didn’t have anything to do with your decision.” Aunt Mabel’s blue eyes sparkled with merriment.

Abigail’s cheeks filled with heat. She truly wasn’t interested in finding a husband anytime soon, even if other people thought so. The train whistle screeched through the early

afternoon air. Abigail clutched her handbag and closed her eyes. Please, Lord. Don’t let this be a mistake. Help me to dothe things I want to do for Porterfield with books and accept

whatever else You have planned for me.

The train stopped with a jolt that sent her forward with

a lurch. She assisted Aunt Mabel with her bag then followed

the older woman down the aisle. Dozens of people lined the

platform waving as the train emptied itself of its load of passengers.

As she stepped from the train car, Abigail scanned

the crowd, and her heart leaped with joy when she spotted

Rachel.

Rachel rushed forward and grabbed Abigail. “Oh, I’m so

glad you’re finally here. I thought the last three months would

never end.” Then she turned to hug her aunt. “I’m glad you’re

here too. With Seth, Sarah, Abigail, and you, I won’t feel at

all lonesome, not that I could the way the Muldoon clan has

taken us in.”

“When I met them at Daniel’s wedding, I knew they would make all of you feel right at home. I’m anxious to talk with Mrs. Sullivan again.” Abigail had been impressed with

the boardinghouse and looked forward to living there.

“You’ll get to see her soon enough. She’s waiting for you and has your room all ready. The Muldoons are having us all for dinner at the ranch tonight.”

That meant a quick study of the members of the Muldoon family would be in order before the trip out there. She hugged Rachel again and noted the glow in her eyes and face. “You

must really be happy here with Nathan.”

Before she could answer, Aunt Mabel stepped back and

eyed Rachel. “My dear, are you in the family way?”

Heat flooded Rachel’s cheeks, and she grinned. “Yes, I am, and so is . . . “ She clapped her hand over her mouth. “Oh, I almost slipped. She wants to tell everyone herself at dinner.”

Abigail ran through the list of possibilities. Kate? Erin? Sarah again? Whoever it was, the baby would be welcomed by many loving aunts, uncles, and cousins.

Arms wrapped around her shoulders from the back, and she craned her neck to see who it could be. “Daniel!” She turned and hugged her brother. “Isn’t this exciting? I’m here at last. We had a delightful train trip, and I can’t wait to see your new house. And where’s Kate?”

“Hey, slow down, little sister. No need to get it all out at once, but to answer your question, Doc Jensen and Elliot had an emergency at the infirmary, so she’s there. She said she’d meet us wherever we were when she finished.”

“I believe Aunt Mabel will be staying with Sarah and Donavan. At least that’s what she plans on. Mrs. Sullivan said she has a room for me at the boardinghouse, so that’s where I’m headed.”

Daniel frowned and peered at her. “But Kate is hoping you’ll live with us.”

“Oh, Daniel, you two are newly married. Besides, I’d rather be closer to town so I can take care of the library.” Kate and Daniel didn’t live far from town, but her staying at the boardinghouse would be less of an intrusion on their new marriage.

They headed toward the cart where the baggage had been unloaded. Aunt Mabel busied herself with telling Rachel all about the trip cross-country. Abigail gazed at the town beyond

the depot. Porterfield, Texas, would be her home now, and it looked just as friendly and nice as it had when she’d been here in the spring. A little more primitive than Briar Ridge, it still

had all the stores and businesses one could need, including a delightful bakery.

Daniel heaved down a trunk and headed to his surrey with it. Abigail walked along beside him and noted how the men stopped to stare. Her cheeks filled with heat. She may as well

be on display in a store window.

“I didn’t realize . . . never mind.” She grinned and hopstepped to keep up with her brother.

He pushed the trunk onto the floor behind the front seat.

“By the way, the building Nathan and I have in mind for you is across the street from the infirmary. It’s where the land offices were until the new courthouse opened. Now it’s vacant, and it’s just about the size you’ll need for the library.”

“I’m sure it will be fine if you and Nathan think so.” She shook her head and giggled as they headed back for more of her things. “I still can’t believe he and Rachel moved away from Connecticut. I always figured that when they did move, it would be to North Carolina, his home.”

Another man had joined the group and helped unload Aunt Mabel’s bags. She recognized him as one of Kate’s older brothers she had met at the wedding. What was his name? Oh, yes, Cory, the lawman and only single male in the Muldoon family, as well as one of the most handsome men Abigail had ever met.

Daniel grabbed her arm and took her over to greet him. “You remember Cory, one of Kate’s brothers.”

Abigail smiled and extended her hand. “I certainly do. You and your brothers were quite the pranksters at the wedding.”

Red tinged Cory’s well-tanned face. His eyes, more green than blue, sparkled with humor. He pushed his white Stetson back on his head, revealing sandy red curls on his forehead, much like her brother’s dark ones. “Guilty as charged, but we had to make up for not doing anything at Erin’s. Didn’t want to play tricks on the reverend.”

Getting to know the Muldoon family would be fun, but getting to know Cory might be even more so. Perhaps she should reconsider her decision not to become involved with any of the eligible young men in Porterfield.

Elliot finished the stitches to close the wound on the balding head of Cyrus Fuller. He’d tripped coming out of the bank and fell, cutting his head on the edge of the boardwalk. Elliot used five stitches to close it. “There, now, Mr. Fuller. You’ll be right as rain. Come back to see me in a few days and let me check on the stitches. Don’t get it wet for a while.”

He pushed back his rolling stool and picked up a bottle. “If you experience any pain, take a few drops of this and it should be all right, but don’t take more than a few drops. Understand?”

The bank teller nodded and took the bottle. “I do, and I won’t take it unless I really need it.” He stood and grasped the edge of the bed for support.

Kate Monroe picked up the tray with the suturing supplies and equipment. “Aunt Mae will make certain you’re comfortable, Mr. Fuller. She’ll take good care of you.”

The man’s face, including his bald head fringed in gray, turned a bright red. “I’m sure she will, but I don’t want her to go to any trouble.”

Kate laughed. “It won’t be any trouble. You know that.”

Elliot turned to put the bandages back in the cabinet to hide his smile. Everyone in town knew Cyrus Fuller was sweet on Aunt Mae, and she didn’t spurn his attention either. This

was one patient he wouldn’t have to worry about.

He walked with Mr. Fuller to the front door of the infirmary just to make sure the man was steady on his feet. At the door Cyrus shook Elliot’s hand. “Can’t thank you enough, Doctor Jensen. You did a fine job, and it hardly hurts at all. Tell your uncle I said hello.” He lifted his hat to set it on his head, felt the stitches, and promptly put his hand down, still holding the hat.

Mr. Fuller took off in the direction of the boardinghouse, a few blocks down the street. Elliot continued to observe the man as he made his way home. Satisfied that he was all right, Elliot turned to walk back inside when he spotted Daniel in a buggy with a young woman beside him. Her golden brown hair peeked from beneath a black hat trimmed with yellow flowers, which matched the yellow dress she wore. She shifted her gaze toward him and locked with his. Something inside Elliot clicked, and a feeling he hadn’t experienced in a long time came over him.

Elliot looked away and forced the emotion back into the deep recesses of his soul. He’d never let those feelings back into his life. They hurt too much.

A voice beside him caused him to blink his eyes and turn. “What did you say?”

Kate stood beside him. “I said that’s Abigail, Daniel’s sister. She was at his wedding, and she’s come to live here in Porterfield. Remember I told you about her coming to set up a

library for the town?”

“I remember.” But he never expected her to be so pretty. He cleared his throat and hurried back into the infirmary. He needed to clean up the room where they’d just worked on Mr.

Fuller, and it would help him forget the girl in yellow.

Kate’s voice followed him. “If you don’t have anything else for me, I’m going to run down to Aunt Mae’s and meet up with Daniel and Abigail. I’ll be there if you need me.”

He waved her out. Kate was a good assistant. He and his uncle had come to depend on her for so many things at the infirmary. Doc should be back shortly, that is if everything went well at the Blalocks’ place. Mrs. Blalock didn’t usually have trouble with her deliveries, and as this was the fifth one, no problems were anticipated today.

Cleaning up didn’t take long, and when he’d finished, Elliot went to the desk to fill out a report for Cyrus Fuller’s medical file. The image of Abigail Monroe swam before his eyes. Porterfield sadly lacked young women of marrying age, so Elliot had no trouble staying away from what social life existed in town. He’d left Ohio with the vow that he’d never become

involved with a young woman again. Everything had been fine until today when that little spark had jumped in his chest.

“I hear Cyrus Fuller had an accident. Get him all taken care of?”

Elliot jumped and dropped his pen. He greeted his uncle. “When did you come in? Yes, he’s fine. How did things go at the Blalocks?”

His uncle grinned and set his bag on the desk. “Just like it should. This little boy decided to take longer than necessary, but he’s good and healthy.” He removed his hat and hung it on

a hook then removed his coat. “I saw Daniel Monroe with a pretty young woman down at Mae’s. Must be his sister from back east.”

“It is. Kate was here to help with Cyrus, and then she left to go meet them.”

“She’s a pretty little thing from what I remember of last spring. It’ll be nice to have a young woman like her around her for a change. You, Cory, and Philip Dawes are about the most

eligible young men in town, and one of you ought to set your sights on her.”

“There’s a lot of men over at the sawmill, and many more on the ranches. That’s why Frank Cahoon and Allen Dawes sent off for those brides. Remember?” So many other men in town would take an interest in Abigail and keep her busy. He’d managed to stay clear of any kind of relationship so far, and that was just the way he wanted it. Never again did he want to feel the pain he’d experienced in Cleveland.

One Master

February 5th, 2012

“And call no one your father on earth, for you have one Father p the one in heaven.

Nor are you to be called instructors, for you have one instructor, the Messiah.

The greatest among you will be your servant.

All who exalt themselves will be humbled, and all who humble themselves will be exalted.”

Matthew 23:9-12

The Jerk Magnet

February 4th, 2012

The Jerk Magnet

 

Melody Carlson 

What if beauty is more than just skin deep?

When Chelsea Martin’s future stepmother helps her transform from gawky and geeky into the hottest girl at her new school, Chelsea is pretty sure it’s the best thing that ever happened to her. But her hot new look has a downside. She’s attracting lots of guys who all have one thing in common: they’re jerks. Oh, and stealing the attention of all the guys in school doesn’t exactly make her BFF material for the girls.

Finally a great guy catches her eye. But he’s the only one around who doesn’t give her a second glance. Can Chelsea come up with a plan to get his attention? Or will her new image ruin everything?

ISLAND BREEZES

All Chelsea really wanted to do was keep a low profile and get to the end of the sh=chool year. Now she has to adjust to the idea that she’ll soon have a stepmother.

That was definitely something she wasn’t happy about, but Kate, her father’s intended, decided to do a makeover on Chelsea. That is the thing that managed to win over Chelsea’s acceptance of her. After all, Chelsea was now a hot number.

She had guys swarming after her like bees to honey. Sounds good, but every one of them turned out to be jerks. The one who wasn’t a jerk wouldn’t even give her the time of day.

Chelsea did make a girl friend whom she helped with a makeover. But things weren’t all coming up roses. It took a surpries at a weekend camp to really turn things around.

Geek to hot stuff and back to geek. Chelsea just wants something in between.

Thank you, Melody Carlson. You always give us a good story.

***A special thanks to Donna Hausler for providing a review copy.*** 

 

 

Melody Carlson is the award-winning author of over two hundred books with sales of more than five million. She is the author of several Christmas books from Revell, including the bestselling The Christmas Bus, The Christmas Dog, and Christmas at Harrington’s, which is being considered for a TV movie. She is also the author of many teen books, including Just Another Girl, Anything but Normal, Double Take, The Jerk Magnet, and the Diary of aTeenage Girl series. Melody was nominated for a Romantic Times Career Achievement Award in the inspirational market for her books in 2010 and 2011. She and her husband live in central Oregon. For more information about Melody visit her website at www.melodycarlson.com.

 

 

Available January 2012 at your favorite bookseller from Revell, a division of Baker Publishing Group.

Summer of Promise

February 4th, 2012

Summer of Promise

Amanda Cabot

Though she had planned to spend the summer in Vermont, Abigail Harding cannot dismiss her concerns over her older sister. Charlotte’s letters have been uncharacteristically melancholy, and her claims that nothing is wrong ring false, so Abigail heads west to Fort Laramie, Wyoming. When her stagecoach is attacked, Wyoming promises to be anything but boring. Luckily, the heroics of another passenger,

Lieutenant Ethan Bowles, saves the day. Abigail plans to marry when she returns to Vermont, just as soon as she attends to her sister. As the summer passes, she finds herself

drawn to this rugged land and to a certain soldier determined to persuade her to stay. When summer ends, will she go back East, or will she find her heart’s true home?

ISLAND BREEZES

Wyoming is boring. At least that’s what Abigail thinks as she’s traveling to Fort Laramie to visit her sister for a couple weeks.

Boring didn’t last longs. Her stagecoach was attacked during her journey west.. The couple weeks turned into months, and Abigail found herself thinking that the man back home she planned to marry was really the boring part of her life.

The life she’s living at the fort becomes even less boring with all the intrigue and danger surrounding her. We’re talking robbery, murder, deception, disguise and blackmail. And that’s only part of the story.

Amanda Cabot is an author you will want to add to your list of the good ones.

***A special thank you to Donna Hausler who provided a review copy.***

Amanda Cabot is an accomplished author under various pen names and a popular speaker. The author of Paper Roses, Scattered Petals, and Tomorrow’s Garden, she is also a charter member of Romance Writers of America, the cofounder of its New Jersey chapter, a member of the ACFW, and an avid traveler. She lives in Wyoming.

Available January 2012 at your favorite bookseller from Revell, a division of Baker Publishing Group

The Harbinger

February 4th, 2012

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card author is:

 

Jonathan Cahn

 

and the book:

 

The Harbinger
Frontline Pub Inc (January 3, 2012)

***Special thanks to Jon Wooten of Charisma House for sending me a review copy.***

ABOUT THE AUTHOR:

 

Jonathan Cahn leads Hope of the World ministries and the Jerusalem Center/Beth Israel, a worship center made up of Jew and Gentile, people of all backgrounds, located in Wayne, New Jersey. His teachings are seen on television and radio throughout the nation and are known for their prophetic significance and their revealing of deep mysteries of God’s Word.

Visit the author’s website.

SHORT BOOK DESCRIPTION:

Is it possible…

That there exists an ancient mystery that holds the secret of America’s future?

That this mystery lies behind everything from 9/11 to the collapse of the global economy?

That ancient harbingers of judgment are now manifesting in America?

That God is sending America a prophetic message of what is yet to come?

Before its destruction as a nation, ancient Israel received nine harbingers, prophetic omens of warning. The same nine harbingers are now manifesting in America—with immediate ramifications for end-time prophecy.

Hidden in an ancient biblical prophecy from Isaiah, the mysteries revealed in The Harbinger are so precise that they foretold recent American events down to the exact days. The revelations are so specific that even the most hardened skeptics will find it hard to dismiss or put down. It sounds like the plot of a Hollywood thriller – with one exception… IT’S REAL.

The prophetic mysteries are revealed through an intriguing and engaging narrative the reader will find hard to put down. The Harbinger opens with the appearance of a man burdened with a message he has received from a mysterious figure called The Prophet. The Prophet has given him nine seals, each containing a message about America’s future. As he tells of his encounters with The Prophet, from a skyscraper in New York City, to a rural mountaintop, to Capitol Hill, to Ground Zero, the mystery behind each seal is revealed. As the story unfolds, each revelation becomes a piece in a greater puzzle – the ramifications of which will even alter the course of world history.

 

Product Details:

List Price: $16.99

Paperback: 272 pages

Publisher: Frontline Pub Inc (January 3, 2012)

Language: English

ISBN-10: 161638610X

ISBN-13: 978-1616386108

ISLAND BREEZES

One word.  Riveting.  This is a book you won’t want to lay down.  It’s mysterious and terrifying.  By the time I got to the mystery ground, the hairs were standing up on my arms, and I was chilled.  It gives insight into 9/11 and beyond.

This is not a book to be taken lightly.  It leads us through the destruction of Israel, and how it’s happening here in the U.S.  Jonathan Cahn is the watchman on the wall, and he is sounding the alarm.

Take heed, America.

 
AND NOW…THE FIRST CHAPTER:

An Ancient Mystery

An ancient mystery that holds the secret of America’s future.”

“Yes.”

“What would I think?”

“Yes, what would you think?”

“I’d think it was a plot for a movie. Is that it? Is that what you’re presenting .?.?.?a movie manuscript?”

“No.”

“A plot for a novel?”

“No.”

“Then what?”

He was silent.

“Then what?” she repeated.

He paused to carefully consider what he was about to say and how to say it. Her reputation among those in media was that of a woman who neither wasted her time nor indulged those who

did. She was not known to suffer fools gladly. The discussion could meet an abrupt end at any given moment and there would be no second chance with her. The fact that there had even been a

meeting in the first place, that she had even agreed to it, and that he was now sitting in her office, high above the streets of Manhattan, was nothing short of a miracle—and he knew it. He had only one concern—the message. It didn’t even occur to him to remove his black leather overcoat, nor had anyone offered to remove it for him. Leaning forward in his chair, he gave her his answer, slowly, cautiously, carefully deliberating every word.

“An ancient mystery .?.?.?that holds the secret of America’s future .?.?.?and on which its future hangs. And it’s not fiction—it’s real.”

She was quiet. At first, he took the silence as a positive sign, an indication that he was getting through. But then she spoke and quickly dispelled the notion.

“An Indiana Jones movie,” she said. “An ancient mystery hidden for thousands of years under the sands of the Middle East .?.?.?but now revealed .?.?.?and upon it hangs the fate of the entire world!”

Her flippancy provoked him to become all the more resolute.

“But it’s not fiction,” he repeated. “It’s real.”

“What would I say?” she asked.

“Yes, what would you say?”

“I’d say you were crazy.”

“Perhaps I am,” he said with a slight smile. “Nevertheless .?.?.?it’s real.”

“If you’re not crazy, then you’re joking .?.?.?or you’re doing this all for dramatic effect .?.?.?part of a presentation. But you can’t be serious.”

“But I am serious.”

She paused for a moment, staring into the eyes of her guest, attempting to ascertain whether he was sincere or not.

“So you are,” she said.

“So I am,” he replied, “and you have no idea how much so.”

It was then that her expression changed. Up to that point it had suggested a trace of amused interest. It now turned to that of total disengagement.

“No, I guess I don’t. Listen, I believe you’re a sincere man, but .?.?.?I’m really .?.?.?I’m really very busy, and I don’t have time for .?.?.?”

“Mrs. Goren.”

“That’s Goren. The accent’s on the last syllable. But Ana is fine.”

“Ana, you have nothing to lose by listening. Just go on the slight possibility .?.?.?”

“That you’re not crazy?”

“That too,” he said. “But the slight possibility that what I’m saying could actually be true, even the slight possibility that there could be something in what I’m telling you, even for that slightest

of possibilities .?.?.?for just that .?.?.?it would be important enough to warrant your time. You need to hear me out.”

She sat back in her chair and stared at him, making no attempt to hide her skepticism.

“You still think I’m crazy.”

“Fully,” she said.

“For argument’s sake, let’s say you’re right. I am crazy. Indulge me, as a public service.”

She smiled.

“I’ll indulge you, Mr. Kaplan, but there’s a limit.”

“Nouriel. You can call me Nouriel.”

At that, she got up from her chair and motioned for him to do likewise. She led him away from her desk to a small round conference table where the two sat down. The table was situated in

front of a huge glass window through which one could see a vast panorama of skyscrapers with similar windows, each reflecting the light of the afternoon sun.

“All right, Nouriel. Tell me about your mystery.”

“It’s not my mystery. It’s much bigger than me. You have no idea how big, or what it involves.”

“And what does it involve?”

“Everything. It involves everything, and it explains everything .?.?.?everything that’s happened, that’s happening, and everything that’s going to happen.”

“What do you mean?”

“Behind September 11 .?.?.?”

“How could an ancient mystery possibly have anything to do with September 11?”

“An ancient mystery behind everything from 9/11 to the economy .?.?.?to the housing boom .?.?.?to the war in Iraq .?.?.?to the collapse of Wall Street. Everything in precise detail.”

“How? How could an ancient mystery possibly .?.?.?”

“Affect your life? Your bank account? Your future? But it does. And it holds the key to America’s future .?.?.?to the rise and fall of nations .?.?.?to world history. And it’s not only a mystery, it’s a message, an alarm.”

“An alarm?” she asked. “An alarm of what?”

“Of warning.”

“To whom?”

“America.”

“Why?”

“When you hear it,” he said, “you’ll understand why.”

“All this from a mystery that goes back .?.?.?how far did you say?”

“I didn’t say.”

“So how far back does it go?”

“Two and a half thousand years.”

“A two-and-a-half-thousand-year-old mystery behind what’s happening in the twenty-first century from politics to the economy to foreign affairs—all that and you’re the only one who knows about it?”

“I’m not the only one.”

“Who else knows about it?” she asked.

“There’s at least one other.”

“Not the government? The government has no idea, even though it’s behind all that?”

“As far as I know, no government, no intelligence agency, no one else.”

“No one but you.”

“And at least one other.”

“And how did you happen to discover it?”

“I didn’t discover it,” he answered. “It was given to me.”

“Given? By whom?”

“A man.”

“And who was this man?”

“It’s hard to say.”

At this she leaned forward and spoke to him in a tone both intense and slightly sarcastic.

“Try me,” she said.

“You won’t understand.”

“What was his name?”

“I don’t know.”

“You don’t know?” she replied, with a trace of amusement in her voice.

“No, he never told me.”

“So this earth-shattering mystery is known only by you and this one man who gave it to you but doesn’t have a name.”

“I didn’t say he didn’t have a name. He just never told it to me.”

“And you never asked?”

“I did, but he never told me.”

“No phone number?”

“He never gave me one.”

“No business card?”

“No.”

“Not even an e-mail?”

“I don’t expect you to believe me yet.”

“Why not?” she replied, making no attempt to hide her skepticism.

“It sounds so plausible!”

“But hear me out.”

“So this man with no name gives you this mystery.”

“That’s correct.”

“And why to you?”

“I guess I was the right one.”

“So you were chosen?”

“I guess so,” he replied, his voice trailing off.

“And where did he get the mystery from?”

“I don’t know.”

“A mystery on which the nation’s future is hanging, and no one knows where it came from?”

“From where do prophets get their messages?”

“Prophets!” she said. “So now we’re talking prophets?”

“I guess we are.”

“As in Isaiah .?.?.?Jeremiah?”

“Something like that.”

“The last time I heard about prophets I was in Sunday school, Nouriel. Prophets don’t exist anymore. They’ve been gone for ages.”

“How do you know?”

“So you’re telling me that the man who gave you this revelation is a prophet?”

“Something like that.”

“He told you he was a prophet?”

“No. He never came out and said it.”

“And you believe all this because it came from a prophet?”

“No,” he answered. “It wouldn’t have mattered who said it. It’s not about the messenger; it’s about the message.”

“So why are you telling me all this? Why did you come here? I’m not exactly known for dealing with anything remotely like this.”

“Because the stakes are so high. Because the future is hanging on it. Because it affects millions of people.”

“And you think I have a part in this?”

“I do.”

“Really?”

“Yes.”

She leaned back in her chair and stared at him for a moment, intrigued, amused, and still trying to figure him out.

“So, Nouriel, tell me how it all began.”

He reached into his coat pocket, laid his closed hand down on the table, then opened it. In the middle of his palm was a small object of reddish, golden-brown clay, circular and about two inches in diameter.

“It all began with this.”

He handed it to her. She began examining it. The more she looked at it, the more intrigued she became. It was covered with what appeared to be ancient inscriptions.

“It all began with this.”

“And what is it?”

“It’s a seal,” he answered. “It’s the first seal.”

Ellie’s Haven

February 2nd, 2012

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card author is:

 

Sharlene MacLaren

 

and the book:

 

Ellie’s Haven (River of Hope V2)
Whitaker House (March 1, 2012)

***Special thanks to Cathy Hickling of Whitaker House for sending me a review copy.***

ABOUT THE AUTHOR:

“Shar” grew up in western Michigan and graduated from Spring Arbor University. After college she traveled worldwide performing with a music group and then returned home to start teaching school. She married her childhood friend, Cecil MacLaren, with whom she raised two daughters (and now has three grandchildren). After over 30 years as a teacher, Shar asked God for a new mission that would fill her heart with the same kind of passion she’d felt for teaching and raising her family. She found her mission writing Christian romance, and since 2007 has released ten novels that have earned her numerous awards and an ever-increasing base of loyal readers who are comforted, inspired, and entertained by her books.

Visit the author’s website.

SHORT BOOK DESCRIPTION:

Ellie Booth is on the run from her bootlegging stepfather whom she’d witnessed murder a man in their home state of Kentucky. Landing in Wabash, Indiana, she seeks a cover identity and hastily marries Gage Cooper, a widower with four children. Ellie quickly falls in love with the Cooper kids, and, not long after, with their father. But tensions mount when Ellie’s stepfather picks up her trail and Gage discovers his new bride hasn’t been entirely honest with him. Filled with colorful historic detail, emotional drama, and lighthearted humor, Ellie’s Haven is the action-packed follow up to Livvie’s Song in MacLaren’s River of Hope Series, set in 1920’s Wabash, Indiana.

Product Details:

List Price: $10.99

Paperback: 416 pages

Publisher: Whitaker House (March 1, 2012)

Language: English

ISBN-10: 1603742131

ISBN-13: 978-1603742139

ISLAND BREEZES

A witness to a crime, Ellie runs for her life.  When she reaches a small Indiana town, she answers an ad for marriage and caring for Gage Cooper’s four small children.

This was the perfect answer.  Far away from home with a new name and a private room, she entered into this marriage of convenience.  Except it became more as Ellie and Gage  began to fall in love.

But Ellie learned you can run, but you can’t hide.  She now had to deal with the fact that she had put everyone she loves in danger.  You’re going to find some surprises here.

I thoroughly enjoyed the book, but it was jarring in a couple places when Miranda rights were read.  There was no such thing in 1928.  Miranda rights didn’t come into being until 1966.

 
AND NOW…THE FIRST CHAPTER:

Thou art not a God that hath pleasure in wickedness: neither shall evil dwell with thee. The foolish shall not stand in thy sight….
—Psalm 5:4–5
February 1928
Athens, Tennessee
Nothing wakes a body faster than a barking dog competing with the heated shouts of furious men. Eleanor Booth threw off her heavy quilt and leaped out of bed, pulled her flannel collar up tight around her throat, and raced across the gritty floor to the window. With her fingertips, she rubbed a circle of frost off the pane and peered out into the cold, dark morning, squinting to make out the shadowy figures that appeared to be facing off just feet away from the rotting front porch. An icy chill surged down her spine.
“I ain’t payin’ you one cent more, Sullivan. You done took me for every last penny.”
“That’s where you’re wrong, Byron. Your pocket ain’t empty till I say it is, and as long as you keep producin’ hooch, the greenbacks’ll keep rollin’ in. You stop payin’, and I’ll shut you down quicker than a lizard on hot sand.”
They were at it again—Byron Pruitt, Ellie’s worthless stepfather, and Walter Sullivan, that crooked government agent. Byron’s dog, Curly, didn’t let up his fierce, frenzied barking, which ought to have deterred the dispute but seemed to fuel it instead.
“Byron,” Ellie’s mama, Rita, pleaded in a panicked tone. “Byron, pay the man so he’ll get off our property.”
“Shut up, woman, and git back inside! I ain’t payin’ ’im another dime!”
Ellie snatched her fraying robe from the foot of her bed, slipped it on, and rushed out of the room, toes gone numb from the frozen air wafting up through the floorboards. Tennessee winters didn’t generate much snow, but that didn’t stop the temperatures from plummeting into the single digits.
She entered the dark, tiny living room and found her mother standing in the open doorway, shoulders hunched, hands clutching the door frame. Her grayish-black hair was mussed every which way, and her tattered flannel nightgown hugged her narrow frame.
Ellie shot a hasty glance at the potbelly stove in the middle of the room, where nothing but a few embers glowing through the blackened glass. More shivers stampeded down her spine. “What’s goin’ on?” she asked, coming up behind her mama.
At the sound of her voice, Byron gave a half-turn, and that’s when Ellie spied the sawed-off shotgun in his arms. “Git back to bed, missy,” he groused. “You ain’t needed here.”
Walt Sullivan had a gun, too—a pistol—but he kept it holstered, one hand hovering over it.
“Byron, put that gun down before somebody gets hurt,” Ellie said firmly.
“Yeah, Pruitt. Listen to your purty li’l daughter.”
“Shut yer tater trap and git off my land, Sullivan.”
“Not till I get what’s due me.”
“I done paid you. Now, git!”
“’Fraid you paid me half.”
“You keep raisin’ the rates, you dumb ox. How you ’spect me to make any kind o’ livin’?”
Sullivan chortled. “That ain’t my concern, now, is it? I swear, if you don’t pay up, I’ll come back with my men, and we’ll turn your whole operation into mincemeat by midday.” He made the mistake of taking a step toward Byron, whether to intimidate or to show his authority, Ellie couldn’t say. She knew only that it was a mistake.
Byron raised his rifle and quickly fired off three shots, each one reaching its intended target. For a brief moment, his eyes glistened in the vanishing moonlight. Then, eyes bulging in an expression of shock, he dropped to the ground like a sack of wet cement.
Utter mayhem followed. Curly kept barking and ran circles around the fallen body, while her mama shrieked. “Byron! You—you—you’ve shot ’im. Is he dead? Oh, dear God, help us!” And Ellie, to suppress her own sobs, turned away from the body, where red fluid already oozed from mouth and nose. She clutched her stomach to keep from retching right there on the floor.
“Shut up, just shut up, both o’ you!” Byron roared. “I have to think.” With eyes flaming and nostrils flaring, he turned and started pacing.
The women kept quiet, save for the occasional gasp of air, and hugged each other. Ellie swallowed down some of the bitter juice churning in her stomach and chanced a peek over Mama’s shoulder.
Byron paused and crouched over Sullivan’s body, feeling for a pulse. He cut loose a curse. “He’s dead, all right.”
Ellie’s mama gasped and released her to cover her mouth with her hands. “Oh, mother of all things holy, Byron! What in the world have you done?”
“Shut up, I told you, ’fore I shoot you, too!” He raised his gun at her.
On impulse, Ellie leaped between them, her arms raised. “Put that gun down, you fool!” She had to tell herself to breathe.
The man’s beady eyes stared as if to bore holes through her, but he lowered his weapon. Still, she knew Byron Pruitt had no soul—she’d known since the day she’d met him—and she’d go to the grave wondering why her mama had married him after her father had died. Perhaps, she’d seen him as her only hope of surviving in the hills. Some protector he’d turned out to be, operating an illegal distillery that brought the scum of society straight to their door. If he ever turned a profit, her mama never saw it, for what he didn’t gamble away he paid in bribes to keep the authorities off his back.
“I gotta get rid o’ this body,” he muttered, sweeping five stubby fingers through his scraggly hair.
“No,” Ellie said quietly. “We have to call the sheriff.”
“Are you crazy?” he spat, stepping over the body and walking toward them, his eyes as wild as a rabid dog’s. “We ain’t callin’ no sheriff. I kilt a man, a government man, in cold blood. You think any court o’ law’s gonna let me off the hook?”
Ellie huddled close to her mama and wrapped a protective arm around her.
“W-we won’t tell,” Mama said, her whole body quivering. “We promise, Byron.”
Ellie couldn’t believe her ears. “Mama, how can you say that?”
Byron’s eyes bulged with madness as he climbed the rickety porch steps and entered the house. The worst kind of cold slithered in the door and tangled around Ellie’s ankles. “Because you two’re in this with me, that’s how she can say it. I’ll tell the cops you both played a part, that you talked me into doin’ it.” He raised the shotgun and poked the barrel into her mama’s chin, lifting it.
Ellie swallowed hard and stiffened. “Byron, don’t you dare hurt her.”
Her stepfather was a perpetual terror, always cocking a gun, sharpening a knife, or speaking not-so-veiled threats. It seemed that nothing satisfied him more than creating havoc in their little household. Byron Pruitt was a viperous lunatic, and if it hadn’t been for her beloved mama, Ellie would have left years ago.
Byron slid the muzzle up Mama’s face and held it at the center of her forehead. “I ain’t lyin’, Eleanor—if you don’t help me bury that body an’ promise to keep yer trap shut ’bout what you saw, I’ll kill yer ma.”
“You are plumb crazy,” Ellie whispered through her teeth.
“Don’t believe me?” He cocked the rifle and chortled. “I’ll blow ’er head off right now.”
Mama whimpered as a lone tear trickled down her trembling cheek.
Byron redirected the shotgun at the floor and pulled the trigger. A unison scream sounded as Ellie and her mama clutched each other and stepped away from the cloud of dust that rose from the splintered hole in the boards. Outside, Curly barked even louder, and Ellie could hear the chickens fussing in the coop.
But she heard nothing except the pounding of her own heartbeat when Byron stuck the barrel of his gun in her mama’s temple. “I’ll kill ’er, Eleanor, I swear it. You go to the cops, and she’s as good as dead. And here’s an interestin’ li’l tidbit: you workin’ alongside me at that liquor still makes you my partner in crime.” He laughed, the sound cold and hollow. “Them head beaters don’t look too kindly on us moonshiners, an’ with you bein’ one of us, well, they’re likely to lock you up tighter’n a pickle in a cannin’ jar. Just don’t forget that.”
She hated that he was right. “Fine. Just put that stupid gun down.”
He complied, but only after he’d held it in position for what seemed like another minute, an ugly sneer on his face. “Good. I’m glad we’re clear on that.” He pulled the gun strap over his shoulder. “Well, come on, then, both o’ you. We got a body to bury.”
Hours later, Ellie could barely believe she’d actually dug the grave of Walter Sullivan. Granted, she’d done it with Byron’s rifle aimed at her. Twice she’d emptied her stomach contents into the hole, only to hear the gun cock and Byron tell her to hurry up and finish before somebody came along.
Now, she watched her mama working at the stove to prepare lunch. In the living room, Byron sat in his rocker next to the fire and cleaned his gun, Ellie knew, to rid it of any traces of telltale gunpowder.
Ellie moved up beside her mama and touched her shoulder gently. “You’ve been stirrin’ this soup for fifteen minutes, Mama. Why don’t you go sit down a spell? You’re plain tuckered out.”
“What you two whisperin’ ’bout in there?” Byron barked.
“Nothin’,” Mama called back. Then, with lowered voice, she sputtered to Ellie, “You can’t stay here. You gotta leave today. I wouldn’t be able to bear it if anythin’ happened to you.”
“I can’t leave you with that maniac, Mama. He’s insane.”
“Of course you can, and you will. I’ll be fine. The minute he heads out to the barn, I want you to grab whatever you need and then skedaddle across the field to the Meyers’ house, you hear? Ask Burt to drive you down the mountain. He’ll do it.”
“What you two blabberin’ about?”
Byron’s brusque voice in the hallway had Ellie whirling on her heel. “Nothin’, just like Mama said. Go sit down. Your lunch is ready.”
“Humph. You best not be plannin’ to run off anywheres,” he grumbled before shuffling off to the table. Ellie caught the smell of his breath, and her stomach lurched, though she should have been accustomed to the stench of whiskey by now, considering the hours she’d worked at the still, where the air was saturated with mash. She would always associate the odor with Byron—and his shotgun, which was the only thing that had kept her working there.
The legs of his chair scraped against the sooty floor as he scooted in closer to the table, his back to them. With an icy chortle, he muttered, “You two don’t got nowheres to go, anyway.”
Three hours later, Ellie bumped along in the backseat of a Model T driven by Burt Meyer. Mildred, his wife of forty years, sat up front with him. Quiet tears dampened Ellie’s face as Burt maneuvered the automobile, its brakes squealing in protest, down a narrow pass.
She’d had no more than minutes to throw a few belongings into a little suitcase, hug her mama good-bye, and then sprint along the worn path across the cornfield. Mama had given her strict orders to locate her deceased husband’s aunt in Wabash, Indiana, and not to send word to her for at least a month, and then only through Burt and Mildred. “We can trust them,” she’d said as she’d helped her pack, Ellie crying all the while. “Don’t tell them where you’re goin’, though, and when you write to me, put the letter inside a small envelope and then tuck that inside a bigger one. Put your return address on the inside letter, never the outside one, you understand? The less information Burt ’n’ Mildred know, the better off they’ll be. They’re good people. I don’t want them gettin’ involved in this mess, other than to drive you to the train station.”
“You sure you want to leave your ma?” Mildred asked, bringing Ellie’s attention back to the present. The woman turned around and looked her in the eye. “You seem awful broke up ’bout leavin’, honey.”
Ellie wiped her cheeks and nodded. “I’m nineteen. High time I make my own way.”
“And get away from that fool stepfather o’ yours,” Burt muttered. “Too bad Rita didn’t leave with you.”
Mildred glared at her husband. “Now, Burt, that ain’t none of our concern,” she scolded him gruffly. When she was facing front again, Ellie heard her add, “Even if you’re right.” In a louder voice, she said, “We’re goin’ to miss you somethin’ fierce, Eleanor. Always did love it when you came across the field to visit us.”
“And brought them scrumptious pies with you,” Burt tacked on. “Won’t be the same up on West Peak with you gone.” He glanced back at her and winked. “Where you travelin’ to, if you don’t mind my askin’?”
“I…I plan to head north, look for a job. Not quite sure just where yet.” She could at least tell them that much.
Mildred turned around again, her brow wrinkled in concern. “You don’t got a plan, Eleanor? Why, we cain’t just drop you off if you don’t have no sort o’ arrangements.”
“Sure you can,” Ellie said, forcing brightness into her tone. She wiped away the last of her tears. “I need to break out o’ my cocoon.”
“Darlin’, if you want to break out, why don’t you go south? It’s so blamed cold up north.”
“Daddy has an aunt I’m plannin’ to stay with.” She regretted the disclosure immediately, but it did seem that they deserved an explanation of sorts. They’d always been so kind to Mama and her.
“Say no more,” Burt spoke up. “Long as you’ll be safe, that’s enough for Mildred and me.”
“He ain’t a good sort, that Byron Pruitt,” Mildred said, as if she knew that he had something to do with Ellie’s departure.

 

Ellie determined to purse her lips for the rest of the trip, lest some hint of the sordid murder slip past them. Best to keep it buried in the deepest parts of her soul.

Everything Romance

February 1st, 2012

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card authors are:

 

David Bordon and Tom Winters

 

and the book:

 

Everything Romance: A Celebration of Love for Couples
WaterBrook Press (December 20, 2011)

***Special thanks to Ashley Boyer, Publicist, WaterBrook Multnomah Publishing Group of for sending me a review copy.***

ABOUT THE AUTHORS:

David Bordon and Tom Winters are partners in Bordon-Winters, LLC, a book concept and packaging company that produces successful books and gift products. Among their previous titles are the popular “101 Things You Should Do” series. This volume joins another one of their beautiful gift books, Everything Christmas.

SHORT BOOK DESCRIPTION:

Everything Romance is a gift book overflowing with heartwarming ideas to keep that special relationship fresh and exciting. Whether you’re a newlywed or celebrating 40 years of wedded bliss, this book offers a treasury of ways to capture your love’s heart daily. Love letters, inexpensive date night suggestions, tantalizing recipes, conversation starters, and inspiring love stories will all help you romance the love of your life in creative and meaningful ways!

Product Details:

List Price: $14.99

Hardcover: 288 pages

Publisher: WaterBrook Press (December 20, 2011)

Language: English

ISBN-10: 0307729311

ISBN-13: 978-0307729316

ISLAND BREEZES

Romance.  What woman doesn’t want that in her life?

This book has many forms of romance tucked among its pages.  It includes everything from short stories, Scripture, poetry, trivia to recipes, gift ideas, quotations and more.  If it’s romance, it’s here.

This book is out just in time for Valentine’s Day preparations.  It would also make a nice gift for your love.

AND NOW…THE FIRST CHAPTER:

A Marriage Blessing2 whole-wheat pita breads
4 teaspoons basil pesto
1 cup cottage cheese
2 tablespoons Roma tomatoes, chopped
2 teaspoons fresh basil, chopped
Fresh Parmesan cheese (optional)Toast pita breads until they are crispy and firm. Spread half of the pesto on each pita. Next, spread half of the cottage
cheese on each pita. Top with chopped tomato and fresh basil. If desired, sprinkle with fresh grated parmesan cheese. Slice each pita into two or four wedges and enjoy!

Romance Trivia

A team of medical experts in Virginia contends that you’re more likely to catch the common cold virus by shaking hands than by kissing.


 


Excerpted from Everything Romance by David Bordon and Thomas J. Winters Copyright © 2011 by David Bordon and Thomas J. Winters. Excerpted by permission of WaterBrook Press, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Most gracious God, we give You thanks for Your tender love in sending Jesus Christ to come among us, to be born of a human mother, and to make the way of the cross to be the way of life.

We thank You, also, for consecrating the union of man and woman in His name. By the power of Your Holy Spirit, pour out the abundance of Your blessing upon this man and this woman. Defend them from every enemy. Lead them into all peace. Let their love for each other be a seal upon their hearts, a mantle about their shoulders, and a crown upon their foreheads. Bless them in their work and in their companionship; in their sleeping and in their waking; in their joys and in their sorrows; in their life and in their death. Finally, in Your mercy, bring them to that table where Your saints feast forever in Your heavenly home; through Jesus Christ our Lord, who with You and the Holy Spirit, lives and reigns, one God, forever and ever.

Amen.
(from The Book of Common Prayer)


PERFECT PAIR PIZZA-PITA SNACKS

Threads of Hope

January 31st, 2012

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card author is:

 

Andrea Boeshaar

 

and the book:

 

Threads of Hope
(Fabric of Time)
Realms (January 3, 2012)

***Special thanks to Jon Wooten of Charisma House for sending me a review copy.***

ABOUT THE AUTHOR:

Andrea Kuhn Boeshaar is a certified Christian life coach; a popular speaker at writers’ conferences, workshops, and women’s groups; and the author of numerous published books, including the Seasons of Redemption series: Unwilling Warrior, Uncertain Heart, Unexpected Love, and Undaunted Faith.

Visit the author’s website.


SHORT BOOK DESCRIPTION:

Kristin Eikaas has her hopes set on a new life in America.

The year is 1848, and Kristin Eikaas has traveled from Norway to Wisconsin with dreams of a new life. But when she arrives, she finds one disappointment after another. Worse, her superstitious uncle now believes that his neighbor’s Oneida Indian wife has put a curse on Kristin. Everyone knows the Sundbergs put spells on people…

Everyone except Kristin. Her run-ins with Sam Sundberg only prove that he is a good man from a Christian family. But when her uncle discovers she’s been associating with Sam, his temper flares. To escape his wrath, Kristin gratefully accepts a job as the Sundbergs’ house girl, finding solace at the family’s spinning wheel.

In the time Sam and Kristin spend together, their friendship develops into much more, and Sam prays about a match between them. But opposition threatens to derail their newfound love. Will they have the courage to stand up for what is right—even against their own families?
Product Details:

  • List Price: $13.99
  • Paperback: 304 pages
  • Publisher: Realms (January 3, 2012)
  • Language: English
  • ISBN-10: 1616384972
  • ISBN-13: 978-1616384975
  •  ISLAND BREEZES

    Kristin arrives from Norway and lands in the middle of a Hatfields and McCoys type feud.  Her life becomes threatened before she finally escapes into a better situation.

    But the feud follows her.  Because of her friendship

     

    with Sam, the son of her employer, she ends up losing her job and a place to live.

    She finds a new job and home, but dispairs of ever having a life with the man who has become more than a friend.  Sam has been out of town for a long period of time.  Will they be able to find their way together or will he marry the rich young daughter of his father’s friend?  Kristin thinks she no longer has a chance with Sam.

    You need to read this book to see all the twists and turns.  As a bonus, I learned some interesting historical facts about happenings in our young country.

     

     

AND NOW…THE FIRST CHAPTER:

September 1848

It looks like Norway.

The thought flittered across nineteen-year-old Kristin Eikaas’s mind as Uncle Lars’s wagon bumped along the dirt road. The docks of Green Bay, Wisconsin, were behind them, and now they rode through a wooded area that looked just as enchanting as the forests she’d left in Norway. Tall pine trees and giant firs caused the sunshine to dapple on the road. Kristin breathed in the sweet, fresh air. How refreshing it felt in her lungs after being at sea for nearly three months and breathing in only salty sea air or the stale air in her dark, crowded cabin.

A clearing suddenly came into view, and a minute or so later, Kristin eyed the farm fields stretched before her. The sight caused an ache of homesickness. Her poppa had farmed . . .

“Your trip to America was good, ja?” Uncle Lars asked in Norwegian, giving Kristin a sideways glance.

He resembled her father so much that her heart twisted painfully with renewed grief. Except she’d heard about Onkel—about his temper—how he had to leave Norway when he was barely of age, because, Poppa had said, trouble followed him.

But surely he’d grown past all of that. His letters held words of promise, and there was little doubt that her uncle had made a new life for himself here in America.

Just as she would.

Visions of a storefront scampered across her mind’s eye—a shop in which she could sell her finely crocheted and knitted items. A shop in which she could work the spinning wheel, just as Mor had . . .

Uncle Lars arched a brow. “You are tired, liten niese?”

Ja. It was a long journey.” Kristin sent him a sideways glance.

“I am grateful I did not come alone. The Olstads made good traveling companions.”

Her uncle cleared his throat and lowered his voice. “But you have brought my inheritance, ja?” He arched a brow.

Ja.” Kristin thought of the priceless possession she’d brought from Norway.

“And you would not hold out on your onkel, would you?”

Prickles of unease caused Kristin to shift in her seat. She resisted the urge to touch the tiny gold and silver cross pendent suspended from a dainty chain that hung around her neck. Her dress concealed it. She couldn’t give it up, even though it wasn’t legal for a woman to inherit anything in Norway. But the necklace had been her last gift from Mor. A gift from one’s mother wasn’t an inheritance . . . was it? “No, Onkel.”

She turned and peered down from her perch into the back of the wooden wagon bed. Peder Olstad smiled at her, and Kristin relaxed some. Just a year older, he was the brother of Kristin’s very best friend who had remained in Norway with their mother. She and Peder had grown up together, and while he could be annoying and bad tempered at times, he was the closest thing to a brother that she had. And Sylvia—Sylvia was closer than a sister ever could be. It wouldn’t be long, and she and Mrs. Olstad would come to America too. That would be a

happy day!

“You were right,” John Olstad called to Uncle Lars in their native tongue. “Lots of fertile land in this part of the country. I hope to purchase some acres soon.”

“And after you are a landowner for five years, you can be a citizen of America and you can vote.” The Olstad men smiled broadly and replied in unison. “Oh, ja, ja . . . ”

Uncle Lars grinned, causing dozens of wrinkles to appear around his blue eyes. His face was tanned from farming beneath the hot sun, and his tattered leather hat barely concealed the abundance of platinum curls growing out of his large head. “Oh, ja, this is very good land. I am glad I persuaded Esther to leave the Muskego settlement and move northeast. But, as you will soon see, we are still getting settled.”

Ja, how’s that, Lars?”

Kristin heard the note of curiosity in Mr. Olstad’s voice.

“I purchased the land and built a barn and a cabin.” He paused and gave a derisive snort. “Well, a fine home takes time and money.”

“Oh, ja, that way.” Mr. Olstad seemed to understand.

And Kristin did too. One couldn’t expect enormous comforts out in the Wisconsin wilderness.

Just then they passed a stately home situated on the Fox River. Two quaint dormers peered from the angled roof, which appeared to be supported by a pair of white pillars.

“That is Mr. Morgan Martin’s home. He is a lawyer in town.”

Uncle Lars delivered the rest of his explanation with a sneer. “And an Indian agent.”

“Indians?” Kristin’s hand flew to her throat.

“Do not fret. The soldiers across the river at Fort Howard protect the area.”

Kristin forced her taut muscles to relax.

“Out here the deer are plentiful and fishing is good. Fine lumber up here too. But the Norwegian population is small. Nevertheless, we have our own church, and the reverend speaks our language.”

“A good thing,” Mr. Olstad remarked.

“I cannot wait for the day when Far owns land,” Peder said, glancing at Mr. Olstad. “Lots of land.” The warm wind blew his auburn hair outward from his narrow face, and his hazel eyes sparked with enthusiasm, giving the young man a somewhat wild appearance. “But no farming for me. I want to be rich someday.”

“As do we all!” exclaimed Mr. Olstad, whose appearance was an older, worn-out version of his son’s.

Kristin’s mind had parked on land ownership. “And once you are settled, Sylvia will come to America. I cannot wait. I miss her so much.”

She grappled with a fresh onset of tears. Not only was Sylvia her best friend, but she and the entire Olstad clan had also become like family to her ever since a smallpox epidemic ravaged their little village two years ago, claiming the lives of Kristin’s parents and two younger brothers. When Uncle Lars had learned of the tragic news, he offered her a place to stay in his home if she came to America. Onkel wrote that she should be with her family, so Kristin had agreed to make the voyage. Her plans to leave Norway had encouraged the Olstads to do

the same. But raising the funds to travel took time and much hard work. While the Olstads scrimped and saved up their crop earnings, Kristin did spinning, weaving, knitting, and sewing for those with money to spare. By God’s grace, they were finally here.

Uncle Lars steered the wagon around a sharp bend in the rutty road. He drove to the top of a small hill, and Kristin could see the blue Lake Michigan to her left and farm fields to her right.

Then a lovely white wood-framed house came into view. It didn’t look all that different from the home they’d just past, with dormers, a covered front porch, and stately pillars bearing the load of a wide overhang. She marveled at the homestead’s large, well-maintained barn and several outbuildings. American homes looked like this? Then no wonder Mr. Olstad couldn’t wait to own his own farm!

Up ahead Kristin spied a lone figure of a man. She could just barely make out his faded blue cambric shirt, tan trousers, and the hoe in his hands as he worked the edge of the field. Closer still, she saw his light brown hair springing out from beneath his hat. As the wagon rolled past him, the man ceased his labor and turned their way. Although she couldn’t see his eyes as he squinted into the sunshine, Kristin did catch sight of his tanned face. She guessed his age to be not too much more than hers and decided he was really quite handsome.

“Do not even acknowledge the likes of him,” Uncle Lars spat derisively. “Good Christians do not associate with Sam Sundberg or any members of his family.”

Oh, dear, too late! Kristin had already given him a little smile out of sheer politeness. She had assumed he was a friend or neighbor. But at her uncle’s warning she quickly lowered her gaze.

Kristin’s ever-inquiring nature got the best of her. “What is so bad about that family?”

“They are evil—like the Martins. Even worse, Karl Sundberg is married to a heathen Indian woman who casts spells on the good people of this community.”

“Spells?” Peder’s eyes widened.

Ja, spells. Why else would some folks’ crops fail while Karl’s flourish? He gets richer and richer with his farming in the summer, his logging camps in the winter, and his fur trading with heathens, while good folks like me fall on hard times.”

“Hard times?” Peder echoed the words.

Ja, same seed. Same fertile ground. Same golden opportunity.”

Uncle Lars swiveled to face the Olstads. “I will tell you why that happens. The Sundbergs have hexed good Christians like me.” He wagged his head. “Oh, they are an evil lot, those Sundbergs and Martins. Same as the Indians.”

Indians? Curiosity got the better of her, and Kristin swung around in the wagon to get one last glimpse of Sam Sundberg. She could hardly believe he was as awful as her uncle described. Why, he even removed his hat just now and gave her a cordial nod.

“Turn around, niese, and mind your manners!” Uncle Lars’s large hand gripped her upper arm and he gave her a mild shake.

“I . . . I am sorry, Onkel,” Kristin stammered. “But I have never seen an Indian.”

“Sam Sundberg is not an Indian. It is his father’s second wife and their children. Oneida half-breeds is what we call them.”

“Half-breed, eh?”

Kristin glanced over her shoulder and saw Peder stroke his chin.

“Interesting,” he added.

“How very interesting.” Kristin couldn’t deny her interest was piqued. “Are there many Indians living in the Wisconsin Territory?”

Ja, they trespass on my land, but I show my gun and they leave without incident. Sundberg brings his Indian wife to church.” He wagged his head. “Such a disgrace.”

“And the Territory officials do nothing?” Mr. Olstad asked.

Uncle Lars puffed out his chest. “As of three months ago, we are the State of Wisconsin—no longer a territory.” Uncle Lars stated the latter with as much enthusiasm as a stern schoolmaster. “Now the government will get rid of those savages once and for all.” He sent Kristin a scowl. “And you, my liten niese, will do well to stay away from Indians. All of them, including our neighbors, the Sundbergs. You hear, lest you get yourself scalped.”

Ja, Onkel.”

With a measure of alarm, Kristin touched her braided hair and chanced a look at Peder and Mr. Olstad. Both pairs of wide eyes seemed to warn her to heed Uncle Lars’s instructions. She would, of course. But somehow she couldn’t imagine the man they’d just passed doing her any harm. Would he?

Sam Sundberg wiped the beads of perspiration off his brow before dropping his hat back on his head. Who was the little blonde riding next to Lars Eikaas? Sam hadn’t seen her before. And the men in the wagon bed . . . he’d never seen them either.

After a moment’s deliberation he concluded they were the expected arrivals from the “Old Country.” Months ago Sam recalled hearing talk in town about Lars’s orphaned niece sailing to America with friends of the family, so he assumed the two red-haired men and the young lady were the topics of that particular conversation. But wouldn’t it just serve Mr. Eikaas right if that blonde angel turned his household upside down—or, maybe, right-side up?

He smirked at the very idea. Sam didn’t have to meet that young lady to guess Mr. Eikaas would likely have his hands full. Her second backward glance said all Sam needed to know.

The word plucky sprang into his mind. He chuckled. Plucky she

seemed, indeed.

But was she wise enough not to believe everything her uncle said?

Sam thought it a real shame. Years ago Pa and Lars Eikaas had been friends. But then Pa’s silver went missing, insults were traded, and the Eikaases’ prejudice against Ma, Jackson, and Mary kept the feud alive.

The Eikaas wagon rolled out of sight, leaving brown clouds of dust in its wake. A grin threatened as Sam thought again of that plucky blonde’s curious expression. Maybe she did have a mind of her own. Now wouldn’t that be something? Sam thanked God that not everyone around here was as intolerant of Wisconsin Natives as the Eikaas family. There were those who actually befriended the Indians and stood up to government officials in their stead. Like Pa, for instance. Like Sam himself.

The blistering sun beat down on him. Removing his hat once more, he wiped the sweat from his forehead. He started pondering the latest government proposal to remove the Indians from their land. First the Oneida tribe had been forced out, and soon the Menominee band would be “removed” and “civilized.” As bad as that was, it irked Sam more to think about how the government figured it knew best for the Indians. Government plans hadn’t succeeded in the past, so why would they now? Something else had to be done. Relocating the Menominee would cause those people nothing but misery. They’d stated as much themselves. Furthermore, the Indians, led by Chief Oshkosh, were determined not to give up their last tract of land. Sam predicted this current government proposal would only serve to stir up more violence between Indians and whites.

But not if he and Pa could help it.

In the distance he heard the clang of the dinner bell. Ma didn’t like him to tarry when food was on the table. Across the beet field, Sam saw his younger brother run on ahead of him. He wagged his head at the twelve-year-old and his voracious appetite.

With one calloused hand gripping the hoe and the other holding the bushel basket, Sam trudged toward their white clapboard home. Its two dormers protruded proudly from the second floor.

Entering the mudroom, he fetched cold water from the inside well, peeled off his hat, and quickly washed up. Next he donned a fresh shirt. Ma insisted upon cleanliness at the supper table. Finally presentable, he made his way into the basement where the summer kitchen and a small eating area were located. The cool air met his sun-stoked skin and Sam sighed, appreciating the noonday respite.

Next he noticed a cake in the middle of the table.

“That looks good enough to eat,” he teased, resisting the urge to steal a finger-full of white frosting.

Ma gave him a smile, and her nut-brown eyes darkened as she set the wooden tureen of turkey and wild rice onto the table. “Since it’s Rachel’s last day with us, I thought I would prepare an extra special dessert.”

Sam glanced across the table at the glowing bride-to-be. In less than twenty-four hours Rachel Decker would become Mrs. Luke Smith. But for the remainder of today she’d fulfill her duties as Ma’s hired house girl who helped with the cooking, cleaning, sewing, washing, and ironing whenever Ma came down with one of her episodes, which were sometimes so intensely painful that Ma couldn’t get out of bed without help. Rachel had been both a comfort and an efficient assistant to Ma.

“I helped bake the cake, Sam.”

He grinned at his ten-year-old sister, Mary. “Good job.”

They all sat down, Mary taking her seat beside Rachel. Sam helped his mother into her place at the head of the table then lowered himself into his chair next to Jackson, who’d been named after Major General Andrew Jackson, the seventh president of this great country.

“Sam, since your father is away,” Ma began, “will you please ask God’s blessing on our food?”

“Be glad to.” He bowed his head. “Dearest Lord, we thank Thee for Thy provisions. Strengthen and nourish us with this meal so we may glorify Thee with our labors. In Jesus’s name, amen.”

Action ensued all around the table. The women served themselves and then between Sam and Jack, they scraped the bowl clean.

“Good thing Pa’s not home from his meetings in town,” Jack muttered with a crooked grin.

“If your father were home,” Ma retorted, “I would have made more food.”

“Should have made more anyhow.” Jack gave her a teasing grin. “No seconds.” He clanged the bowl and spoon together as if to prove his point.

“You have seconds on your plate already,” Ma said. “Why, I have never seen anyone consume as much food as you do, Jackson.”

His smile broadened. “I’m growing. Soon I’ll be taller than Sam.”

“Brotherly competition.” Sam had to chuckle. But in the next moment, he wondered if his family behaved oddly. Didn’t all families enjoy meals together? Tease and laugh together? Tell stories once the sun went down? According to Rachel, they didn’t. The ebony-haired, dark-eyed young woman had grown up without a mother and had a drunkard for a father . . . until Ma got wind of the situation and took her in. She invited Rachel to stay in the small room adjacent to the kitchen and offered her a job. Rachel had accepted. And now, years later, Rachel would soon marry a fine man, Luke Smith, a friend of Sam’s.

Taking a bite of his meal, he chewed and looked across the table at Mary. Both she and Jack resembled their mother, dark brown hair, dark brown eyes, and graceful, willowy frames, while Sam took after his father, blue eyes and stocky build, measuring just under six feet. Yet, in spite of the outward dissimilarities, the five Sundbergs were a closely knit family, and Sam felt grateful that he’d known nothing but happiness throughout

his childhood. He had no recollection whatsoever of his biological mother who had taken ill and died during the voyage from Norway to America.

Sam had been but a toddler when she went home to be with the Lord, and soon after disembarking in New York, his father met another Norwegian couple. They helped care for Sam and eventually persuaded Pa to take his young son and move with them to Wisconsin, known back then as part of the “Michigan Territory.” Pa seized the opportunity, believing the promises that westward expansion touted, and he was not disappointed.

He learned to plant, trap, and trade with the Indians, and he became a successful businessman. In time, he saved enough funds to make his dreams of owning land and farming a reality.

Then, when Sam was a boy of eight years, his father met and married Mariah, an Oneida. Like her, many Oneida were Christians and fairly well educated due to the missionaries who had lived among them. In time Sam took to his new mother, and she to him. Through the years Ma cherished and admonished him as though he were her own son. She learned the Norwegian language and could speak it fluently. As far as Sam was concerned, he was her own son—and Mariah, his own mother.

They were a family.

“Was that the Eikaas wagon driving by not long ago?” Mary asked.

Sam snapped from his musing. “Sure was. It appears they have relatives in town.”

“Mr. Eikaas didn’t stop and visit, did he?” Mary’s eyes were as round as gingersnaps.

Sam chuckled. “No, of course not. I can’t recall the last time Lars Eikaas spoke to me . . . or any of the Sundbergs, for that matter.”

“Erik is nice to me at school.” Mary took a bite of her meal.

“Glad to hear it.”

“I can’t wait to begin school next week.”

Sam grinned at his sister’s enthusiasm. He’d felt the same way as a boy.

“Sam, what made you assume Mr. Eikaas transported relatives in his wagon today?”

He glanced at Ma. “A while back I’d heard that Lars’s niece was coming to America, accompanied by friends, and since I didn’t recognize the three passengers in the wagon this morning, I drew my own conclusions.”

“Is she pretty?” Jackson’s cheeks bulged with food.

“Is who pretty?”

“Mr. Eikaas’s niece . . . is she pretty?”

Sam recalled the plucky blonde whose large, cornflower-blue eyes looked back at him with interest from beneath her bonnet. And pretty? As much as Sam hated to admit it, she was about the prettiest young lady he’d ever set eyes on.

Jackson elbowed him. “Hey, I asked you a question.”

Sam gave his younger brother an annoyed look. “Yeah, I s’pose she’s pretty. But don’t go getting any big ideas about me courting her. She’s an Eikaas.”

“You’re awful old to not be married yet.” Jack rolled his dark eyes.

“What do you know about it? I’m only twenty-one.” Sam grinned. “Hush up and eat.” It’s what the boy did best. “So . . . did everyone have a pleasant morning?” He forked another bite of food into his mouth, wondering why he tried so hard to shift the subject off of Lars Eikaas’s niece.

Kristin looked around the one-room shanty with its unhewn walls and narrow, bowed loft. Cotton squares of material covered the windows, making the heat inside nearly unbearable.

Disappointment riddled her being like buckshot. Although she knew she should feel grateful for journeying safely this far, and now to have a roof over her head, she couldn’t seem to shake her displeasure at seeing her relatives’ living quarters. It looked nothing like her uncle had described in his letters nor the homes she’d glimpsed on the way.

“Here is your trunk of belongings,” Uncle Lars said, carrying the wooden chest in on one of his broad shoulders. With a grunt, he set it down in the far corner of the cabin. “Where is my inheritance? Let me have a look at it.”

“Right now, Onkel?”

Ja, ja . . .” Impatience filled his tone.

Pulling open the drawstring of her leather purse, she reached inside and extracted the key. She unlocked the trunk and opened its curved lid. Getting onto her knees, Kristin moved aside her clothes and extra shoes until she found what she searched for. Poppa’s gold watch. She held the black velvet-covered box reverently in her hands for one last, long moment before she stood and presented it to her uncle.

“This belonged to my poppa.”

“Ah . . .” Uncle Lars’s face lit up with delight as he opened the box. Looking to Aunt Esther, he nodded. “This will bring a fair price, do you think?”

Disbelief poured over her. “But . . . you would not sell Poppa’s watch, would you?”

“None of your business!”

Kristin jumped back at the biting reply. Her opinion of her uncle dropped like a rock into a cavern.

“Anything more?” Her uncle bent over the wooden chest and quickly rummaged through it, spilling clothes onto the unswept floor.

Onkel, please, stop. My garments . . .”

“Does not seem to be anything else.” Uncle Lars narrowed his gaze. “Is there?”

“No.” The necklace Mor had given her burned against her already perspiring skin. Still, Kristin refused to part with the gift. “Nothing more. As you know, Poppa was a farmer. He supplemented his income by working at the post office, but no money was ever saved. After my parents died, I sold everything to help pay for a portion of my passage to America. I earned the rest myself.”

“Any money left?”

Kristin shook her head as she picked up the last of her belongings, careful not to meet her uncle’s stare. A little money remained in the special pocket she’d sewn into her petticoat. For safety, she’d kept her funds on her person throughout the entire voyage. The last of her coinage would purchase muchneeded undergarments. She’d managed to save it throughout the journey for the specific purpose of buying new foundations when she reached America. It wasn’t inherited. She’d worked hard for it.

With a grunt Uncle Lars turned and sauntered out of the cabin.

“You will sleep in the loft with your cousins.” Aunt Esther’s tone left no room for questions or argument. Wearing a plain, brown dress with a tan apron pinned to its front, and with her dark brown hair tightly pinned into a bun, the older woman looked as drab as her surroundings. “Your uncle and I sleep on a pallet by the hearth.”

“Yes, Tante. I am sure I will be very comfortable.” Another lie.

“Come, let us eat.” Aunt Esther walked toward the hearth where a heavy black kettle sat on top of a low-burning fire. “There is venison stew for our meal.”

“It sounds delicious.” Kristin’s stomach growled in anticipation. She’d eaten very little on the ship this morning. Excitement plus the waves on Lake Michigan made eating impossible. But after disembarking in Green Bay, her stomach began to settle, and now she was famished.

Aunt Esther called everyone to the table, which occupied an entire corner of the cabin. Her three children, two girls and one boy, ranging in ages from seven to sixteen, came in from outside, as did the Olstads. After a wooden bowl filled with stew was set before each person, the family clasped hands and recited a standard Norwegian prayer . . .

I Jesu navn gar vi til bords,—We sit down in the name of Jesus,

Spise drikke pa ditt ord,—To eat and drink according to Your

Word,

Deg Gud til are, oss til gavn,—To Your honor, Oh Lord, and

for our benefit,

Sa far vi mat i Jesu navn.—We receive food in the name of

Jesus.

Amen.

Having said grace, hands were released, and everyone picked up a spoon and began to eat. Kristin noticed her cousins, Inga and Anna, eyeing her with interest. They resembled their father, blonde curls and blue eyes.

“What do you like to do on sunny afternoons such as this one?” she asked cheerfully, hoping to start conversation. After all, Inga’s age was close to hers. Perhaps her cousin would help her meet friends.

“We do not talk at the table,” Aunt Esther informed her. “We eat, not talk.”

“Yes, Tante.” Kristin glanced at Peder and Mr. Olstad who replied with noncommittal shrugs and kept eating.

Silently, Kristin did the same. The Olstads always had lively discussions around their table.

When the meal ended, the girls cleared the table and the men took young Erik and ambled outside.

“May I help with cleaning up?” Kristin asked her aunt.

“No. You rest today and regain your strength. Tomorrow we are invited to a wedding, the day after is the Sabbath. Then beginning on Monday, you will labor from sunup to sunset like everyone else in this place.”

“Except for one,” Inga quipped. No one but Kristin heard.

“Who?” Her lips moved, although she didn’t utter a sound.

Far, that is who.” Disrespect seeped from Inga’s tone, which was loud and clear.

Hadn’t Aunt Esther overheard it?

Tante suddenly whirled around and glared at Kristin. “Do something with yourself. We are working here.”

With a frown, Kristin backed away. Her aunt’s brusque manner caused her to feel weary and more homesick than

ever. She missed her parents and her little brothers. Why did God take them, leaving her to live life without them? And Sylvia . . . how she longed for her best friend!

Kristin knelt by the trunk and carefully lifted out a soft, knitted shawl that had once belonged to her mother, Lydia Eikaas. Mor had been an excellent seamstress, expert in spinning wool into yarn and thread, as well as in weaving and sewing garments. She’d taught Kristin everything she knew about the craft. Surely Kristin could now put her skills to good use in this new country, this land of opportunity.

She sighed and glanced over to where her aunt and two cousins continued straightening up after the meal. Inga and Anna barely smiled, and her aunt’s expression seemed permanently frozen into a frown. Is that what this country really afforded . . . misery?

Allowing her gaze to wander around the dismal cabin once more, Kristin began to wish she had not come to America.

Beauty Will Save the World

January 30th, 2012

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card author is:

 

Brian Zahnd

 

and the book:

 

Beauty Will Save the World: Rediscovering the allure and mystery of Christianity
Casa Creacion (January 3, 2012)

***Special thanks to Jon Wooten of Charisma House for sending me a review copy.***

ABOUT THE AUTHOR:

I’m a full-time pastor, an erstwhile author, and a would-be mountaineer. I am the lead pastor of Word of Life Church in Saint Joseph, Missouri. I am the author of several books, most recently *Unconditional* and *What To Do On The Worst Day Of Your Life*

I became a Christian as a teenager through a dramatic encounter with Jesus during the height of the Jesus movement. Almost immediately I was holding Bible studies in High School, leading a coffeehouse ministry and preaching in whatever church was crazy enough to let a long-haired Jesus freak into the pulpit. Seven years after my life-changing encounter with Jesus I started Word of Life Church in a broken down Methodist church building. For the first seven years we struggled and remained small, but since that time God has allowed me to be a pastor to thousands. It never ceases to amaze me.

My great passion is for the King and His Kingdom. I’ve been led on my never-ending adventure of exploring the Kingdom of the Heavens by these five signpost words: Cross, Mystery, Eclectic, Community, Revolution. I could talk for hours on these five words that revolve around Jesus, but this is supposed to be a short bio.

My wife Peri and I have done some pretty improbable things by daring to believe God. It has made our life an adventure—not always easy, but always an adventure…and in the end, always good.

We have three sons: Caleb, Aaron and Philip, and two daughter-in-laws, Ashlie and Sarah. They’re awesome.

Visit the author’s website.

SHORT BOOK DESCRIPTION:

In today’s world we have technology, convenience, security, and a measure of prosperity, but where is the beauty?

For thousands of years, artists, sages, philosophers, and theologians have connected the beautiful and the sacred and identified art with our longing for God. Now we live in a day when convenience and practicality have largely displaced beauty as a value. The church is no exception—even salvation is commonly viewed in a scientific and mechanistic manner and presented as a plan, system, or formula.

In Beauty Will Save the World, Brian Zahnd presents the argument that this loss of beauty as a principal value has been disastrous for Western culture—and especially for the church. The full message of the beauty of the gospel has been replaced by our desires to satisfy our material needs, to empirically prove our faith, and to establish political power in our world—the exact same things that Christ was tempted with—and rejected—in the wilderness.

Zahnd shows that by following the teachings of the Beatitudes, the church can become a viable alternative to current-day political, commercial, and religious power and can actually achieve what these powers promise to provide but fail to deliver. Using stories from the lives of St. Francis of Assisi and from his own life, he teaches us to stay on the journey to discover the kingdom of God in a fuller, richer—more beautiful—way.

 

Product Details:


  • List Price: $15.99
  • Paperback: 256 pages
  • Publisher: Casa Creacion (January 3, 2012)
  • Language: English
  • ISBN-10: 1616385855
  • ISBN-13: 978-1616385859
  •  ISLAND BREEZES

    We’re taught how to present the plan of salvation, but never is anything mentioned about the beauty of Christianity.

    This book takes us on a journey to discover or rediscover the beauty of our faith.

    Brian Zahnd shows us this beauty int the Beatitudes.  You will look at them with new eyes – through the lens of beauty.

     

AND NOW…THE FIRST CHAPTER:

Form and Beauty

This is a book about beauty and Christianity—or perhaps about the beauty of Christianity. We are all attracted to beauty. We desire it, we admire it, we recognize it when we see it. We have an innate instinct for beauty, even if the definition of what beauty actually is can be a bit unwieldy. In an academic sense, beauty is generally

understood as a combination of color, shape, and form that we find aesthetically pleasing. That is a rather bland description of beauty, but even if the definition is inadequate, we do understand that beauty has a form. This is important. Whether it’s a painting or a poem or a sculpture or a song, beauty has a form. Form is central to beauty. Distortion of a beautiful form takes away from its beauty. Obviously it’s even possible for a beautiful thing to become so distorted and deformed that it loses most or all of its beauty. When this happens, it’s a kind of vandalism.

Think of a beautiful stained-glass window, an artistic combination of color, shape, and form. Imagine a stained-glass masterpiece in a great cathedral, perhaps depicting a scene

from the life of Jesus. Now try to imagine a vandal lobbing bricks through that window. The beautiful combination of color and form has been broken, and beauty has been lost. It is a tragedy, and we are saddened. What we hope for now is some kind of restoration—we hope that beauty can be recovered. We hope for this because one way of viewing life is as an ongoing struggle to create, preserve, and recover what is beautiful. This is why art is not merely a leisure pursuit but serious business, because, quite simply, life should be made as beautiful as possible.

But this is not a book about art appreciation. This is a book about Christianity and about making it beautiful. Christianity in its proper form is a transcendent beauty. The story of Jesus’s life, death, and resurrection is not only the greatest story ever told, but it’s also the most beautiful story ever told. Christianity as the ongoing expression of the Jesus story lived out in the lives of individuals and in the heart of society is a beauty that can

redeem the world. That is an almost outlandish statement, but I believe it!

Yet I also recognize that Christianity can be distorted. It can be twisted out of shape. It can lose its beautiful form. When this happens, Christianity is not only less than beautiful; it can at times be blatantly ugly. It has happened before. What I fear is that we are in danger of losing our perspective of what is most beautiful about Christianity and accidentally vandalizing our faith with the best of intentions. I fear the vandalism has already begun. This book is about what can be done and how Christianity can recover its form and beauty through a new kind of reformation.

    Ecclesia reformata semper reformanda—The church reformed and always reforming.

This Latin phrase was one of the mottoes of the Protestant Reformation—a reminder and an acknowledgment that for the church to remain true to its mission and witness and to retain its beauty, the church must constantly be reforming itself. Of course, semper reformandadoesn’t mean the church should mindlessly engage in change for the sake of faddish novelty or trendy innovation. That’s not what I’m talking about. Rather semper reformanda comes from the realization that there are forces—political, social, theological, spiritual, and so forth—that over time tend to twist the church and the gospel out of shape. As a result the church must continually seek to recover the true form and original beauty found in the gospel of Jesus Christ. This kind of reformation is an ongoing process.

There is indeed a sense in which the need for some measure of reformation is always present, but there are also times when the need for reformation (think re-formation) is more critical than others. There are times when the distortion of the church is severe enough that the integrity of our message is compromised. I’m convinced the evangelical church in the Western world is facing just such a crisis. Putting it as plainly as I can, evangelical Christianity needs to recover the form and beauty that are intrinsic to Christianity. We need a reformation because we are being twisted out of shape. Let me try to explain how this has happened.

The stories of evangelicalism and America are deeply intertwined in much the same way that the stories of Catholicism and the Roman Empire are intertwined. Evangelical Christianity came of age during America’s rise to superpower status on the world stage. America, untethered from European Christendom and their vassal state churches, provided an environment conducive for evangelical Christianity, and evangelical Christianity has flourished in the American environment. (By evangelical I mean the expression of Protestant Christianity characterized by a dual emphasis on the authority of Scripture and a personal conversion experience—this is evangelicalism at its best.) So far

so good. But there is always a particular temptation faced by the church when it is hosted by a superpower. The temptation is to accommodate itself to its host and to adopt (or even christen) the cultural assumptions of the superpower.

This is nothing new. The long history of the church bears witness to the reality and seductive power of this temptation. The historic problem the Greek Orthodox Church struggled with in the East sixteen hundred years ago was the temptation to be too conformed to the Byzantine Empire. At the same time, the historic problem the Roman Catholic Church struggled with in the West was the temptation to be too conformed

to the Roman Empire. And I dare to suggest (or even insist!) that the problem that is distorting American evangelicalism is that it has become far too accommodating to Americanism and the culture of a superpower. This is fairly obvious. You don’t have to be a sociologist to recognize that the American obsession with pragmatism, individualism, consumerism, materialism, and militarism that so characterizes contemporary America has come to shape (and thereby distort) the dominant form of evangelical Christianity found in North America. It becomes American culture with a Jesus fish bumper sticker. If we are unwilling to engage in critical thought, we will simply assume that this is Christianity, when in reality it is a kind of Christianity blended with many other things.

To be born in America is to be handed a certain script. We are largely unconscious of the script, but we are “scripted” by it nevertheless. The American script is part of our nurture

and education, and most of it happens without our knowing it. The dominant American script is that which idolizes success, achievement, acquisition, technology, and militarism. It is the script of a superpower. But this dominant script does not fit neatly with the alternative script we find in the gospel of Jesus Christ. So here is our challenge: when those who confess Christ find themselves living in the midst of an economic and military superpower, they are faced with the choice to either be an accommodating chaplain or a prophetic challenge. Over the last generation or so, evangelicalism has been

more adept at endorsing the dominant script than challenging it. And in conforming too closely to the dominant script of Americanism, the Christianity of the American church has become disfigured and distorted and is in desperate need of recovering its true form and original beauty through a process of re-formation. We need to bear the form and beauty of the Jesus way and not merely provide a Christianized version of our cultural assumptions.

In order to recover the true form and original beauty that is integral to Christianity, we need an ideal form, a true standard, an accurate template, a faithful model to which we can look, to which we must conform. For historic Christianity this has always been Jesus Christ upon the cross, which is a holy irony, since crucifixion was designed to be ghastly and hideous. But this is the mystery of the cross. The crucifixion of Jesus Christ, which attains in retrospect an eternal glory and beauty through the resurrection, is the axis of Christianity around which everything else revolves. Thus the cruciform (the shape of a cross) is the eternal form that endows Christianity with its mysterious beauty. Simply put, the cross is the form that makes Christianity beautiful! The cross is the beauty of Christianity because it is at the cross that we encounter co-suffering love and costly forgiveness in its most beautiful form.

But the question is, can we see the beauty of the cruciform? In a culture that idolizes success, can we see beauty in the cross? In a culture that equates beauty with a “pretty

face,” can we see past the horror of a grisly execution and discern the sacred beauty beneath the surface? This is what artistic representations of the cruciform are capable of capturing and why their work is invaluable. The artist doesn’t give us a journalistic photograph of an event, but an artistic interpretation of an event. The great masters of sacred art were both artists and theologians; through their work they have given us an artistic interpretation that reveals the inherent, but hidden, beauty of the cross. Consider the cruciform and try to apprehend its beauty. The Christ upon the cross, arms outstretched in the gesture of proffered embrace, refusing to call upon avenging angels but instead loving his enemies and praying for their forgiveness—this is the form and beauty of Christianity. The cruciform is the posture of love and forgiveness where retaliation is abandoned and outcomes are entrusted to the hands of God. The cross is laden with mystery. At first glance it looks like anything but success. It looks like failure. It looks like defeat. It looks like death. It is death. But it is also the power and wisdom of

God. This is mysterious. It is also beautiful. This is the mysterious beauty that saves the world.

The cruciform is the aesthetic of our gospel. It is the form that gives Christianity its unique beauty. It is what distinguishes Christianity from the dominant script of a superpower. But the beauty of the cruciform is a beauty communicated in a mystery. To those who value only conventional power and crass pragmatism—which is always the tendency of a superpower—the cruciform looks like folly, weakness, defeat, and death. It is not conventional beauty. But to those who have eyes to see, the cruciform shows forth a transcendent beauty—the beauty of love and forgiveness. It is the beauty of Christ’s

love and forgiveness as most clearly seen in the cruciform that is able to save us from our vicious pride and avaricious greed.

This is relevant to our situation because pride and greed are often pawned off as virtues in the culture of a superpower. Pride and greed are the engines of expansion, and as such they tend to be reworked as attributes. It was true in first-century Rome, and it’s true in twenty-first-century America. We’re told to “take pride in ourselves” and reminded that “we’re number one.” We sing about how proud we are to be Americans (even in church!). Plus there’s always someone new buying into Ayn Rand’s objectivist philosophy of self-interest and explaining to us with great passion how “greed is good.” But our Scriptures give a minority report; they tell us that pride and greed are the pliers that have distorted our humanity into a sinful ugliness. We must see the beauty of Christ in the cruciform and understand that it is only the beauty of self-sacrificing love that can

save us from pride and greed. This is the beauty Dostoevsky correctly and prophetically spoke of when he said, “Beauty will save the world.”

The church always faces the temptation to turn its gaze from the beauty of the cruciform and look instead to “the kingdoms of the world and their splendor.” The beauty of the cruciform is a subtle and hidden beauty, like the enigmatic smile of Mona Lisa. The splendor of Babylon is brash, like the garish lights of Las Vegas. When we lose sight of the subtle beauty of the cruciform we become seduced by the power, prestige, and pragmatism of politics. To borrow Tolkien’s theme, we become seduced by the ring of power. The ring of power is the enemy of beauty. It was the ring of power—“my precious”—that transformed the humanlike Sméagol into the reptilian Gollum. In like manner, the church begins to devolve from beauty into a distorted form less beautiful the moment it reaches for the ring of power.

But we reach for the ring of power nevertheless. We find it almost irresistible. Of course we supply ourselves with copious reasons as to why our fascination with conventional power is a good thing: “We want to have power to do good.” “We want to make a difference in the world.” “We have to take a stand against evil.” But without realizing it, we are being subtly seduced into thinking there is a better way to go about achieving righteousness and justice (think beauty) than by taking up the cross and following Jesus. We begin to think that if we can just get Caesar on our side, if we can just get the emperor to hold a National Prayer Breakfast, we can then baptize the ways and means of the empire and at last accomplish “great things for God.” And here’s the thing: Caesar is

more than willing to employ the church as a chaplain, as long as the church will endorse (with a bit of religious flourish) the ways and means of the empire. Of course the ways and means of the empire are the ways and means of political and military domination. There’s no beauty in that. Politics is never pretty. Everyone knows that. Thus the church sacrifices the beauty of Christianity when it chooses the political form over the cruciform.

Reaching for the ring of power distorts our beauty.

But why would we do it? Why would we sacrifice the enchanting beauty of Christianity for the ugly machine of politics? Because political power is so—and there’s no other word for it—pragmatic. We’re convinced “it works.” What could be more simple? Here’s the formula. Just put good people in positions of power and good things will happen. (Such thinking is very close to the wilderness temptation Jesus faced; more on that later.) We are easily seduced by the clear logic of political pragmatism. But we need to remember that God does not save the world through the clear logic of political pragmatism (though Jesus was tempted by the devil, and even by his own disciples, to attempt it). Instead, God saves the world through the ironic and mysterious beauty of the cruciform. To achieve good through attaining political and military dominance has

always—always!—been the way of the fallen world. We seem to lack the imagination to envisage any other way. But it’s not the Jesus way. It’s not the beautiful way. It’s not the way of the cruciform.

Jesus does notsave the world by adopting the ways and means of political pragmatism and becoming the best Caesar the world has ever seen. Instead Jesus saves the world by suffering the worst crime humanity is capable of—the crime of deicide (the murder of God). On the cross Jesus absorbed our hate and hostility, our vengeance and violence into His own body and recycled it into love and forgiveness. By his wounds we are healed. By this beauty we are saved.

The third-century theologian Origen observed that “the marvel of Christ is that, in a world where power, riches, and violence seduce hearts and compel assent, he persuades and prevails not as a tyrant, an armed assailant, or a man of wealth, but simply as a teacher of God and his love.”1 Commenting on this, David Bentley Hart says, “Christ is a persuasion, a form evoking desire. . . . Such an account [of Christ] must inevitably make an appeal to beauty.”2 I absolutely agree! Christ persuades, not by the force of Caesar, but by the beauty of love.

I assume that every Christian would agree with the idea that what Jesus did in his death was beautiful and that somehow this beautiful act is central to our salvation. But the challenge is to translate the beauty of the cruciform into contemporary Christianity—especially a contemporary Christianity obsessed with power and politics. The beauty of the cruciform by which Jesus saves the world through an act of co-suffering love and

costly forgiveness is the same beauty that must characterize the church if we are to show forth the glory of the Lord in our world. But it’s the beauty of cruciform love that is most

marred when we allow the Christian faith to be politicized.

A politicized faith loses its beauty very quickly. I know, because I was once an enthusiastic participant in the process of faith-based politicization. I was willing to subtly, and at times not so subtly, align my church with partisan political agendas. Senators and congressman would visit my church to give their testimonies (always around election time). We handed out “voter guides” so those not paying close enough attention would know how to vote. We found ways to make the elephants and donkeys of the American political process somehow analogous to the sheep and goats in Jesus’s parables. But for me that came to an abrupt end in a fairly dramatic fashion.

In September of 2004 in the heat of a volatile presidential campaign I was asked to give the invocation at a political rally where one of the vice presidential candidates was

appearing. I agreed to do so. I remember well the acrimony outside the convention center where protestors and supporters were busy hurling ugly epithets at one another. Inside the convention center the crowd was being whipped into a political frenzy that amounted to “hurray for our side!” As I sat on the platform with the political acolytes, and me as their rent-a-chaplain, I began to squirm. I knew I was being used. I was a pawn in a political game. I felt like a tool. (And a fool!) When it came time for me to pray (for which the unstated purpose was to let it be known that God was squarely on our side), I stepped to the podium and first prayed silently, “God, what am I doing here? I’ve made a mistake. I’m sorry.” I then offered a largely innocuous prayer and left as soon as I could, promising myself and God that I would never do anything like that again. But in leaving the convention center I again had to run the gauntlet of supporters and protesters yelling at one another with the police in between the two groups to prevent them from being at one another’s throats. It wasn’t pretty. And no prayer could make it pretty. It was petty, partisan, and petulant. I could not imagine Jesus or the apostles sullying their gospel to participate in it.

That moment was a turning point for me. I was no longer willing to see the church as a sidekick to Caesar, fully baptized (immersed, not sprinkled) into the acrimonious world

of partisan politics. It’s not that I’m afraid of controversy or persecution—I am perfectly willing to suffer persecution and ridicule for the sake of Christ (this is part of the cruciform). But I am unwilling to throw myself into the political fray for the sake of partisanship. I’m unwilling to do so because I simply no longer believe that political parties have much to do with God’s redemptive work in the world. Jesus is building his

church, not a political party. And I’m absolutely certain that political partisanship costs us our prophetic voice. We end up a tool to one side, an enemy to the other, and prophetic to neither. The bottom line is there is simply no way to make politics beautiful. But the way of the cruciform is beautiful. And I have made my choice. I choose the beautiful over the pragmatic. I realize that many people will not understand this, but I fully believe this is precisely the choice Jesus made. In choosing the cruciform over the political, Jesus was choosing the beautiful over the pragmatic.

If we are going to recover the form and beauty of Christianity, we are going to have to face squarely the issue of the politicization of the faith, because things are getting ugly. In the current climate of polarized partisanship where everything is now politicized, there is an appalling amount of anger, vitriol, and a general lack of civility. Sadly, millions of confessed followers of Jesus are being swept up in the madness as they give vent to their anger, fully convinced that God is on their side. Their justification is “we’ve got to take America back for God.” Presumably this is to be done by the dubious means of acrimonious partisan politics. But we need to think less politically and more biblically.

Does the church have a mandate to change the world through political means? We have assumed so, but it is a questionable assumption at best. Baptist theologian Russell Moore

has observed that, “Too often, and for too long, American ‘Christianity’ has been a political agenda in search of a gospel useful enough to accommodate it.”3 But is our mission a kind of political agenda or is it something else? Isn’t our first task to actually be God’s alternative society? Pause and think about that. I’m afraid we’ve made a grave mistake concerning our mission. We’re not so much tasked with running the world as with being a faithful expression of the kingdom of God through following Jesus and living the beautiful life that Jesus sets forth in the Sermon on the Mount. Jesus described his disciples as sheep among wolves. The mistake of confusing our mission of being faithful as God’s alternative society with trying to rule the world through the crude means of political power is nothing new—it’s the mistake the church has been making for seventeen centuries. Prior to the Roman emperor Constantine, the early church was content to simply be the church—to be a city set upon a hill living the alternative

lifestyle that is the Jesus way. But after the emperor Constantine and the adoption of Christianity as the imperial religion, the church embarked upon a project of running the

world in cahoots with Caesar. This project has not turned out well. And it has been particularly damaging to the church. In fact, it has led to the ugliest episodes in church history. The church’s collusion with political agendas led us into the shameful venture of the Crusades and the arrogant doctrine of Manifest Destiny. These things are truly ugly.

The problem with our “change the world” rhetoric is that it is too often a thinly veiled grasp for power and a quest for dominance—things that are antithetical to the way Jesus calls his disciples to live. A politicized faith feeds on a narrative of perceived injury and lost entitlement leading us to blame, vilify, and seek to in some way retaliate against those we imagine responsible for the loss in late modernity of a mythical past. It’s what Friedrich Nietzsche as a critic of Christianity identified as ressentiment, and it drives much of the Christian quest for political power. In the Jesus way the end—no matter how

noble—neverjustifies the means. It’s inevitable that a movement fueled by resentment will soon depart from the Jesus way, and it is bound to become ugly. Jesus specifically told us that we are not to emulate the ugly ways of Caesar in grasping for power and dominance. Instead we are to choose the counterintuitive way of humility, service, and sacrificial love. These things are inherently beautiful. But we have a hard time learning this lesson.

When the disciples James and John (whom for obvious reasons Jesus called “the sons of thunder”) expressed a desire to reign with Christ in their imagined version of Jesus as Caesar, Jesus made it clear that they didn’t know what they were talking about and that the way of political dominance would not be the way of his kingdom. Jesus curtly told his disciples: “It shall not be so among you.”† Jesus was doing something new and truly beautiful; he was not imitating the way and means of Caesar. The brutal Roman Empire had plenty of splendor as veneer, but it lacked any true depth of beauty. Jesus deliberately

chose the beauty of co-suffering love over the brutal pragmatism of political power. When Pilate encountered Christ, he could not understand this—but we must. We must

never forget that Jesus ushered in his kingdom by refusing to oppose Caesar on Caesar’s terms. Jesus didn’t fight political power with political power. Thus Jesus submitted to the

injustice of a state-sponsored execution by telling Pilate, “My kingdom is not from this world. If my kingdom were from this world, my followers would be fighting.” Think about that. It is part of the mystery and beauty of Christianity that the kingdom of God comes, not by the sword of political power, but by the cross of self-sacrificing love. Jesus didn’t smash his foes with the sword of “righteous” political power; instead he absorbed the blow of injustice and committed his fate to the hands of God. In this we find an undeniable truth: we cannot fight for the kingdom of Christ in the same manner that

the nations of the world fight, for the moment we do, we are no longer the kingdom of Christ but the kingdom of the world! A politicized mind can only imagine power as political domination, but a Spirit-renewed mind imagines the more excellent way of love—which is the more beautiful way of the cruciform.

Admittedly we live in a world where much is wrong. But what is most wrong with the world is not our politics or Congress or who lives in the White House. This is either the

naïve gullibility or the manipulative rhetoric of partisanship. What is most wrong with the world is the ugly distortion of humanity brought about through the dehumanizing forces of lust, greed, and pride. As followers of Jesus we are not called to campaign for a political solution—for ultimately there is none—but to demonstrate an authentic Christian alternative. We are advocates of another way. Certainly we can participate in the political process, but we must do so primarily as ambassadors of another kingdom exhibiting and teaching the beautiful virtues of that kingdom. This is how we are salt and light. This is what makes us a shining city set upon a hill. We are to model what it means to be Christlike in a Caesar-like world. But to be Christlike in a Caesar-like world requires us to embrace the cruciform.

Of course the cruciform is offensive to the unimaginative mind of pragmatism. Pragmatism sees the cruciform as a passive surrender (though it is anything but that!). Pragmatism believes the only way to change the world is to beat down the bad guys—either with ballots or bullets. But without even raising the thorny issue of who are the bad guys in the ever-escalating world of revenge, the philosophy of “beat down the bad guys” displays an appalling lack of imagination. Pragmatism requires little imagination; it only needs the will to power. Or pragmatism will trot out the oft-quoted axiom from Edmund Burke: “All that is necessary for the triumph of evil is for good men to do nothing.” That is true enough, provided we don’t misapply what it means to “do nothing.” I was once given Burke’s maxim as a counterargument after preaching on the Sermon on the Mount. As if living the Sermon on the Mount is “doing nothing.” Or worse yet, as if a Christian can call upon Edmund Burke to refute Jesus Christ!

But here is the real problem I have with the trajectory of the American evangelical church in the early twenty-first century. If, instead of imitating Christ with his cross, we want to

imitate Caesar with his sword, we inevitably choose the ugly over the beautiful. This approach always leads the church away from living as a witness to the gospel. Being a faithful witness to the gospel should be a hallmark of evangelical Christianity.

But something has gone very wrong. Think about it—that the primary public witness of the American evangelical church for the past thirty years has been political is an absolute tragedy! Evangelicals are no longer known within the wider culture for their devotion to Scripture and their belief in a personal conversion experience. Now evangelicals are known primarily for their politics. This has been anything but helpful. The amount

of hope many evangelical Christians place in politics is nothing short of astonishing! If nothing else, it is naïve—but worse, it is a betrayal. It is a betrayal of the beautiful way of Christ. For in a politicized faith we embrace the ugly pragmatism of political domination over the beauty of the cruciform.

Theologian Stanley Hauerwas has correctly observed: “The church doesn’t have a social strategy; the church is a social strategy.”4 Instead of trying to force change upon the wider society through means of legislation, we are to exemplify the beautiful alternative of the kingdom of God by actually living it! We make a terrible mistake when we tell the wider society something like this: “We have the truth, so let us run society by setting the rules.” That is a kind of tyranny, no matter how well intended. Instead we should simply be the alternative we seek to produce. We should be a righteous and just society. We should bethe beautiful expression of the kingdom of God attracting people by the unique aesthetic of our gospel. Our form is the cruciform, and our beauty is the mysterious aesthetic of the crucified Savior.

Admittedly, this is a complicated issue that doesn’t yield itself to simplistic solutions. I understand this. Christians have a complicated relationship with the state because we are

a people who carry dual citizenship. We are citizens of both the kingdom of Christ and the particular geopolitical nation we happen to live in. But this much is certain: our first allegiance must be to the kingdom of Christ. Furthermore, we must never make the mistake of thinking God has some kind of commitment to the well-being of our particular nation over the well-being of other nations. This type of ugly and arrogant nationalism is completely incompatible with the Christian faith, which confesses Jesus as Savior of the world and not merely some version of a national deity. Is it possible that American Christians actually believe that Jesus has an interest in the well-being of America over the wellbeing of, say, Mexico or China or Ethiopia? Surely not! This is “American Exceptionalism” as a ridiculous and idolatrous doctrine. Our politicians may traffic in such nonsense, but Christians must not! What Jesus is committed to is the salvation

of the world and the building up of his global church. So whereas Christians are free to participate in the civic and political process of their respective nations, Christians must

do so as those who exhibit a primary allegiance to the Jesus way—the beautiful way of the cruciform. This means treating everyone (including political enemies) with kindness, love, and respect. As followers of Christ, our mission is not to seek to rule the world through Caesar’s means of dominance—a means Jesus explicitly rejected—but to be a faithful church and thus a living example of God’s alternative society.

So, reformation is needed, and the cruciform is what can give shape to our much-needed reformation. In the cruciform we find both our proper form and, subsequently, our unique

beauty. The cruciform as a pattern gives us a means of evaluating our own form and how we present ourselves to the wider culture. With an eye on the cruciform, we can ask ourselves, “Does this attitude, this approach, this action look like Jesus on the cross?” If our attitude, approach, and action cannot be reasonably compared to the image of the cruciform, we need to abandon it. Caesar may adopt it, it may be practical, it may

even be “successful,” but if it’s not Christlike, then it’s not our pattern. Without a radical commitment to the shape of the cruciform, the process of deformation will continue year after year, and our beauty will be lost.

One of the “pliers” that distorts our Christian witness out of shape is the paradigm of protest. For far too long we have been enamored (and distorted) by protest. We love to protest. We really do. We’re good at it. We have lots of practice at it. In protest we find an outlet for our anger, we connect with like-minded people, and we at least feel like we are “making a difference” and “standing up for righteousness.” It’s exciting and cathartic. So we picket, we protest, we boycott, we form petition drives, and we write angry letters to editors and CEOs and encourage other Christians to do the same. We hold rallies where we in no uncertain terms, and with presumed divine sanction, unleash our righteous anger on a wide range of enemies. Liberals, Hollywood, gays, and Muslims are

regular targets. But does it look like the cruciform? Is it beautiful? Would a common observer look at it and say, “That’s beautiful; it reminds me of Jesus”? Do our clenched fists and furrowed brows of protest align nicely with the outstretched arms and compassionate face of Christ on the cross? If not, we have drifted from the pattern of the cruciform in our paradigm of protest, and the inevitable result will be a distortion of

Christianity. As our Christianity takes on more of a political agenda, it sloughs off resemblance to the cruciform. The result is a distinctive loss of beauty. We tend to justify our foray into the unseemly as necessary if we are to preserve morality, but I agree with Orthodox Archbishop Lazar Puhalo when he says, “True morality consists in how well we care for one another, not what sort of behaviour we wish to impose on one another.”5

Again I raise the question: Why would we do this? Why would we sacrifice the beauty of the cruciform for something everyone knows is a far cry from beautiful? Why this obsession with political power? I think the answer is that we have a carnal obsession with outcomes. It’s the ugly specter of pragmatism. We want to see a clear and obvious way that our actions are going to result in the desired outcome. We want to do good, achieve good, bring about good, vote in good, legislate good, formulate good, enforce good. So we choose the means that appear most logical in achieving this outcome. But remember, Satan never tempted Jesus with evil; Satan tempted Jesus with good. Satan enticed Jesus to go ahead and do good and to bring it about by the most direct way possible. The

temptation was to imitate the means and methods of the pharaohs and Caesars. Satan tempted Jesus to usher in a righteous world by a bloody sword. “War is impatience.”6 Obsession with outcomes and demanding to see a quick and logical way in which present action will bring about desired good are the ways of Caesar, but they are not the way of the cruciform. Obsession with outcomes is, among other things, an abandonment of faith.

Christians all believe that Jesus achieved salvation through what he did on the cross. (Though the exact way this works remains a matter of theological debate.) But on Good Friday, how could anyone have seen a “logic” in Jesus’s crucifixion? If Jesus’s intent was to save the world from the dominion of evil, how could submitting to an unjust execution at the hands of an oppressive regime accomplish anything like that? It’s absurd! Salvation is ironic because there is nothing logical or practical or obvious about the cross. Fighting is practical. Fighting is logical. Fighting has a long history of (at least temporarily) achieving desired ends. Peter was ready to fight, and presumably so were many others who followed Jesus from Galilee. But Jesus told Peter to put up his sword. There would

be no bloody revolution. No violent resistance. Not even an angry protest. Instead Jesus went to the cross, forgave his enemies, and simply died. In rejecting the way of Caesar, “Christ showed that the world was a text that could be read differently: according to the grammar not of power, but agape.”7

Did evil triumph because this good man did nothing? It certainly seemed so. But don’t forget the dying prayer of Jesus: “Father, into your hands I commit my spirit!” I think we can understand Jesus’s prayer as something like this: “Father, I have obeyed you, I have shown the world your ways, but the world has rejected me and your ways. I forgive them, but I am dying. So now I entrust everything to you.” This is the way of the cruciform. It is the way of faith.

In going to the cross, Jesus was not being practical; he was being faithful. Jesus didn’t take a pragmatic approach to the problem of evil; Jesus took an aesthetic approach to the problem of evil. Jesus chose to absorb the ugliness of evil and turn it into something beautiful—the beauty of forgiveness. Jesus bore the sin of the world by it being sinned into him with wounds. Jesus bore the sin of the world without a word of recrimination,

but only a prayer of forgiveness. He bore the sin of the world all the way down to death. So that the apostle Peter says, “By his wounds you have been healed.” This is the beauty of the cruciform. This is beauty being derived from pain, or as Bob Dylan says, “Behind every beautiful thing there’s been some kind of pain.”8

In order to do a beautiful thing, Jesus had to abandon outcomes. He had to entrust the outcome to his Father. On Good Friday Jesus abandoned outcomes, embraced the cross,

and died. Jesus abandoned outcomes in order to be faithful and trust his Father. As we confess in the Apostles’ Creed, “He was crucified, died, and was buried. He descended to the dead.” A lost cause. But then came Easter! The cornerstone of Christian faith is that on Easter Sunday God vindicated his Son by raising him from the dead. But until Easter Sunday no one thought of death, burial, and resurrection as a logical means of achieving good. Even today most people cannot accept the “formula” of the cruciform as a viable means of bringing about good. We want something that makes more sense. Something quicker. Something practical. And what we get are the same old ugly ways of Pharaoh and Caesar. Our embrace of the practical and ugly over the faithful and beautiful

exposes our unbelief. We are orthodox enough to confess that Jesus saves the world through his cross, but we don’t want to imitate it. So we choose the ugly forms of coercion over the beauty of the cruciform—the false morality of the Pharisee over the true morality of Christ. But our critics see this ugliness in us, even if we are unaware of it.

Part of the problem is that in the Western world we are deeply conditioned to choose the heroic over the saintly. We love our heroes best of all. Heroes are goal-oriented people of

great capabilities who know how to make things happen. We admire their ability to get things done and shape the world according to their will. Saints on the other hand—especially to the American mind—seem quaint and marginal, occupying religious spheres on the periphery of the action. We want to be heroes; we don’t really want to be saints. The difference between the heroic vision and the saintly vision is a fundamentally

different way of viewing the purpose of life.

For the hero, the meaning of life is honor . . . for the saint,

the meaning of life is love. . . . For the hero, the goal of

living is self-fulfillment, the achievement of personal

excellence, and the recognition and admiration that

making a signal contribution to one’s society through

one’s achievements carries with it. For the saint, life

does not so much have a goal as a purpose for which

each human being is responsible; and that purpose is

love: the bonds of concern and care that responsibility

for one’s fellow human beings carry with it. . . . These

two paradigms—the hero and the saint—and the way

of life that descends from each, are really two fundamentally

distinct and genuinely different visions of

human society as a whole, and even of what it means to

be a human being. They are two distinct and different

ways of asking the question of the meaning of life.9

Accepting Francis Ambrosio’s paradigms for the hero and saint, we should recognize that the way of Jesus is the way of the saint, but the way of the hero is what we tend to glorify. To speak of the goal of life in terms of self-fulfillment, achievement, and excellence is very American (originally Greek and Roman) and very popular. There are plenty of versions of American Christianity that easily accommodate this basic paradigm. Christianity understood as a program for self-improvement and success in life is how Americanized Christianity most often accommodates itself to contemporary culture. It also makes Christianity popular and “successful.” But an honest reading of the Sermon on the Mount makes it clear that Jesus is teaching something radically different. In the Gospels we see Jesus through his teaching, which sets forth the alternative paradigm of the saint where the purpose of life is love, and the expression of that love is in the form

of care and compassion for our neighbor. The life of Jesus as recorded in the Gospels begins as a life of teaching and ends in a life of suffering. But these are not to be separated. At the cross Jesus lived all that he taught. The life of love that Jesus proclaimed in his teaching he lived in his suffering. The life of co-suffering love is the paradigm of the saint, and it is how Jesus lived and died. It is the beauty of the cruciform.

Of course I can hear someone protesting, “But Jesus is my hero!” I understand what is meant by that, but if we are intent upon forcing Jesus into the archetype of typical hero, we distort him. In trying to make Jesus a hero, we miss the simple fact that Jesus did nothing that was conventionally heroic—at least not according to the Western ideal of heroism. Elijah was a conventional hero when he humiliated the prophets of Baal on

Mount Carmel and then executed them at the brook Kishon. But how did Jesus contend with his enemies at Calvary? Not in the heroic manner of Elijah on Carmel, but in a new and saintly way—the way of love and forgiveness. The Jesus of the Gospels is not a heroic general who slaughters his enemies, but a suffering saint who forgives his enemies. And even if one appeals to the Book of Revelation, it should be remembered

that the holy irony perceived in the prophetic metaphors is that the monstrous beasts are conquered by a little slaughtered lamb. It should be clear that the way of Christ is not the way of the conventional hero, because Jesus saves the world not by shedding the blood of his enemies, but by allowing his own blood to be shed in an act of redemptive love. This is the way of the saint, not the hero.

But we struggle with choosing the way of the saint over the way of the hero. Our Christian rhetoric is replete with calls to the heroic as we are urged to “be mighty men and women of God” and “fight the battles of the Lord” and “do great things for God.” We love the idea of being a hero and winning a great battle for God. There’s a lot of what we call “glory” in it. But we’re not so keen on laying down our lives in the manner of Christ at Calvary. We fail to comprehend the glory of the cross. So we struggle with which model to adopt. The hero or the saint? Achilles or Emmanuel? Caesar or Christ? Charlemagne or St. Francis? More often than not we end up choosing the hero, and this feeds one of the ugliest aspects of a misshapen Christianity—triumphalism.

Triumphalism is an ugly form of arrogance engendering a sense of group superiority. Triumphalism is a smugness and boastful pride that one’s nationality or religion is superior to all others. If Christians aren’t careful, they can be easily seduced into the ugliness of triumphalism. As Christians we believe that Jesus has triumphed over sin, Satan, death, hell, and the grave. We confess that every knee will bow and every tongue confess that Jesus is Lord. We call Jesus King of kings and Lord of lords. But this does not entitle us to an attitude of arrogant triumphalism. Confessing the triumph of Christ

should not lead to the ugliness of triumphalism. In fact, the Christian attitude should be the very opposite.

The Christian attitude must be the deep humility exhibited by the apostle Paul when he described himself as “the foremost” of sinners. Paul was able to boldly confess the lordship of Christ while at the same time exhibiting an attitude that was completely devoid of arrogance and triumphalism. In the pluralistic cultures of the modern Western world, the ugliness of triumphalism will prevent multitudes of people from seeing the true beauty of Christianity. If we engage with people of other faiths with the attitude equivalent to “my religious founder can beat up your religious founder,” we should not be surprised if they do not see the Christian faith as inherently beautiful.

A continual turning to the cruciform leaves no room for triumphalism. Yes, Jesus triumphed over evil, but he did so by the counterintuitive way of humbling himself to the point of death, “even death on a cross.”† As we seek to assimilate the cruciform into our lives, it should always produce the beauty of a graceful humility and never the ugliness of arrogant triumphalism. If we are to show forth the beauty of Christ in our world, we must banish triumphalist attitudes from among us. It was the attitude of triumphalism in the Middle Ages that led to the ugly actions of the Crusades. Since Jesus had triumphed through the cross, it was reasoned, why not help spread his triumph through the conquest of the sword? The Crusades were the ugly offspring of a union of power-obsessed

pragmatism and arrogant religious triumphalism, and I fear that this kind of distorted thinking may have certain modern equivalents.

One more thought on heroes and saints. Heroes tend to be heroes to only one side—their side. Heroes attain their glory in an “us versus them” context. For example, the French and the Russians have decidedly different views of Napoleon, just as Americans and Mexicans will view Santa Anna differently. But saints, over time, tend to be universally recognized for their saintliness. It has to do with the universality of love. It’s why nearly everyone admires St. Francis of Assisi or Mother Teresa of Calcutta whether or not they are Christian. St. Francis and Mother Teresa are preeminent examples of lives shaped by the cruciform to a degree that their lives of co-suffering love have come to be universally recognized as lives of beauty.

So in the present situation in which the American evangelical church finds itself, there is a desperate need to recover a theology of beauty. The way out of the mess and confusion of a politicized faith is to follow the path of beauty. It is the way of beauty that will lead us home to a more authentic Christianity. A theology of beauty is the antidote to the poison of pragmatism and the toxin of triumphalism. Perhaps no other theologian has done as much to develop a theology of beauty as the great Swiss theologian Hans Urs von Balthasar. In his work on love as form and beauty he writes:

Love alone is credible; nothing else can be believed,

and nothing else ought to be believed. This is the

achievement, the “work” of faith . . . to believe that

there is such a thing as love . . . and that there is

nothing higher or greater than it. . . . The first thing

that must strike a non-Christian about the Christian’s

faith is that . . . it is obviously too good to be true: the

mystery of being, revealed as absolute love, condescending

to wash his creatures’ feet, and even their

souls, taking upon himself all the confusion of guilt,

all the God-directed hatred, all the accusations showered

upon him with cudgels . . . all the mocking hostility

. . . in order to pardon his creature. . . . This is truly

too much.10

Indeed, it is too much! The apostle Paul would describe this extravagance as “the love of Christ that surpasses knowledge.” The picture of God as seen in the redemptive co-suffering love of Christ is too much in the sense that it overwhelms us in much the same way that we find a stunning sculpture, a masterpiece painting, or a majestic sunset overwhelming—it is the experience of being overawed by a transcendent beauty. This is

how the gospel is made most compelling—by making it beautiful. Instead of trying to overwhelm a cynical world weary of argument and suspicious of truth claims with the force of logic and debate, what if they were overwhelmed with the perception and persuasion of beauty?

Beauty is graceful and has a way of sneaking past our defenses. It’s hard to argue with beauty. Beauty is compelling in its own way. What I am suggesting is that we look to

beauty as a primary standard for our theology, witness, and action. As radical as it may sound to those who have grown up in the sterile world of late modernity, asking the question Is it beautiful? is a valid and viable way to evaluate what we believe and do. We should ask ourselves: “Is this a beautiful doctrine?” “Is this a beautiful witness?” “Is this a beautiful practice?” Along with asking if it is true and if it is good, we should also ask if is it beautiful. Truth and goodness need beauty. Truth claims divorced from beauty can become condescending. Goodness minus beauty can become moralistic. To embrace truth and goodness in the Christian sense, we must also embrace beauty.

At least as far back as the Greek philosopher Plato, beauty was understood not merely as an adornment, but as a value as important as truth and goodness. It was only in the twentieth century that beauty began to be diminished as a value. Now we live in a day when pragmatism and utilitarian “values” have largely displaced beauty as a value. But the loss of beauty as a principal value has been disastrous for Western culture. One obvious example of what has befallen us is the loss of aesthetic sensibilities in architecture. Where once the role of architecture was to help beautify the shared space of our cities and neighborhoods, now the role of architecture is to build utilitarian structures as cheaply as possible. The result has been a profound loss of beauty. It’s a kind of vandalism. What modern building would people a thousand years from now flock to visit as we do the Notre Dame Cathedral today? If the Gothic cathedral was the architectural statement of the Middle Ages, the “big box” store may well be the architectural statement of our age. This is tragic. But what if what has happened to architecture is also happening to Christianity? What if modern architecture mirrors what is happening in modern

Christianity? What if utility is triumphing over beauty in the way we think about the church? This is alarming.

As our world turns its back on beauty, the result is that we are increasingly surrounded by ugliness and images of alienation. Think of government housing projects and the soulless

strip malls of suburbia. Art itself is under assault. Art is now largely driven, not by time-tested standards of beauty, but by the marketplace. So the question is no longer, “Is it beautiful?,” but “Will it sell?” (Is this too reflected in the church?) In a world where kitsch, profit, and vulgarity are vandalizing art, philosopher Roger Scruton worries that we are in danger of losing beauty, and with it the meaning of life.11 Yes, the loss of beauty is related to the loss of meaning. Attaining to the beautiful is a valid way of understanding the meaning of life—especially when we recognize a link between the sacred and the beautiful. For thousands of years, artists, sages, philosophers, and theologians have connected the beautiful and the sacred and identified art with our longing for God. It has only been during the modern phenomenon of secularism—what

Nietzsche described as the “death of God”—that we have severed the beautiful from the divine. But when the beautiful is severed from the absolute (God), what passes for beautiful can be anything and everything—which is to say nothing. There really is a profound connection between the loss of beauty and the loss of meaning.

Yet despite the modern assault upon art and beauty, the hunger for beauty abides deep in the human heart. That the allure of beauty is part of the human makeup is clearly seen

every time a child picks up crayons and tries to capture the beauty of the world around him. And it is to this firmly entrenched desire for beauty that we should appeal in our

efforts to communicate the gospel. If we can show a world lost in the ugliness of consumer-driven pragmatism and power-hungry politics the true beauty of Christ, it will be irresistibly appealing. For too long we have relied upon the cold logic of apologetics to persuade or the crass techniques of the marketplace to entice, when what we should do is creatively hold forth the transcendent beauty of Jesus Christ. But to do this, we must examine what we preach and what we practice in the light of the beauty of the cruciform.

We need to constantly ask ourselves, “Is this beautiful? Is this thought beautiful? Is the attitude beautiful? Is this action beautiful? Does it reflect the beauty of Christ and the cruciform?” If finger-pointing isn’t beautiful, then we should abandon it. If politically based protest isn’t beautiful, then maybe we can do without it. If the common man doesn’t recognize what we do in the name of Christ as beautiful, we should at least reexamine it. If a particular doctrine doesn’t come across as truly beautiful, then we should hold it suspect. Someone may raise the question, “Can beauty be trusted?” I believe it can, as long as we make the critical distinction between the shallow and

faddish thing that our modern culture calls “image” and the absolute value that our ancestors have always understood as beauty. We can rightly evaluate our faith and practice in terms of beauty for this very reason: The Lord and his ways are beautiful.

“He has made everything beautiful in its time.”

It’s time to recover the form and beauty of Christianity. Our enduring icon of beauty and the standard by which we gauge the beauty of our actions is the cruciform. The cross is a beautiful mystery—a mystery where an unexpected beauty is in the process of rescuing the world from its ugliness. Beauty will save the world. This is the surprising beauty of the cross when seen through the prism of the resurrection. The cross made beautiful is the ultimate triumph of God and his grace. If the crucifixion of Christ can be made beautiful, then there is hope that all the ugliness of the human condition can be redeemed by its beauty.

The Great Commandment

January 29th, 2012

  “Teacher, which commandment in the law is the greatest?”  He said to him,

“You shall love the Lord your God with all your heart, and with all your soul, and with all your mind.

This is the greatest and first commandment,

And a second is like it; You shall love your neighbor as yourself.

On these two commandments hang all the law and the prophets.”

Matthew 22:36-40