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“Come, Mary.” Jane flopped onto her bed. “Tell us a story about the prisoner ghosts wailing.”

“I’ll have to think it up,” Mary said and then began to quote. “‘This relation is Matter of Fact, and attended with such Circumstances as may induce any Reasonable Man to believe it.’”

“What’s that?” Jane asked. The floor creaked as she kicked off her slippers and knocked them to the floor.

“Defoe, I think,” Mary said, already considering the form of her story. If only Mother had written such fanciful tales, to give her ideas on how to construct them. “I’ll consult his works in the bookshop for further inspiration. It seems like quite a good start to a ghost story.”

Mary placed her slippers next to Jane’s and walked down in her stocking feet, hugging the wall so as not to set off the worst of the creaking stairs. If Mamma heard her, she’d be set to mending something. Her stepmother never thought about the cost of candles when she could make her daughters work themselves into exhaustion after dark.

The bookshop’s interior door hung open. Very odd, as Mamma was particular about making sure that the smells of domestic life, particularly cooking odors, did not damage the books.

Mary shrugged, glad she had come downstairs, because if Mamma had been the first to notice, she’d have no doubt blamed Mary. She lit the lantern kept in readiness for customers who wanted to browse in the dark corners.

While she knew exactly where Defoe was kept, she first went to a back corner of the shop and dropped to her knees, then pulled out a much-loved volume that Mamma kept in stock because she knew that it sold, even though it was anything but highbrow or philosophical. Ann Radcliffe’s The Romance of the Forest. Feeling a little breathless, like a Gothic heroine about to swoon, she opened the book to her favorite page. With the lantern held over the engraving, she examined the bare legs of the man removing a blindfolded girl from a house.

She bit her lip as she looked over the engraved musculature, feeling a familiar shiver dance up through her body. Did Shelley have legs so magnificent? He certainly possessed the broad shoulders and narrow waist of the figure on the page. She set down the lantern when it shook in her hand.

“Oh, to see a form like that,” she whispered to herself. None of her Scottish suitors had possessed a body she wanted to caress. As such, none of them had enticed so much as a kiss from her. After a last heated glance, she closed the book and tucked it away again.

The next shelves were in front of the bow windows. The Juvenile Library was shelved there, at the perfect height for children. Works of historical merit were on the other side. Mary rose.

Her foot twisted as she took the first step. She grabbed for the edge of the bookcase with one hand, the other gripping the lantern tightly. Her fingers were trembling by the time she righted herself. She reached down and swiped at her foot. Something sticky coated her fingers. What was on the floor?

“Honestly,” she muttered to herself. More cleaning. She set the lantern on the bookcase and walked past the windows. Slatted lines from the shutters were illuminated by the oil lamp that burned all night at the corner of the road.

Distracted by the sudden reflected light, she tripped again. “Blast,” she cried.

When she tried to take another step forward, her way was blocked by something solid. Confused, she prodded it with her foot. It felt warm, dry, and slightly yielding. She backed up to take the lantern in her hand again, then cupped the side of it with her hand to keep the illumination from the road. When she reached the mass again, she held the lantern out over the floor.

Her mouth dropped open when she saw what lay in front of her. A man, like something out of a painting of the French Revolution, was sprawled on the floor. Facedown. She swept the lantern over his body. Her hand shook as she saw first one knife, then another.

The first was impaled in his back. The other, in the mysterious recesses between his legs.

“Faith!” Wobbly, Mary blinked hard, then forced herself to kneel down beside the sprawled figure, to touch the man’s hand.

Still warm. She squeezed it, feeling that strange sensation of callused male flesh under hers, then dropped the hand. What was she doing? Molesting a corpse?

She scooted back, her eyes closed, then opened them again, feeling her lips tremble at the sight of the dark blue velvet coat, the dark stain around the knife gleaming wetly in the light. She knew that coat. Shelley! That fine figure of a man, ended so cruelly. They had just seen him leave not twenty minutes earlier. Had he been accosted in the street and dumped here?

“I could have loved such a being.” Tears sprang to her eyes, and she let them fall, keenly feeling her sensibility. Hadn’t he said he was a new father? And his poor young wife, not even twenty yet, a widow.

“Mary?”

Drat that Jane. Could she not offer up a moment’s solitude to anyone?

Her stepsister’s footsteps came closer, along with the bobbing of a candle flame.

“Don’t come any closer,” Mary warned. She set the lantern down.

Ignoring her, Jane came down the space between the bookshelves and turned in the nook in front of the windows.

“What are you doing?” she asked.

Mary scrambled to her feet, hoping to block her sister’s view. The candle wavered as Jane took in the scene. She gasped loudly.

“What,” Jane asked, “is that?”

“Knives,” Mary said. “Murder has been done here.”

“What?” Jane repeated, some frantic power coming into her voice. “Papa?”

“No,” Mary said, grabbing the candleholder before the candle dropped. “Shelley.”

She saw what was going to happen and held up her other hand, hoping to forestall it. But she failed, and Jane, coming closer, screamed. Mary bent under the onslaught and grabbed her sister’s hand.

“Hush,” she begged, pulling her away. “We have to tell Papa before the watch comes.”

Though Jane resisted, Mary pulled her through the bookshop, then forced her to sit on the steps and hold the candle while she went back for the lantern. She set it on the table in the hall.

“Stay here,” she commanded.

“But,” Jane whispered. “But the body.”

“Papa will know what to do.”

“But the watch.”

“Papa should call them, not us. Do you want him surprised?”

“The bookshop,” Jane said next.

“Yes, it’s very bad,” Mary agreed.

“It isn’t S-Shelley,” Jane stuttered. “He just left.”

Mary pulled the handkerchief from her sleeve and tucked it into Jane’s unresisting hand. “It must be,” she said. “Who else? Cry quietly, please.” Hoping her sister obeyed, she picked up her skirts and ran up the steps to her father’s library.

***

Excerpt from Death and the Sisters by Heather Redmond. Copyright 2023 by Heather Redmond. Reproduced with permission from Heather Redmond. All rights reserved.

Chapter 1

She stood on the water tower, looking at the skyline she had only observed from the ground. You really could see the whole town from up here. Funny how your whole life can fit into one 360-degree glance. Peering down at the ground, she was no longer able to see individual blades of grass, all of them blurring into a sea of perfect emerald green. To her right was the roof of Lakeview High School, looking small from this vantage point. She felt as though if she leaned over far enough, she could almost touch it. But that was ridiculous; the school had to be several hundred feet away. Her vision came in and out of focus as she swayed, thinking about her life, her past, her future.

In her three years at the school, she had never been up on the tower. No one she knew had been up here, either. Most students wouldn’t dare to scale it. Too scared of getting caught, too scared of breaking the rules, too scared of living. When she looked down at the ground, she thought she could see movement, like little grass men dancing and hopping around through a crowd of their peers. Kind of like high school. More like, exactly like high school. Everyone looks the same; maybe some are a bit taller, a bit shorter, a bit wider, but everyone dressed in essentially the same uniform, hopping over one another, trying to make their mark.

How many feet above the ground was she—50, 60 feet? Was that high enough to kill you, or maybe just break a few bones? It would probably depend on how you hit the ground. Here she was, high above the town, pondering the angle at which you might hit the ground and live through the fall, the velocity at which an object might fall from here.

Her body felt warm all over, despite the crisp air of late fall, and she took off her jacket and threw it aside. She leaned against the rail and spread her arms, allowing the breeze to blow through her, inhabiting every cell for just a moment, before moving off in another direction to go dance with someone else. Her 17 years had all been spent here, in this one place, in this small, boring town where, it seemed, nothing was all that was destined to happen.

The clock tower chimed; it was 11:00. She felt she had eternity in front of her, the rest of this night, the rest of her life, stuck here in this town. Would she ever get out? Did it even matter if she did? She thought about the college catalogs arriving at home, the hundreds of pages of sales pitches clamoring for her family’s money. The sprawling campuses, the smiling students, the serious, but friendly, professors—what was the point? She would just end up back here, raising the same family as her friends, living the same life that her kids would eventually live.

Reaching out her slender arm, she twirled her wrist. She could hardly wait for graduation when, everyone said, “real life” would begin. “I can’t wait to get out of here,” her friends exclaimed, dreaming of big cities and even bigger lives in far off places: Chicago, Los Angeles, New York, anywhere but here. But she knew they would return, just like their parents, raising 2.5 kids with a Labradoodle and a balding husband in one of the best-little-suburbs in the country. Was it really so bad? She watched all these super-educated women who had given up their careers to stay home and clean up after the kids and drive to soccer practice, instead of changing the world as they’d so hopefully planned when plotting their escape years earlier. Was that her fate? Was that what awaited her now? Dozens of similar thoughts swirled and crashed like waves in front of her, mixing in a fantastic spray of colors, lights, and sounds.

She was dead before she hit the ground.

***

Excerpt from The Water Tower by Amy Young. Copyright 2023 by Amy Young. Reproduced with permission from Amy Young. All rights reserved.

Lily sat bolt upright. Where had the sound come from? It hadn’t been loud . . . another part of the house? For a moment, in the pressing silence, she wondered if she had drifted back to sleep without realizing it and imagined the whole thing.

But a moment later, the sounds of a commotion rose just outside her window. Lily dashed to the window, throwing it open with some effort and peering out into the swirl of snow and early- morning light.

The guest room she had been given was one of the smaller ones—the better to quickly heat rooms that hadn’t been prepared in advance—and as was typical for such rooms, it lacked a pretty view. Hers looked over what she realized after a moment must be the poultry yard. Darkly clad figures who she could guess were servants stumbled through the thick layer of snow that had fallen, trying to reach the two people in the middle of the yard.

One Lily could see from her vantage only as a still, upright figure, hand outstretched and pointing toward the second person, who lay sprawled on the ground. The one on the ground was half covered by the ice and snow, unmoving.

Lily grabbed the dressing gown from the chair, pulled on her shoes, and ran from the room. In the hallway, a few guests were poking their heads out of their doors, hair tousled and faces creased with sleep, inquiring grumpily if anyone had heard an odd noise.

Lily didn’t stop to consider propriety or worry about what anyone else might think before she yelled “Jack!” as loudly as she could. She didn’t know which room he had been given, but a moment later, a door past the stairs was flung open and the navy captain’s head appeared.

“What is it?” he demanded. He was already dressed and wearing his driving coat over his clothing. That was odd at such an early hour, but Lily didn’t have time to be surprised.

“Downstairs.” In spite of the months they had spent apart, Lily knew she could depend on him to understand and act quickly. “Something happened. We have to help.”

And in spite of those months apart, he didn’t stop to ask questions. More guests were emerging, summoned by Lily’s shout, and questions were beginning to fly back and forth as she dashed down the stairs, Jack on her heels.

They didn’t need to wonder where to go; on the floor below, Mrs. Grantham was following a stately-looking woman who might have been the housekeeper or another upper servant. Their pace was just barely too dignified to be a run, but they couldn’t hide their worry as they disappeared down the steps to the kitchen. Lily and Jack hurried after them.

The servants’ staircase was narrow and cold. At the bottom, servants clustered in the kitchen, talking in shrill, anxious voices as the cook tried to keep some order. The underservants glanced uneasily at Lily and Jack as they came into the kitchen, but no one seemed to know what to do or say. The door to the yard had been left wide open, and the wind blew in gusts of snow and icy morning light. Outside, more servants were gathered, though they parted like a wave as the housekeeper led Mrs. Grantham out to see what had happened.

As Lily and Jack tried to follow, they were stopped by the frail but determined body of the butler, who interposed himself between them and the open door. “Madam, sir, perhaps you would care to return to your rooms? Breakfast will be ready shortly.”

Jack drew himself up, clearly prepared to use his rank to push his way past the aging servant. Before he could say anything, though, and before Lily could think how to reply, Mrs. Grantham turned sharply.

“What is . . .” She trailed off, eyeing Lily and Jack with trepidation. She looked ready to send them on their way with some commonplace assurance. But half a dozen emotions chased their way across her face in that moment, and she instead asked, “Mrs. Adler, how many of the rumors about you are true?”

“That depends on the rumors,” Lily replied calmly, though her heart was pounding. Behind Mrs. Grantham, she could see the limbs of the eerie, still figure sticking out of the snowbank. “Though if you refer only to the ones that are most relevant at this moment . . .” She turned her gaze pointedly toward the body in the snow. “There is indeed some truth to them.”

Mrs. Grantham hesitated, then seemed to make up her mind in a rush. She stepped aside, pulling the confused housekeeper with her. There were boots for the servants lined up next to the door, crusted with mud from repeated use. Lily pulled off her delicate evening slippers, slid her bare feet into the pair that looked closest to her size, and followed as she and Jack were ushered into the yard, their eyes fixed on what awaited them there.

A man dressed in borrowed clothes, his skin white with cold, his hair thick with clumps of ice and snow. He could have fallen, hit his head, been caught in the storm and frozen. He could still be alive, in need of help. He could have had an innocent reason for being out in the storm.

He could have. But this close, Lily could see the snow that had been kicked aside and trampled by half a dozen feet in the servants’ frantic attempts to clear it away. The icy powder was too thick on the ground for her to see the mud of the yard. But it was still stained with red and brown from where the man’s life had leaked away in the night.

The once-snowy linen of his shirt was stained the same color, jagged and torn from the bullet that had ended his life. The gun that had fired it had been unearthed beside him, as snow-logged as his own body. The man’s frozen eyes and mouth were wide open, as though he had not believed until the last moment that whoever had faced him in that yard could be capable of the shot that had ended his life.

***

Excerpt from Murder at Midnight by Katharine Schellman. Copyright 2023 by Katharine Schellman. Reproduced with permission from Katharine Schellman. All rights reserved.

CHAPTER ONE

I’m sitting on a beach. It’s a ridiculous proposition. Fluffy white clouds are scudding through a clear, blue sky. Surfers are running around carrying boards, often over their heads. Then they plunge into a sea that looks deadly to my non-surfing eyes. Palm trees are waving, and the air is so neutral, you don’t have to think about it. Soft, welcoming air. You just float right through.

The view is beautiful. It’s like a movie backdrop. A painting. Something skillfully manufactured to look hyper-real. Textbook paradise, that’s what I’m talking about.

I’m sitting on this beach, trying not to think about the reason I’m here. But it’s hard. Difficult. To not think about it, I mean. I’m here, in paradise, because someone has to die.

Someone will die.

I got the assignment a few days ago. I flew to this island to pull it off.

My target is a businessman who lives on this island in the South Pacific. He is the kind of self-made guy who has achieved every goal in life and would seem to have everything to live for. Only now, apparently, someone wants him dead because here I am, ready for business.

So I stake him out. You need to understand at least the basics of who someone is before you snuff them out. This is the idea that I have. I’m not going all sensitive on you or anything, that’s just how it is. In order to do the best possible job in this business, you need to understand a little about who they are. It’s not a rule or anything, it’s just how I feel.

His name is Gavin White, and I researched him a bit before I got here. He made his fortune in oil and wax, which is an odd enough combo that you perk up your ears. Only it doesn’t seem to matter: the source of the income would seem to have nothing to do with the hit. Would seem to, because there is only so much I can learn about that, really. On the surface, anyway, I can find no direct connection between Gavin White’s livelihood and the death that someone has planned for him and that I am now further planning.

I follow him and his S560 cabriolet all over the tropical island. He makes a few stops. I watch what he does, how he moves and who he interacts with. Some of it might matter. I’m not doing it for my health. I’m watching him so I can determine when I might best have advantage when I go to take him out. There are always multiple times and different places to fulfill my assignment and usually only one—or maybe two—that are virtually flawless. Sometimes not even that. So I watch.

And it’s more than an opportunity I’m looking for, though that can play a part. It’s also a matter of identifying what will make my job not only easier, but also safest from detection. And so I watch. And I wait.

As I follow him, he stops first at a bank. Does some business— I’ll never know what. After that he visits his mom. At least, I guess it is his mom. An older woman he seems affectionate with. From my rental car, I can see them through a front room window. There is a hug and then a wave. It could be a bookkeeper for all I know. But mom is what I guess.

After a while he heads to the beach. He sits on the sand, contemplative for a while. I think about taking him there; full contemplation. But it is crude and much too exposed.

More time passes before he takes off his shoes, leaves them on the beach, and walks into the surf. I leave my car and take up a spot on the sand, just plopping myself down not far from his shoes.

I watch him surreptitiously. It is obvious he did not come to the beach to swim. He is fully clothed and he hasn’t left a towel behind there with his shoes. There is none of the paraphernalia one associates with a visit to the beach, even if this were one that is intended for swimming, which it is not. Signs warn of possible impending doom for those who venture into the water.

“Strong current,” warns one sign under a fluorescent flag. “If in doubt, don’t go out.”

“Dangerous shore break,” warns another. “Waves break in shallow water. Serious injuries could occur, even in small surf.”

I don’t know if Gavin White read the signs, or noticed them, but even though he is still fully clothed, he steps into the water anyway.

First, he gets his feet wet. Not long after, he wades in up to his knees. He hesitates when the water is at mid-thigh, and he stops there. For a while, it seems to me, it is like a dance. He stands facing the horizon, directly in front of where I sit. His shoulders are squared. There is something stoic in his stance. I can’t explain it. Squared and stoic.

Waves break against him, push him back. He allows the push, then makes his way back to the spot where he had stood before.

Before long, he ventures deeper still. The dance. I watch for a while, fascinated. I wonder if there is anything I should do. But no. The dance. Two steps forward, then the waves push him back.

And now he is in deeper still, and further from shore. I see a wave engulf him completely, and I hold my breath. He doesn’t struggle, but then I see him rise, face the horizon, square his shoulders.

The waves are strong and beautiful. And they are eerily clear, those waves. Sometimes I can see right inside them. Careful glass tubes of water, I can even observe that from shore.

For a while he stands like that, facing the horizon—a lull in the action of the waves. And then he is engulfed once again. I hold my breath, but this time he doesn’t rise.

I sit there for a long time, considering. And waiting. My breathing shallow. But he doesn’t reappear.

After half an hour, I text my handler.
“It is done,” is all I say, just as I know she will expect.
It was not my hand, but the mission has been accomplished regardless. No one knows better than me that there are many ways to die.

CHAPTER TWO

There are many ways to die.
I think I have died many times. Certainly, I’ve wanted to.
I died when I lost my child. Died later when I lost my husband, even though by then there was little love left between us. Still. I died.

I died the first time I took someone’s life. At the time it felt like living, but I didn’t yet know the difference. And then there was the time I had to kill someone I loved. I died that time, too.

Sometimes I believe I have died so much that I’ve forgotten how to live. That I should most correctly walk into a waiting undertow just like Gavin White did. I don’t know what stops me, honestly. I don’t. Though there are days when it’s a very close thing.

This isn’t one of those days.

When my phone rings, it tells me the call is coming from Kiribati, a place I’ve barely heard of before. All of her calls are like that. Routed through some other place. They might be chosen for their convenience, but I think they are also selected for the mirth they might provide. I’m not certain she has a wicked sense of humor, but I suspect it, pretty much.

She never used to call me. For a long time, it was text and email only, secure channels always. And then the calls began. I imagined that it meant we had developed some sort of connection. I no longer wonder about that now.

Whatever the meaning, the calls have never been from normal places; they don’t come from the places one might expect. And none have been from the same odd place twice. They are chosen for some reason I don’t understand. Some inside joke I stand outside of. She can be cryptic that way. Another reason I guess I imagined for a while that we belonged.

“That was efficient,” is what she says by way of greeting.

“What do you mean?” I figure I actually know, but it makes no sense to admit that going in.

“He walked into the sea,” she says. How does she know that? It makes me wonder, but not deeply. It would not be the first time I’ve wondered if there is someone who watches the hunter. It would even make a dark sort of sense.

“Yes,” I say, unquestioning. She has her ways. “That’s right. He did.”

“Hmmm,” she says. And then again, “Hmmm.”

“There are many ways to die,” I say, and by now it feels like gospel. Something sacred. And more true than true. “What I really don’t understand,” I say, sailing into a different direction, “is that you said things weren’t going to be like this anymore.”

“Excuse me?” I am put off by her tone. Surprised. It comes to me from a new place. Unexpected. And she doesn’t back away from it. Goes on just as strongly, instead. “What do you mean by that?” It’s a challenge.

“I’m trying to think how you put it,” I say. “Something about how things have been wrong with the world. How we could . . . how we could make it right.”

“Did I say that?”

“You did,” I reply.

“I do maybe remember something like that. Maybe.”

I feel my heart sink a bit at her words. And why? I can’t even quite put my finger on it. It felt, maybe, like I might be part of something. Again. And now? Now I’m not.

“You did say that,” I say it quietly though. Almost as an aside.

“These things take time, as it turns out. One can’t just flip a switch.” I can hear her pushing on, rushing through. “Meanwhile, I’ve got another one for you,” she says, and I’m relieved that she has tacitly agreed to leave the drowned man to sink or swim. Disappointed by how easily the hopeful words she’d fed me not so long ago could be pushed to one easy side. Disappointed and relieved all in one gulp. It’s an odd thing to feel. I find I don’t like it. “So if you’re ready,” she says.

“Another what?” I ask it, but I suspect I know.

“Job,” she replies, and I wonder why I wasted breath.

“I’m ready enough,” I say, though I’m struggling. I struggle every time.

“Good,” she says. “I’ll send you the details, but I think the juxtaposition of these two will amuse you.”

“How so?” And I try not to digest the irony around any aspect of a contract killing being amusing.

“Well, you’ve just been in the Pacific. Water, water everywhere.

And now you’re heading for the desert.” “I am?”

“You are. Right out into it, in fact. The target is in Arizona.” “Phoenix?” Which is all I really know of Arizona.

“You’ll fly to Phoenix, but, no: the target is near a national park.

Rural. A place you won’t have heard of before, I’m betting. I’ll send the details once I’m off this call.”

When I first get off the phone, I try not to think about it too much. It’s like my brain doesn’t want me to pay attention. Or something. But I put off checking my email. I’ll do it later. Right now, there are things that need my attention.

Okay. “Need” would be an overstatement. There are things. I choose to give them my time. Walks in the forest with the dog. Cooking succulent meals for one. And recently, I have taken up plein air painting, simply because it was there.

When I want to paint, I take the dog and my gear and we hike out to some remote spot and I set up my stuff and I paint what I see. Try to paint what I see. The dog meanwhile amuses himself— chasing squirrels, digging holes, sniffing his own butt. He’s very skilled at self-amusement. I’ve never seen anything like it.

In less clement weather we hunker down and brave it out. I make a fire in the fireplace because it’s beautiful, not because we need the warmth.

There is something idyllic to this life. Easy. After a while it gets even easier to forget . . . forget what? Everything, really. It gets easier to forget to remember.

I paint the dog. My online classes have gone well enough, and I have proven to be a good enough student—and the dog a good enough subject—that I end up with a pretty credible representation of him; something I am proud to hang. And even if I wasn’t, it’s not like anyone is ever going to see.

***

Excerpt from Dead West by Linda L Richards. Copyright 2023 by Linda L Richards. Reproduced with permission from Linda L Richards. All rights reserved.

On a frigid winter’s morning in a mountainous region of central Europe, Citizen Orlov, a simple fishmonger, is taking a shortcut along the dank alley behind the Ministries of Security and Intelligence when a telephone begins to ring. He thinks nothing of it and continues on his daily constitutional, his heavy boots crunching the snow between the cobbles.

The ringing continues, becoming louder with each step. A window at the back of the ministry buildings is open, just a little. The ringing telephone sits on a table next to the open window. Orlov stops, troubled by this unusual scene: there is no reason for a window to be open on such a cold day. Since this is the Ministry of either Security or Intelligence, could an open window be a security breach of some kind?

Orlov is tempted to walk away. After all, this telephone call is none of his business. On the other hand, he is an upright and patriotic citizen who would not want to see national security compromised simply because no one was available to answer a telephone call. He is on the verge of stepping toward the open window when he hears footsteps ahead. A tight group of four soldiers is marching into the alley, rifles on shoulders. He freezes for a second, leans against

the wall, and quickly lights a cigarette. By the time the soldiers reach him, Orlov is dragging on the cigarette and working hard to appear nonchalant. The soldiers are palace guardsmen, but the red insignia on their uniforms indicates they are part of the elite unit that protects the Crown Prince, the king’s ambitious older son. Orlov nods politely, but the soldiers ignore him and march on at speed.

The telephone is still ringing. Someone very much wants an answer. Orlov stubs his cigarette on the wall and approaches the open window. The telephone is loud in his right ear. Peering through the gap, he sees a small, gloomy storeroom with neatly appointed shelves full of stationery.

Finally, he can stand it no longer. He reaches through the window, picks up the receiver, and pulls it on its long and winding cable out through the window to his ear.

“Hello?” says Orlov, looking up and down the alley to check he

is still alone.

“Thank God. Where have you been?” says an agitated voice, distant and crackly. Orlov is unsure what to say. The voice continues. “Kosek. Right now.”

“I’m sorry?” says Orlov.

“Kosek. Agent Kosek.”

Orlov peers into the storeroom again. “There’s no one here,” he says.

“Well, fetch him then. And hurry, for God’s sake. It’s important.”

Orlov is sorely tempted to end the call and walk away, but the voice is so angry that he dare not.

“One minute,” he says, and lays the receiver on the table. He opens the window wider and, with some considerable effort, pulls himself headfirst into the storeroom, where he tumbles onto the floor. Picking himself up, he slaps the dust from his overcoat, opens the storeroom door, and peers along the hallway; all is dark and quiet.

With some trepidation, Orlov returns to the telephone. “Hello?” he says.

“Kosek?”

“No, sorry. I’ll have to take a message.”

The caller is still agitated. “Well, focus on what I’m about to say. It’s life and death.”

Orlov’s hands are shaking. “Hold on,” he says, “I’ll fetch some paper.”

Before he can put the receiver down, the caller explodes with anger. “Are you a simpleton? Do not write this down. Remember it.”

“Yes, sir. Sorry,” says Orlov. “I’ll remember it.”

“Are you ready?”

“Yes, sir.”

“Here it is. We could not—repeat not—install it in room six. Don’t ask why, it’s a long story.”

The man is about to continue, but Orlov interrupts him. “Should I include that in the message: ‘it’s a long story’?”

“Mother of God,” shouts the man. “Why do they always give me the village idiot? No. Forget that part. I’ll start again.”

“Ready,” says Orlov.

This time the man speaks slower and more deliberately, as if to a child. “We could not—repeat not—install it in room six. You need to get room seven. It’s hidden above the wardrobe. Push the lever up, not down. Repeat that back to me.”

Orlov is now shaking all over, and he grimaces as he forces himself to focus. He repeats the message slowly but correctly.

“Whatever else you do, get that message to Kosek, in person. No one else. Lives depend on it. Understood?”

“Understood,” says Orlov, and the line goes dead.

***

Excerpt from Citizen Orlov by Jonathan Payne. Copyright 2023 by Jonathan Payne. Reproduced with permission from CamCat Books. All rights reserved.